Around 1000 years back, anyone could go for a purgatory voyage to experience life after death for 12 days through a tunnel in Bharmaur, Himachal Pradesh. But no one could recall what happened to him during his purgatory voyage. Once, a person from Bundelkhand, named Kalidas went for a purgatory voyage. He experienced life after death and surprisingly, he was able to recall all those incidents of a different planet. After returning to his state, he embarked on a discourse about his purgatory voyage and his scary encounters with the King of Bundelkhand.Could anyone believe in his riveting account of the voyage or people smelled a foul play?• RECOMMENDATION •The novel "Purgatory Voyage" by Adarsh Kumar Khare is about a story that dates back to 925 AD of a village person, otherwise living peacefully, whose life is thrown into a turmoil consequent to an extraordinary experience of the afterlife, an outcome of his deed (karma) and sense of inquiry. The story is beautifully weaved with threads of mythology, traditional Hindu beliefs, and folklore. At the same time, there is a conscious effort to bring out the social behavior, rituals, and festivities of village life of that period along with the political order of the King with his subjects.There is a gripping narration of Kali, the protagonist of the novel, of other-worldly experience of his visits to after-life planets of hells and heavens, of torments and punitive actions meted out to sinners, and accounts of suffering the souls have to undergo for the various sins committed in their earthly lives. The author seems to have largely drawn from the “Pretkalp” part of Garud Puran for making such a vivid description of the splendors of the city of Yam, the horrors of various hells, and the excruciating journey of an ordinary soul through all this.The most interesting part of this novel is the day-by-day recount by Kali of incidents, pain, and suffering of his soul and other fellow souls in his 10-days sojourn to different types of hells and also exploring parts of Yam City and heaven. The curiosity of a reader is held on toes as the account of each day unfolds, much like the Arabian nights.I find ‘Purgatory Voyage’ by Adarsh Khare a hugely fascinating story in which one cannot leave reading halfway. It latches on to your curiosity and leads your imagination till you reach the end and sigh a sense of relief and joy of having gone through the upheavals along with the protagonist of the story. I think this is the achievement of Adarsh Khare in writing this book.Asit Kumar, Advisor in the Ministry of Petroleum, New Delhi.Purgatory Voyage is a very interesting novel based on one of the important ancient scriptures of India, specifically the Garuda Puran. Adarsh Kumar Khare has used his creative craft to bring back alive the old teachings of India in a story of fiction that should strike a chord with all age group people, particularly those who have some inclination to occultism. The author has followed a style of simple storytelling that generates curiosity in the mind ‘what next’. It was a joy to read the book describing what life after death could be like, with vivid descriptions of different hells and heaven, and punishment or reward according to committed sins or virtuous work. Most of the geographical locations including river, valleys, and forests bear names either similar or the same as those that exist in present-day India and that adds much credence and authenticity to arouse interest in the reader’s mind, even though it is a fiction. This book is a must for those who have some fascination towards Indian rich cultural heritage including ancient scriptures and those having the curiosity to peep into the future of life after death.Pradipta Kumar Das, Bestselling author of Power of the Universe lies within you.

    She insists they are middle class, but Orestes is not convinced. And after another fraudulent election and the disappearance of his younger brothers Castor and Pollux, he heads off on an adventure.Orestes meets a procession of pilgrims, a stoner uncle called Pink Floyd and a beguiling politician who teaches him how to lie, and he learns some valuable lessons about families, truth and bovine artificial insemination.With Quesadillas, Juan Pablo Villalobos serves up a wild banquet. Anything goes in this madcap Mexican satire about politics, big families, and what it means to be middle class.

    Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.

    Naïma's father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind--including their secrets.The Algerian War for Independence sent Naïma's grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma's family fit into this history? How do they fit into France's future?Alice Zeniter's The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people's history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

    Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?

    The increasingly frantic protagonist fails to defend his supposed masculinity and eventually finds himself in a sanatorium. A Gothic tale of destabilized male-female binaries and subverted literary tropes, this is the book's first English publication.

    Brilliantly resisting the postcard kitsch typically associated with her subject, On Lighthouses is a sweeping work that connects figures such as Robert Louis Stevenson, Virginia Woolf, Walter Benjamin, and Anne Carson; Barrera’s interconnected essays offer a mesmerizing portrait—historical, literary, and decidedly personal—of her obsession, those structures whose message is “first and foremost, that human beings are here.” On Lighthouses, described as “alluring and arresting as the landscapes and stories it conveys” by the Los Angeles Review of Books, takes readers on a journey from raging sea to cold stone—from a hopeless isolation to a meaningful one—concluding at last in a place of peace.

    Their destination: Apacheria, the place the Apaches once called home.Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father.In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained--or lost in the desert along the way.As the family drives--through Virginia to Tennessee, across Oklahoma and Texas--we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can almost feel beneath their feet. They are led, inexorably, to a grand, harrowing adventure--both in the desert landscape and within the chambers of their own imaginations.Told through several compelling voices, blending texts, sounds, and images, Lost Children Archive is an astonishing feat of literary virtuosity. It is a richly engaging story of how we document our experiences, and how we remember the things that matter to us the most. With urgency and empathy, it takes us deep into the lives of one remarkable family as it probes the nature of justice and equality today.

    Because he taught me that the most haunting mysteries are those of everyday life. -- Gabriel Garcia Marquez

    Comprised of letters written over the course of thirty years, and translated and introduced by acclaimed Peruvian-American writer Daniel Alarcon, it describes in vivid, painterly detail the remarkable courage and limitless imagination of a young girl growing up with nothing. Emma was an illegitimate child, raised in a windowless room in Bogota with no water or toilet and only ingenuity to keep her and her sister alive. Abandoned by their mother, she and her sister moved to a convent housing 150 orphan girls, where they washed pots, ironed and mended laundry, scrubbed floors, cleaned bathrooms, and sewed garments and decorative cloths for church. Illiterate and knowing nothing of the outside world, Emma escaped at age nineteen, eventually coming to have a career as an artist and to befriend the likes of Frida Kahlo and Diego Rivera as well as European artists and intellectuals. Far from self-pitying, the portrait that emerges from this clear-eyed account inspires awe at the stunning early life of a gifted writer whose talent remained hidden for far too long.

    There, in the 'green mansions' of the title, Abel encounters the wood-nymph Rima, the last survivor of a mysterious aboriginal race. The love that flowers between them is soon overshadowed by cruelty and sorrow... One of the acknowledged masters of natural history writing, W. H. Hudson forms an important link between nineteenth-century Romanticism and the twentieth-century ecological movement.First published in 1904 and a bestseller after its reissue a dozen years later, Green Mansions offers its readers a poignant meditation on the loss of wilderness, the dream of a return to nature, and the bitter reality of the encounter between savage and civilized man.

    Recounts how the author, an Austrian, escaped from an English internment camp in India in 1943 and spent the next seven years in Tibet, observing its social practices, religion, politics, and people.

    In the Dam Square in Amsterdam, long-haired young people wearing vibrant clothes and burning incense could be found meditating, playing music and discussing sexual liberation, the expansion of consciousness and the search for an inner truth. They were a generation refusing to live the robotic and unquestioning life that their parents had known.At this time, Paulo is a young, skinny Brazilian with a goatee and long, flowing hair who wants to become a writer. He sets off on a journey in search of freedom and a deeper meaning for his life: first, with a girlfriend, on the famous “Death Train to Bolivia,” then on to Peru and later hitchhiking through Chile and Argentina.His travels take him further, to the famous square in Amsterdam, where Paulo meets Karla, a Dutch woman also in her 20s. She convinces Paulo to join her on a trip to Nepal, aboard the Magic Bus that travels across Europe and Central Asia to Kathmandu. They embark on a journey in the company of fascinating fellow travelers, each of whom has a story to tell, and each of whom will undergo a transformation, changing their priorities and values, along the way. As they travel together, Paulo and Karla explore their own relationship, an awakening on every level that brings each of them to a choice and a decision that sets the course for their lives thereafter.

    His sister-in-law Kadambari is 25. She kills herself. Why does she commit suicide? Her suicide-note, to Rabindranath, which is a long valedictory letter that sums up the tragic story of the ill-fated woman answers this question. Finally we know the secret!

    It is here she receives protection, the sort of education not taught in convents and, just as important, the freedom to practise her skill with herbal remedies without fear.But it isn't only her unusual knowledge of plants and the workings of the body which might land her in danger. In times of stress, she is capable of extraordinary feats which she cannot always control and which she struggles to keep secret. And then there's the recurring vision of a house somewhere - calling to her and soothing her when life becomes too difficult.Blessed with good looks, education and an aristocratic air, it's not long before Elisabeth is pursued and swept up into high society where she quickly learns that women who wish to be independent need to be clever, for there are few choices open to them in a patriarchal society where the law is very much against them.Older, wiser and richer, there is still unfinished business for Elisabeth. She doesn't know her mother's English family or who her father is - and she doesn't know why she's able to see and do things others can't. She sets out to find answers, travelling to Brittany and across to England where London is gripped by plague and fire.But is she prepared for the answers? That’s the question…