Stanley Wolpert has condensed more than 4,000 years of India's history into a graceful and engaging text. He discusses modern India's rapidly growing population, industry, and economy, and also considers the prospects for India's future. Wolpert strives to record India's history fairly and truthfully, portraying the brightest achievements of Indian civilization as well as its persistent social inequities and its economic and political corruption. Now entirely redesigned, A New History of India, 7/e, includes photographs for the first time, a full-color map of India and the surrounding area, updated bibliographic material, and a revised final chapter reflecting the significant social, political, and economic issues that have arisen since the year 2000.

    The British, Russians, and Americans have all fought across its beautiful and inhospitable terrain, in conflicts variously ruthless, misguided and bloody. This violent history is the subject of David Loyn's magisterial book. It is a history littered with misunderstandings and broken promises, in which the British, the Russians, and later the Americans, constantly underestimated the ability of the Afghans. In Afghanistan brilliantly brings to life the personalities involved in Afghanistan's relationship with the world, chronicling the misunderstandings and missed opportunities that have so often led to war. With 30 years experience as a foreign correspondent, David Loyn has had a front-row seat during Afghanistan's recent history. In Afghanistan draws on David Loyn's unrivalled knowledge of the Taliban and the forces that prevail in Afghanistan, to provide the definitive analysis of the lessons these conflicts have for the present day.

    But Dharavi is much more than cold a statistic. What makes it special are the extraordinary people who live there, many of whom have defied fate and an unhelpful State to prosper through a mix of backbreaking work, some luck and a great deal of ingenuity. It is these men and women whom journalist Kalpana Sharma brings to life through a series of spellbinding stories. While recounting their tales, she also traces the history of Dharavi from the days when it was one of the six great koliwadas or fishing villages to the present times when it, along with other slums, is home to almost half of Mumbai.

    London is a vast sprawling metropolis, constantly evolving and growing, yet throughout its complex past and shifting present, the humor, unique character, and bulldog spirit of the people has stayed constant. This book salutes all those Londoners, their city, and its history. In addition to the wealth of images included in this book, many previously unpublished, London’s history is told through hundreds of quotations, lively essays, and references from key movies, books, and records. From Victorian London to the Swinging 60s; from the Battle of Britain to Punk; from the Festival of Britain to the 2012 Olympics; from the foggy cobbled streets to the architectural masterpieces of the millennium; from rough pubs to private drinking clubs; from Royal Weddings to raves, from the charm of the East End to the wonders of the Westminster; from Chelsea girls to Hoxton hipsters; from the power to the glory: in page after page of stunning photographs, reproduced big and bold like the city itself, London at last gets the photographic tribute it deserves. Photography by: Eve Arnold, Bill Brandt, Henri Cartier-Bresson, Alvin Langdon Coburn, Donovan, Walker Evans, Roger Fenton, Bert Hardy, Evelyn Hofer, Tony Ray Jones, Nadav Kander, Roger Mayne, Linda McCartney, Don McCullin, Norman Parkinson, Martin Parr, Irving Penn, Rankin, Grace Robertson, Lord Snowdon, William Henry Fox Talbot, Juergen Teller, Wolfgang Tillmans, and many, many others.

    The Devil and Dr. Barnes traces the near-mythical journey of a man who was born into poverty, amassed a fortune through the promotion of a popular medicine, and acquired the premier private collection of works by such masters as Renoir, Matisse, Cézanne, and Picasso. Ostentatiously turning his back on the art establishment, Barnes challenged the aesthetic sensibilities of an uninitiated, often resistant and scoffing, American audience. In particular, he championed Matisse, Soutine, and Modigliani when they were obscure or in difficult straits. Analyzing what he saw as the formal relationships underlying all art, linking the old and the new, Barnes applied these principles in a rigorous course of study offered at his Merion foundation. Barnes's own mordant words, culled from the copious printed record, animate the narrative throughout, as do accounts of his associations with notables of the era--Gertrude and Leo Stein, Bertrand Russell, and John Dewey among them--many of whom he alienated with his appetite for passionate, public feuds. In this rounded portrait, Albert Barnes emerges as a complex, flawed man, who--blessed with an astute eye for greatness--has left us an incomparable treasure, gathered in one place and unforgettable to all who have seen it.

    The story of the raid has reverberated in Indian history, but largely during the raj. It was first depicted as a trauma for the Hindu population not in India, but in the House of Commons. The triumphalist accounts of the event in Turko-Persian chronicles became the main source for most eighteenth-century historians. It suited everyone and helped the British to divide and rule a multi-millioned subcontinent.In her new book, Romila Thapar, the doyenne of Indian historians, reconstructs what took place by studying other sources, including local Sanskrit inscriptions, biographies of kings and merchants of the period, court epics and popular narratives that have survived. The result is astounding and undermines the traditional version of what took place. These findings also contest the current Hindu religious nationalism that constantly utilises the conventional version of this history.

    While rugs are found in most Western homes, the story of religious, political, and tribal strife behind their creation is virtually unknown. In "The Carpet Wars, award-winning journalist Christopher Kremmer chronicles his fascinating ten-year journey along the ancient carpet trade routes that run through the world's most misunderstood and volatile regions -- Afghanistan, Iran, Iraq, India, Pakistan, and the former Soviet republics of Central Asia.Christopher Kremmer's odyssey through the crescent of Islamic nations began in the early 1990s, when he arrived in Afghanistan to meet the communist-backed president, Mohammed Najibullah. On the outskirts of Kabul, mujahideen rebels were massing while the carpet dealers of the old city continued to ply their timeless trade. Kremmer was in Kabul when the mujahideen turned their guns on one another after ridding the country of the hated communists. He was there when the Taliban came and the army of religious students -- aided by the wealthy Arab radical Osama bin Laden -- emerged from the scorched earth to implement their vision of "a pure Islamic state."Traveling through these territories, Kremmer chronicles Islamic societies as they were convulsed by dictatorship and greed and as refugees sought asylum in the West. He cemented lifelong friendships and met an unforgettable cast of characters, from nomads toiling on portable handlooms to shady merchants and leaders of the syndicates that control the bazaars. In the remote Hindu Kush, he celebrated Eid with the late Afghan guerrilla legend Ahmad Shah Massoud. In Kandahar, he took tea with Taliban leaders and went hunting for Osamabin Laden. He watched as a new generation questioned the power of the mullahs in Iran, while in Iraq the populace chafed under the weight of sanctions and Saddam Hussein's cult of personality."The Carpet Wars takes readers into a world where even the simplest motif on a rug can be filled with religious, tribal, and political significance, places where life bustles with bargaining and gossip in bazaars and teahouses, while nations crumble, leaders fall, and the final confrontation between freedom and terror looms.An edge-of-the-chair travel memoir, "The Carpet Wars offers a personal, vivid, and revealing look at Islam's human face, wracked by turmoil but sustained by friendship, industry, and humor. It is also a historical snapshot of countries at the center of global confrontation that exploded onto the homefront on September 11, 2001.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    Fresh, unstaged, and full of poetry and humor, his photographs portray everyday people (in everyday places, doing everyday things) frozen in time, unwittingly revealing fleeting personal emotions in a public context. Doisneau's gift was the ability to seek out and capture, with humanity and grace, those little epiphanies of everyday Parisian life. This book traces Doisneau's life and career, providing a wonderful introduction to the work of this seminal photographer.

    But not everyone wants to be in a busy, noisy place. Sometimes Londoners and visitors alike need somewhere peaceful where they can talk, relax or read a book. This charming guide can show you where to find these hidden, peaceful places in the midst of the capital's hustle and bustle. From lesser known gardens and parks to tucked away cafes and galleries, this unique and original guide will take you off the beaten track in search of attractive places where you don't need to strain to hear each other speak! A city guide like no other, it is full of interesting and quiet places to meet, drink, eat, swim, rest, shop, sleep or read, with short descriptions, travel and contact details for each place and illustrated with simple but atmospheric photographs. A must-have guide for both Londoners and visitors to the capital.

    Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.

    The original Great Game, the clandestine struggle between Russia and Britain for mastery of Central Asia, has long been regarded as one of the greatest geopolitical conflicts in history. Many believed that control of the vast Eurasian heartland was the key to world dominion. The original Great Game ended with the Russian Revolution, but the geopolitical struggles in Central Asia continue to the present day. In this updated edition, the authors reflect on Central Asia's history since the end of the Russo-Afghan war, and particularly in the wake of 9/11.

    Packed with wonderfully entertaining and often outrageous speculations about the nature of art, truth, and value, the world-renowned art forger--who died mysteriously before this book was published--details secrets of his techniques.

    With In Search of the Trojan War, Michael Wood brings to life the legend & lore of the Heroic Age in an archeological adventure that sifts thru the myths & speculation to provide a fresh view of the riches & the reality of ancient Troy. This gripping story shows why the legend of Troy forms the bedrock of Western culture & why its past is a paradigm of history. Wood's meticulous scholarly sleuthing yields fascinating evidence about the continuity & development of civilization in the Aegean & Asia Minor. With 50' of debris from constant rebuilding, human destruction, earthquake & abandonment, the mound of Troy contains the beginnings & ends of new races & civilizations.AcknowledgementsPrologueThe search for TroyHeinrich SchliemannThe coming of the GreeksHomer: the singer of tales Agamemnon's empire A forgotten empire: the Hittites & the GreeksThe peoples of the sea Conclusions: the end of the bronze ageBibliographyPicture CreditsIndex

    But his profound influence on other photographers, most famously on Diane Arbus, derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City.Weegee's first book, Naked City (1945), was a runaway success and made him a celebrity who suddenly had assignments from Life and Vogue. By the publication of his second book, Weegee's People (1946), he had cut the wires to his police radio and had begun to photograph the furred and bejeweled grandes dames at the Metropolitan Opera as well as his beloved street people. Naked Hollywood (1953) and Weegee by Weegee (1961) feature portraits of Marilyn Monroe, Andy Warhol, John F. Kennedy, Nikita Khruschev, and Liberace -- many of them viewed through the distorted lens of his Weegee-scope.Regarded as some of the most powerful images of twentieth-century photography, Weegee's work now resides in the permanent collection of the Museum of Modern Art.