It includes selected wireless essays of Donald Trefusis, the ageing professor of philology brought to life in Fry's novel The Liar, and the best of Fry's weekly column for the Daily Telegraph.Perfect to dip into but just as enjoyable to read cover to cover, this book, perhaps more than any other, shows the breadth of Fry's interests and the depth of his insight. He remains a hilarious writer on whatever topic he puts his mind to.

    The scripts being sent his way were worse and worse. When one script really disappointed, he called the producer to complain about the part. The producer said, "No, no, we don't want you for the lover, we want you for the father." Salvation came in the unlikely form of his old friend Jack Nicholson, who convinced him to give acting one more shot. What followed was not only an incredible personal transformation but also one of the most radical comebacks in film history. Learning to accept his new role both on camera and in his own life, Caine went on to win his second Oscar, be knighted by the queen, and deliver some of his best performances to date. Now he shares the spectacular story of his life, from his humble upbringing in London's poverty-stricken Elephant and Castle, his military service, touching marriage and family life, and lively adventures with friends, to legendary meetings with fellow stars, forays as a restaurateur, and hilarious off-screen encounters from his glittering five-decade career. Caine brings his gift for storytelling and his insider's view to a tale that is funny, warm, and deeply honest.

    I'm Maureen O'Hara and this is my life story.-- From Chapter One of 'Tis HerselfIn language that is blunt, straightforward, and totally lacking in artifice, Maureen O'Hara, one of the greatest and most enduring stars of Hollywood's "Golden Era," for the first time tells the story of how she succeeded in the world's most competitive business.Known for her remarkable beauty and her fiery screen persona, Maureen O'Hara came to Hollywood when she was still a teenager, taken there by her mentor, the great actor Charles Laughton. Almost immediately she clashed with the men who ran the movie business -- the moguls who treated actors like chattel, the directors who viewed every actress as a potential bedmate.Determined to hold her own and to remain true to herself, she fought for roles that she wanted and resisted the advances of some of Hollywood's most powerful and attractive men. It was in the great director John Ford that she first found someone willing to give her a chance to prove herself as an important actress. Beginning with the Academy Award-winning How Green Was My Valley, she went on to make five films with Ford and through him first met the great John Wayne, with whom she also made five films.In O'Hara, Ford had found his ideal Irish heroine, a role that achieved its greatest realization in The Quiet Man. And in O'Hara, John Wayne found his ideal leading lady, for she was perhaps the only actress who could hold her own when on screen with "The Duke." Ford, however, was not without his quirks, and his relationship with his favorite actress became more and more complex and ultimately deeply troubled. The on-screen relationship between Wayne and O'Hara, on the other hand, was transformed into a close friendship built on mutual respect, creating a bond that endured until his death.Writing with complete frankness, O'Hara talks for the first time about these remarkable men, about their great strengths and their very human failings. She writes as well about many of the other actors and actresses -- Lucille Ball, Tyrone Power, Errol Flynn, John Candy, Natalie Wood, to name a few -- with whom she worked, but ultimately it is about herself that she is most revealing. With great candor and a mixture of pride and regret, she reflects on just how this young girl from Ireland made it to America and onto movie screens all around the world. There were missteps, of course -- a troubled and deeply destructive marriage, a willingness to trust too readily in others -- but there were triumphs and great happiness as well, including her marriage to the aviation pioneer Brigadier General Charles F. Blair, who tragically died in a mysterious plane crash ten years after their marriage.Throughout, 'Tis Herself is informed by the warmth and charm and intelligence that defined Maureen O'Hara's performances in some sixty films, from The Hunchback of Notre Dame to Miracle on 34th Street to The Parent Trap to McLintock! to Only the Lonely. 'Tis Herself is Maureen O'Hara's story as only she can tell it, the tale of an Irish lass who believed in herself with the strength and determination to make her own dreams come true.

    In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre.

    This book argues that in several respects Kubrick was one of the cinema's last modernists.

    Now, Harry shares many of his hilarious insider tips.

    In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”

    Following a close filial relationship as it unfolds week by week, year by year, these letters move through three decades of life: from the vagaries of Groucho's career in film, radio, and television, through two divorces and two remarriages, to Miriam's own often tumultuous young adulthood. In his own inimitable fashion, Groucho advises his daughter about her schoolwork, writing, career, growing up, and growing old. He also discusses theater, film, books, and politics with a candor that will surprise and delight even his most knowledgeable fans. Accompanied by photographs from Miriam's personal albums, Love, Groucho reveals a man deeply concerned with his family, a sometimes firm, always loving father who never hesitated to say exactly what he thought.

    But in I Hate Everyone, Except You, he reveals some heretofore-unknown secrets about himself, like that he’s a finicky connoisseur of 1980s pornography, a disillusioned critic of New Jersey’s premier water parks, and perhaps the world’s least enthused high-school commencement speaker.Whether he’s throwing his baby sister in the air to jumpstart her cheerleading career or heroically rescuing his best friend from death by mud bath, Clinton leaps life’s social hurdles with aplomb. With his signature wit, he shares his unique ability to navigate the stickiest of situations, like deciding whether it’s acceptable to eat chicken wings with a fork on live television (spoiler: it’s not). Clinton delves into all these topics—and many more—in this thoroughly unabashedly frank and uproarious collection.Kamikaze --Brilliant ideas --Auditions, the universe, and other whatnot --Memorizing porn --Turd in the punchbowl --Freakin' fabulous, the sitcom --The switch --Clinton for president! --You young, me restless --Textbook penis --Stockholm syndrome --The way it went --I'm waiting --Your a psychopath --Salad days --Rich and famous --Afterword

    Given the choice, he'll go on vacation to Devon or Wales or, if pushed, eat English food on a package tour of the Mediterranean. So what happened when he was convinced by Gervais and Merchant to go on an epic adventure to see the Seven Wonders of the World? Does travel truly broaden the mind? Find out in Karl Pilkington's hilarious travel diaries.

    Ginger is at once a heartwarming personal memoir and an inside look at the heyday of Hollywood. More than 30 photographs.

    This down-and-dirty romp through Hollywood in the 1970s introduces the young filmmakers--Coppola, Scorsese, Lucas, Spielberg, Altman, and Beatty--and recreates an era that transformed American culture forever.

    "foot soldiers" would hunt him down. He's antagonized almost everyone at the top in Tinseltown. And now, Joe Eszterhas tells everything he knows -- in brief, quotable bursts -- about the business, the history of Hollywood, and how to write screenplays that make millions. Idiosyncratic, gruff and as shaggy as Eszterhas himself, The Devil's Guide to Hollywood makes a character/leitmotif of Eszterhas' fellow Hungarian Zsa Zsa Gabor ("Money is like a sixth sense that makes it possible for you to fully enjoy the other five."), and makes the case that Marilyn Monroe was the sharpest tack in Hollywood ("Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty cents."). Refreshing, dirty, tough, there's no book like it.

    The good news is now, thanks to this book, you can enjoy the painfully funny consequences of his unfortunate decisions at a safe distance. A Bad Idea I'm About to Do invites readers to join Chris as he navigates an adolescence and adulthood mired in hilariously ill-fated nerdom, and to take comfort in the fact that - as his experiences often prove - things could always be much, much worse.

    But over the past nine years the movie has developed a massive and passionate cult following, led by the creation of Lebowski Fest, a traveling festival of all things Lebowski. Held in a bowling alley, it features bowling, costume and trivia contests, live music, a screening of the movie, White Russians, and what-haveyou. Attendance has grown exponentially and the Fest has been featured in virtually every national media outlet, from NPR to the New York Times. The Associated Press called it "kind of a 'Star Trek' convention, but without all the geeks." The Wall Street Journal simply intoned: "One hell of a party!" Now, at last, comes the book that the legion of Lebowski fans (aka Achievers) has been waiting for. I'm a Lebowski, You're a Lebowski is a treasure trove of trivia and commentary, hilarious throughout and copiously illustrated, including stills from the film, as well as dozens of photos taken on the set by Jeff Bridges. It includes interviews with virtually every major and minor cast member, as well as the real-life individuals who served as inspiration for the characters in the movie. The book features a handy guide to speaking Achiever (example: in English you would say that a woman is "feminine, or ladylike"; an Achiever would call her "strongly vaginal"), tips on how to Dude-ify your car, office, and living space, Lebowski Fest highlights, and so much more.