. . and best of all, you can enjoy these riches every day of your life." No doubt Walt was referring to the intangible wealth of opportunities for learning and imagining inherent in the act of reading, but when one considers the vibrant art and gilded spines of the Disney Golden Books, Walt's pronouncement takes on a parallel meaning. For perhaps no other children's books are as cherished and collected-as though they were doubloons and jewels-than the Disney Golden Books. The history of these books began in 1933, when the president of Whitman Publishing wrote a letter to Walt Disney. Whitman had already published compilations of the "Dick Tracy" and "Little Orphan Annie" comic strips, and these Big Little Books had met with great success. The publisher proposed a similar collection of the "Mickey Mouse" comic strips, and offered a royalty of one-half percent per book. Walt agreed, and a new era in Disney publishing commenced. A remarkable lineup of talent, many of whom were Disney Studio artists- including Mary Blair, Alice and Martin Provensen, Gustaf Tenggren, Al Dempster, Retta Scott Worcester, and Bill Peet-created the illustrations for the early Disney Golden Books. The bold and incredibly detailed artwork was painstakingly executed in gouache and watercolor-media that required a steady hand and immense patience and precision. The resulting publications became favorite selections in the libraries of many children, among them, future generations of Disney and Pixar artists who were inspired to draw, dream, and later, create their own films and Golden Books. The Art of the Disney Golden Books celebrates a legacy that has now thrived for more than eighty years and continues to influence new generations of artists and filmmakers. Through interviews with contemporary animators who recall tracing the characters in their childhood Disney Golden Books, paintings by artists who influenced and inspired the Disney Golden Book illustrations, and a generous complement of Golden Book artwork-much of which was thought to have been lost until very recently-the rich tradition of the series is explored in this vibrant volume.From Peter Pan and Cinderella to Toy Story and Tangled, the Disney Golden Books are displayed in all their glory, evoking a poignant sense of wonder and nostalgia. For as long as parents and children partake in the ritual of reading together at bedtime, the Disney Golden Books will continue to be published, enjoyed, and treasured.

    David Weisman filmed Edie for the last years of her life in his cult film Ciao! Manhattan. After uncovering lost footage, he was inspired to create Edie: Girl on Fire, a book and a documentary film that explore Edie's true story, in the process unearthing hundreds of unpublished photos and interviewing many of Edie's surviving intimates. A rebuttal to Hollywood's highly fictionalized Factory Girl, this is an insightful and startling portrait of a woman that nobody quite knew.

    Centred on 15 collections, with extensive interviews with each collector and specially shot imagery detailing their objects, this is a fascinating showcase of bizarre and intriguing objects.Included are collections of skulls, mummified body parts, occultic objects, and various carnival, side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time.

    each) : analog.Part Two Of Two Parts In this second novel of the Earth's Children saga, Ayla, the unforgettable heroine of THE CLAN OF THE CAVE BEAR, sets out solo into a world far from friendly. She is in search of Others like herself...and in search of love. Driven by energies she scarcely understands, she explores where the clan never dared to travel. In a hidden valley she finds not only a herd of steppe horses, but also a unique kinship with animals as vulnerable as herself. Still, nothing prepares her for the emotional turmoil she feels when she rescues a young man, Jondalar -- the first of the Others she has seen -- from almost certain death.

    Written by renowned comic book writer Louise Simonson, the book examines the evolution of the comic book women of DC Comics: the 1942 introduction of the most famous DC heroine, Wonder Woman, and her various incarnations up to the present; the creation of comic book spin-offs based on characters such as Lois Lane; and the recent wealth of fierce, female character-driven comics such as Supergirl, Birds of Prey, Batgirl, and Catwoman, featuring women who have no trouble being both sexy and strong-willed. Famous featured DC Comics artists include Jim Lee, Alex Ross, Adam Hughes, J. Scott Campbell, Michael Turner, Tim Sale, and Jill Thompson. DC Comics Covergirls is a smart and in-depth look at the female comic book characters we've grown up with all these years, and is sure to appeal to new comic book fans and diehard collectors alike.

    Instead of the skills proper young ladies studied, Saint Melissa was adept at the bringing on of migraines, the refinement of lust, and the involutions of penmanship and calligrams. And as Gorey wrote, "letters she wrote are still to be delivered, traps she set are still to be sprung, pronouncements she devised are still to be promulgated, objects she hid are still to be found."

    Relive each exciting match with detailed information, exclusive interviews, never-before-seen shots, and much more! The history of each WrestleMania, from both sides of the curtain Special tributes to Undertaker's Streak, Mr. WrestleMania, records, stats & more Stories from influential figures, including Vince McMahon, Hulk Hogan, Bret Hart & others Behind the scenes photos and anecdotes Artifacts such as tickets, VIP passes, programs, promotional items and other unique surprises Coverage of all the definitive Superstars and celebrities Foreward by "Mr. WrestleMania" Shawn Michaels Exclusive Topps collectible trading card featuring the Undertaker One of five exclusive collectible bookmarks Whether you've never missed a 'Mania or you are new to WWE, 30 Years of WrestleMania is guaranteed to enhance your fanhood and enrich your enjoyment of the WWE's annual worldwide phenomenon.

    We’ve always said it takes a real man to wear makeup.”—Bret Michaels, Poison (1988)There was a time—not so long ago—when pomp and spandex dominated MTV and pop radio playlists. American Hair Metal visually celebrates this orgy of flamboyance, androgyny, and animal magnetism, of big-haired alpha males and the beautiful women who surrounded them.Hundreds of striking photographs are surrounded by hedonistic ephemera from bands like Poison, Cinderella, Mötley Crüe, Skid Row, and Stryper, and wild interview quotes from major players such as David Lee Roth, Jon Bon Jovi, Sebastian Bach, Tommy Lee, Nikki Sixx, Bret Michaels, Don Dokken, and a good number of unsung heroes.Interest in hair metal is currently exploding—witness the barrage of VH1 specials, arena-level revival tours, and reissue compilations that are even today best-selling CDs.

    As you browse the photographs they discuss inspiration, censorship, how to find models, and how to make a living capturing beautiful women on film and in pixels. The New Erotic Photography is the room, and 82 photographers from 14 countries are the hosts of this intimate gathering. In this 608 page volume you will meet Ralph Gibson, Jan Saudek, Terry Richardson, Natacha Merritt, Petter Hegre, Richard Kern, Bob Carlos Clarke, Thomas Karsten and the many fresh new talents currently redefining eroticism. Playful, provocative and exuberantly sexy, these aren?t your granddad's art nudes; this is The New Erotic Photography. Photographers featured: Robert Adler, Markus Amon, Guido Argentini, Alethea Austin, Marc Baptiste, Daniel Bauer, Bruno Bisang, Lisa Boyle, Derek Caballero, Bob Carlos Clarke, Didier Carre, BT Charles, John Chilton, Robert Chouraqui, Jean Van Cleemput, Barney Cokeliss, Bob Coulter, Cristian Crisbasan, Yuri Dojc, Susan Egan, Andrew Einhorn, Alla Esipovich, Ivana Ford, Ed Fox, Peter Franck, Jody Frost, Perry Gallagher, Ralph Gibson, Steve Diet Goedde, Peter Gorman, Ludovic Goubet, James Graham, China Hamilton, Naomi Harris, Aaron Hawks, Petter Hegre, Mark Helfrich, Noritoshi Hirakawa, Mike James, Jive, Thomas Karsten, Richard Kern, Christine Kessler, Chas Ray Krider, Eric Kroll, Vlastimil Kula, Dennis Letbetter, Stefano Levi, Herv? Lewis, Kenn Lichtenwalter, Florian Lohmann, Ben Marcato, Olaf Martens, Natacha Merritt, Maki Miyashita, Craig Morey, Ken-ichi Murata, Dave Naz, Beatrice Neumann, SakikoNomura, David Perry, George Pitts, Collin Rae, Nicola Ranaldi, Terry Richardson, Markus Richter, Giovanni Sambuelli, Will Santillo, Jan Saudek, Joan Sinclair, Tony Stamolis, Julie Strain-Eastman, Missy Suicide, Brian Sullivan, Jeremy Thompson, Rebecca Tillett, Larry Utley, Mariano Vargas, Yasuji Watanabe, Ben Westwood, Michael White, Chip Willis

    . . 300 pages of cuteness.” —The Los Angeles TimesThe Dogist Puppies, the follow-up to the New York Times bestseller The Dogist, is a beautiful, funny, and endearing look at puppies.   He fires up the Nikon. Fills his pockets with treats. Dresses in special gear—pants with built-in kneepads and shoes that are not only made for walking but also have a thick rubber toe for squatting. And last but not least, he packs a squeaky tennis ball. And then The Dogist is off, combing the streets in his quest to find dogs to photograph. Or, as has been the case for the past four years, puppies. Bringing his singular eye and sensibility to photographing puppies from birth to age one, Elias Weiss Friedman, aka The Dogist, captures hundreds of fuzzy faces to love and little furry bodies to covet. The Dogist Puppies is a celebration of oversize puppy paws and floppy puppy ears, puppies getting belly rubs and puppies unsure, exactly, of what that tail thing is for. Puppies at play, and puppies worn out from playing. Litters of puppies with their mom, and puppies with their human equivalents—children. Puppies in fancy outfits, and those poignant puppies having to wear the “cone of shame.” Friedman has also taken a deep dive into breeds: Border Collies and Westies, Frenchies and Huskies, Boxers and the Nova Scotia Duck Tolling Retriever, whose tender gaze looks just a little worried—perhaps concerned about living up to that name. The Dogist’s new focus is on puppies. What more do you need to know?

     What do all these people have in common? Fame, of course, and undeniable talent. But most of all, they were cool. Birth of the Cool is a stunningly illustrated, brilliantly written cultural history of the American avant-garde in the 1940s and 1950s -- the decades in which cool was born. From intimate interviews with cool icons like poet Allen Ginsberg, bop saxophonist Jackie McLean, and Living Theatre cofounder Judith Malina, award-winning journalist and poet Lewis MacAdams extracts the essence of cool. Taking us inside the most influential and experimental art movements of the twentieth century -- from the Harlem jazz joints where Dizzy Gillespie and Charlie Parker invented bebop to the back room at Max's Kansas City when Andy Warhol was holding court to backstage at the Newport Folk Festival the night Bob Dylan went electric, from Surrealism to the Black Mountain School to Zen -- MacAdams traces the evolution of cool from the very fringes of society to the mainstream. Born of World War II, raised on atomic-age paranoia, cast out of the culture by the realities of racism and the insanity of the Cold War, cool is now, perversely, as conventional as you can get. Allen Ginsberg suited up for Gap ads. Volvo appropriated a phrase from Jack Kerouac's On the Road for its TV commercials. How one became the other is a terrific story, and it is presented here in a gorgeous package, rich with the coolest photographs of the black-and-white era from Robert Doisneau, Henri Cartier-Bresson, Man Ray, and many others. Drawing a direct line between Lester Young wearing his pork-pie hat and his crepe-sole shoes staring out his hotel window at Birdland to the author's three-year-old daughter saying "cool" while watching a Scooby-Doo cartoon at the cusp of a new millennium, Birth of the Cool is a cool book about a hot subject...maybe even the coolest book ever.

    Paul and Julia moved to Paris in 1948 where he was cultural attaché for the US Information Service, and in this role he met Henri Cartier-Bresson, Robert Capa, Brassai, and other leading lights of the photography world. As Julia recalled: “Paris was wonderfully walkable, and it was a natural subject for Paul.”Their wanderings through the French capital and countryside, frequently photographed by Paul, would help lead to the classic Mastering the Art of French Cooking, and Julia’s brilliant and celebrated career in books and on television. Though Paul was an accomplished photographer (his work is in the collection of the Museum of Modern Art), his photographs remained out of the public eye until the publication of Julia’s memoir, My Life in France, in which several of his images were included. Now, with more than 200 of Paul’s photographs and personal stories recounted by his great-nephew Alex Prud’homme, France is a Feast not only captures this magical period in Paul and Julia’s lives, but also brings to light Paul Child’s own remarkable photographic achievement.

    Vogue: The Covers chronicles the extraordinary images that have reflected—and transformed—the world of style for more than 120 years. More than 300 of the most beautiful, provocative, and fashion-forward covers ever produced are highlighted alongside the history and stories behind the covers themselves. Organized in chronological order by decade, Vogue: The Covers begins with the illustrated covers from the magazine’s inception in 1892 and spans the 20th century to the present day, charting the evolution of fashion, art, culture, and photography for the past 120 years. Featuring the work of influential artists—Helmut Newton, Irving Penn, Richard Avedon, Bruce Weber, Herb Ritts, Steven Meisel, Annie Leibovitz, and Mario Testino—the book is a stunning celebration of the magazine and its unparalleled influence.

    LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY "EVIL" BOOK.

    Society may label them bums, homeless, or pariahs, but Zellar's empathetic writing allows the reader to get inside one broken man, and therefore all."—Jim Walsh, MinnPostWashed up in the shadow of a refinery, Lester B. Morrison, legendary recluse, documents his life in a series of photographs taken with a disposable camera. In a landscape of off ramps, warehouses, and SRO hotels occupied by terminally lonely men, love and faith break in, quietly offering human connection and the possibility of redemption.Brad Zellar has worked as a writer and editor for daily and weekly newspapers, as well as for both regional and national magazines. He is the author of Suburban World: The Norling Photos, The 1968 Project, Conductors of the Moving World, and House of Coates.Alec Soth is a photographer whose first monograph, Sleeping by the Mississippi, was published by Steidl in 2004. Since then Soth has published over a dozen books including Niagara (2006), Dog Days, Bogotá (2007), The Last Days of W (2008), and Broken Manual (2010). Soth's work has been exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland.