It's a dark Southern Gothic vision of ghosts, witchcraft, secret powers, snake-handling, Kudzu, Melungeons, and the Great Depression. Blood Kin is told from the dual points of view of Michael Gibson and of his grandmother Sadie. Michael has returned to the quiet Appalachian home of his forebears following a suicide attempt and now takes care of his grandmother; old and sickly but with an important story to tell about growing up poor and Melungeon (a mixed race group of mysterious origin) while bedeviled by a snake-handling uncle and empathic powers she but barely understands. In a field not far from the Gibson family home lies an iron-bound crate within a small shack buried four feet deep under Kudzu vine. Michael somehow understands that hidden inside that crate is potentially his own death, his grandmother's death, and perhaps the deaths of everyone in the valley if he does not come to understand her story well enough.

    Pandora and sail into a cruise of metaphysical terror, madness, and death.

    His face, disfigured from a childhood accident, seemed to confirm he was the monster the community hoped to banish. With Paul in prison, the killings stopped.For seventeen years, Haven was peaceful again. But Paul served his time and has now returned to Haven--the town where he grew up, and the scene of his alleged crimes. Paul insists he didn't commit those crimes, and several townspeople believe him including the local priest, a young boy named Denny, and his best friend Billy.Trouble is, now that Paul is back home, the bizarre killings have started again--and the patterns match the deaths from Haven's past. If Paul isn't the killer, who is?Or WHAT is? An unlikely band of adventurers attempts to uncover the truth, delving into long-hidden tunnels that might actually be inhabited by a strange, predatory creature.Haven is a compelling horror epic in the spirit of It or Summer of Night, and a stunning debut novel from a gifted author who knows that the darkest horrors lurk inside human beings, even when there is a monster on the loose.Praise for Haven;"Haven is a big, generous, Stephen King-like small town boys vs. monster epic."— Stewart O'Nan, author of The Night Country and A Prayer for the Dying"A wonderfully entertaining ride, reminiscent of the Creature Features of yesteryear."— Sloane Kady, author of Irreparable Deeds"Full of well-drawn characters and slow burn suspense, Tom Deady's Haven is a terrific dose of New England horror that harkens back to some of my favorite classic monster fiction from writers like Rick Hautala and Charles L. Grant. If you’re a fan of this sort of thing, you’ll know that’s damn high praise. Give it a read."— Christopher Golden, New York Times bestselling author of Snowblind and Dead Ringers"Haven is about scars, both literal and figurative; it's about second chances and broken memories. This is a great small-town horror novel—a bullet-read with deep characters and perfect pacing. Best of all, it's creepy as hell."— Rio Youers, author of Westlake Soul and Point Hollow“If coming-of-age novels with a bad-ass monster sound good to you… if mounting suspense with a true to life cast of characters peaks your interest…then Tom Deady’s HAVEN is right up your alley. Reminiscent of Charles L. Grant, HAVEN is a fun and nostalgic romp that brought me back to my own youth in small-town New England. And who doesn’t love a good monster tale?” – John McIlveen, author of HANNAHWHERE, winner of the 2015 Drunken Druid Award and Stoker Award nominee.

    Her parents offer plenty of comfortable—if stifling—emotional support, but what she needs is a best friend.In her final year at Clark Middle School, Tasha meets a strange, new classmate. Briar Kenny is the self-styled rebel Tasha wants to be, and the Davises are the kind of close-knit family Briar covets. A moment of unexpected violence spawns a secret between the two girls and awakens a mystery from the past.Unknown to Tasha and Briar, their secret also attracts something monstrous from a forgotten corner of Skillute. The town is haunted by its history, scarred with the lingering spirit of broken and scattered families, abandoned real estate ventures, and old scores never settled between neighbors. But there’s more to the place than memory and legend. Beneath the landscape something malignant rages, and it will stop at nothing to find a route into the physical world.Cover art and design by Mikio Murakami.

    Hiding from his past big city exposés in the quiet coastal town of Terrel, he stumbles upon a web of mysterious teen suicides that somehow connect a ring of five women. Is there really a malevolent presence inside Terrel Cliff that holds all of the town in thrall as Angelica, a fortune teller, suggests? Or is there a murderous covenant between five women to sacrifice their first-born? When Angelica is kidnapped right under his nose, Joe suspects that there is more at work in Terrel than a dark, tragic streak.Deep beneath the remains of a long-demolished lighthouse on its tragic cliff, Joe discovers Terrel's secret history and salvation. And in his desperate bid to save two women, he forges a new covenant, one that puts his own soul in deadly danger.

    Located beyond life, The Library of Lost Childhood Memories holds the answer. The Librarian is Mr. Wicker—a seductive yet sinister creature with an unthinkable past and an agenda just as lethal. After committing suicide, Alicia finds herself before the Librarian, who informs her that her lost memory is not only the reason she took her life, but the cause of every bad thing that has happened to her. Alicia spurns Mr. Wicker and attempts to enter the hereafter without the Book that would make her spirit whole. But instead of the oblivion she craves, she finds herself in a psychiatric hold at Bayford Hospital, where the staff is more pernicious than its patients.Child psychiatrist Dr. James Farron is researching an unusual phenomenon: traumatized children whisper to a mysterious figure in their sleep. When they awaken, they forget both the traumatic event and the character that kept them company in their dreams—someone they call "Mr. Wicker."During an emergency room shift, Dr. Farron hears an unconscious Alicia talking to Mr. Wicker—the first time he's heard of an adult speaking to the presence. Drawn to the mystery, and then to each other, they team up to find the memory before it annihilates Alicia for good. To do so they must struggle not only against Mr. Wicker's passions, but also a powerful attraction that threatens to derail her search, ruin Dr. Farron’s career, and inflame the Librarian’s fury.After all, Mr. Wicker wants Alicia to himself, and will destroy anyone to get what he wants. Even Alicia herself.

    No one in Windale actually believes in witches, but three people are experiencing vivid nightmares.

    That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.

    Poor yet resilient, he lives in the shadows with his Aunt Libby and Uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixedblood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks.For ten years, he and his family have lived a life of late-night exits and close calls—always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will know if their nephew is like them or not. And the close calls they’ve been running from for so long are catching up fast, now. Everything is about to change.A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world. A smart and innovative story—funny, bloody, raw, and real—told in a rhythmic voice full of heart, Mongrels is a deeply moving, sometimes grisly novel that illuminates the challenges and tender joys of a life beyond the ordinary in a bold and imaginative new way.

    A young priest suddenly develops frightening, miraculous powers, leading to an apocalyptic battle between good and evil...

    When Burke Campbell befriends the Sineater's son, horrible things begin to happen. The Sineater, and his family, are blamed. Can superstition be overcome? Is it superstition, or fact? Will tradition be broken...or will a family, and an Appalachian community be undone?

    Things stay with us—souvenirs with memories attached. We can't always choose what to keep, what to throw away.Nathan's parents devised cautionary tales for him and his sister—gruesome stories about predatory cars racing along the "Big Street" at one end of their neighborhood, or dope fiends lurking in the woods behind their house and ready to plunge hypodermics into the skin of foolish young trespassers. These stories served their purpose during Nathan's gullible childhood, essentially constructing an invisible fence around the yard and keeping the boy close to home where he'd be safe.Such barriers are not so easy to discard in later life. As an adult, Nathan no longer believes his parents' stories, and yet they still confine him. He lives cautiously, avoiding serious relationships, avoiding risk. But despite his efforts, something from his parents' cautionary tales threatens to creep beneath that invisible border…and the enclosed yard might not be as safe and secure as it always seemed…

    Now it is a novel, stuffed full of the gruesome and horrible. Taken from the mythologies and histories of humankind, it follows the trail of the Mother Spririt of the worst that the world is capable of producing. From the catacombs of ancient Rome where a blasphemous sect twisted the message of the early Christians--to modern America with its obsession with violence, deities and saints and the reincarnations of beasts battle over sublime and profane, where the very reasons for existence for us all may lie in the unthinkable.Edward Lee (author of CITY INFERNAL, MONSTROSITY, INCUBI, and SUCCUBI) says in his introduction to this new novel-length version, "What's most unique of all here (and jealously fascinating) are the creative guts of the author. If there's an ultimate dichotomy in the horror genre, it's got to be Jacob...armed with a talent to write the most beautiful prose yet using that talent to examine the most unspeakable and detestable horror. ...It's one of my all time favorite novels in the field."

    The cave is actually an ancient, buried ship that many quickly come to believe is really Noah’s Ark. When a team of scholars, archaeologists, and filmmakers make it inside the ark for the first time, they discover an elaborate coffin in its recesses. The artifact tempts their professional curiosity; so they break it open. Inside, they find an ugly, misshapen cadaver—not the holy man that they expected, a hideous creature with horns. A massive blizzard blows in, trapping them in that cave thousands of meters up the side of a remote mountain…but they are not alone.

    Satisfy your curiosity. Surrender to wonder. Witness as the finest talents of our time bring you tales of the strangeness at the edges of existence.Featuring: Clive Barker, John Langan, Neil Gaiman, Ramsey Campbell, Lisa Morton, Brian Kirk, Hal Bodner, Stephanie M. Wytovich, Erinn Kemper, John F.D. Taff, Patrick Freivald, Lucy Snyder, Brian Hodge, Kristi DeMeester, Christopher Coake, Sarah Read, and Richard Thomas. With a foreword by Josh Malerman.