They met "only a few miles," as President Truman noted, "from the war-shattered seat of Nazi power" – around a baize-covered table in the Cecilienh of Palace at Potsdam, a suburb of Berlin, a place they later remembered vividly for its hardy mosquitos and muggy heat.First in Tehran (November 1943), then in Yalta (February 1945), the Allied powers had met, engaging in the cordial horse-trading of properties and promises, to perpetuate a united military front against Germany. Potsdam, however, was different. With Germany defeated, the Allies knew victory in the Far East was imminent. The objective was no longer how to unite for victory, but how instead to divide the spoils and create a new balance of power. In The Deal, Charles L. Mee, Jr., demonstrates how, with national self-interest the primary motivation, peace was destined to be sacrificed to deliberate discord. If Allied harmony would stand in the way of expanding "spheres of influence," then it would become necessary to maintain the political expedient of aggression. What did each power want and were these objectives of sufficient importance to warrant forfeiting peace? Would the outcome have been different had Churchill's rhetoric been less powerfully disruptive, had Stalin been surer of domestic calm, had Truman been more open? Would the history of the world of the last sixty years been the same?Here is Truman, meeting Stalin for the first time, keeping from him the report of the atomic bomb test, secretly deciding to drop the bomb on Japan, and maneuvering to prevent Stalin from joining the war in the Far East.Here is Churchill, his health failing, his mind occupied with the fear that the coming election would end his career, and in the course of his often rambling talks, uttering for the first time the "iron curtain" phrase that was to describe world policy for years to come.And here is Stalin, always the last to arrive, always surrounded by a massive guard, waving aside for the time being the idea of democratic elections in any countries the Communists controlled, losing out on his battle for the biggest reparations from Germany but winning a big slice of Germany for Poland and of Poland for Russia.Through logbooks, eyewitness accounts, and conference transcripts, Mee vividly reconstructs this moment in history, when three men met to forge a peace and a new face for Western Europe, a tri-partite declaration of the Cold War.

    Largely basing his account on Russian sources and interviews he shows the war through the eyes of the Russians themselves - politicians, officers, soldiers, advisers, journalist, women. As former ambassador to Moscow, Rodric Braithwaite brings his unique insights to the Soviet war in Afghanistan. The story has been distorted not only by Cold War propaganda but also by the myths of the nineteenth century Great Game. It moves from the high politics of the Kremlin to the lonely Russian conscripts in isolated mountain outposts. The parallels with Afghanistan today speak for themselves. 'A superb achievement of narrative history, sensitive writing and exciting fresh research': so wrote Simon Sebag Montefiore about Rodric Braithwaite's bestseller Moscow 1941. But those words, and many others of praise that were given it, could equally apply to his new book.

    It ends on December 19, 1967, in Princeton, New Jersey, as she and two American friends join in a toast to her new life of freedom.That year of pain, discovery, turmoil, and new hope reaches its climax with her decision to break completely from the world of Communism, to turn her back on her country, her children, and the legacy of her notorious father—Joseph Stalin. Why did she make such a drastic choice? This book, a detailed account of reality in the USSR, is her explanation.Frank, fascinating, and thoroughly engrossing, Only One Year reveals life behind the Iron Curtain, the risks and subterfuge of defection, and one extraordinary woman’s fight for her future.“Among the great Russian autobiographical works: Herzen, Kropotkin, Tolstory’s Confession.”—Edmund Wilson, The New Yorker

    Novels, essays, and poems could win the hearts and minds of those caught between the competing creeds of capitalism and communism. They could also lead to blacklisting, exile, imprisonment, or execution for their authors if they offended those in power. The clandestine intelligence services of the United States, Britain, and the Soviet Union recruited secret agents and established vast propaganda networks devoted to literary warfare. But the battles were personal, too: friends turned on one another, lovers were split by political fissures, artists were undermined by inadvertent complicities. And while literary battles were fought in print, sometimes the pen was exchanged for a gun, the bookstore for the battlefield.In Cold Warriors, Duncan White vividly chronicles how this ferocious intellectual struggle was waged on both sides of the Iron Curtain. Among those involved were George Orwell, Stephen Spender, Mary McCarthy, Graham Greene, Aleksandr Solzhenitsyn, John le Carré, Anna Akhmatova, Richard Wright, Ernest Hemingway, Boris Pasternak, Gioconda Belli, and Václav Havel. Here, too, are the spies, government officials, military officers, publishers, politicians, and critics who helped turn words into weapons at a time when the stakes could not have been higher.Drawing upon years of archival research and the latest declassified intelligence, Cold Warriors is both a gripping saga of prose and politics, and a welcome reminder that--at a moment when ignorance is all too frequently celebrated and reading is seen as increasingly irrelevant--writers and books can change the world.

    Yet it is a history which for a long time proved impossible to write, not simply due to the lack of accessible documentation, but also because it lay at the heart of an ideological confrontation which obscured the reality of the Soviet regime.In The Soviet Century, Moshe Lewin traces this history in all its complexity, drawing widely upon archive material previously unavailable. Highlighting key factors such as demography, economics, culture and political repression, Lewin guides us through the inner workings of a system which is still barely understood. In the process he overturns widely held beliefs about the USSR’s leaders, the State-Party system and the Soviet bureaucracy, the “tentacled octopus” which held the real power.Departing from a simple linear history, The Soviet Century takes in all the continuities and ruptures that led, via a complex route, from the founding revolution of October 1917 to the final collapse of the late 1980s and early 1990s, passing through the Stalinist dictatorship and the impossible reforms of the Khrushchev years.

    Efforts to gain access to the site of catastrophic radiation damage were denied, and the residents of Chernobyl were given no answers as their lives hung in the balance. Drawing on a decade of archival research and on-the-ground interviews in Ukraine, Russia, and Belarus, Kate Brown unveils the full breadth of the devastation and the whitewash that followed. Her findings make clear the irreversible impact of man-made radioactivity on every living thing; and hauntingly, they force us to confront the untold legacy of decades of weapons-testing and other catastrophic nuclear incidents.

    It reveals how, from as early as 1990, the political, military and administrative leadership of Rwanda became involved in planning the complete extermination of the Tutsi population. A vicious hate campaign filled the media, urging Hutus to kill; a network of roadblocks was devised to prevent any escape; civil-defence groups were established throughout the country, with eventually every third Hutu being armed; half a million machetes and other agricultural tools were imported, and 85 tons of munitions were distributed country-wide, in the year leading up to the genocide.In an outstanding example of investigative journalism, Linda Melvern reveals the full story behind the conspiracy, detailing the involvement of world governments whose responses ranged from complicity to apathy. She shows how the killers outmanoeuvred the Security Council and led UN peacekeepers into a steady trap; how the French military trained the killers and how their 'humanitarian intervention' in June 1994 enabled many of those killers to escape justice; how the John Major government ignored warnings and then proceeded to mislead the British Parliament about what was really happening; how the US is still withholding wiretap and satellite evidence showing that the genocide had begun; and how significant was the knowledge of then Secretary General Boutros Boutros-Ghali.

    Boris Bibikov - Owen Matthews's grandfather - kissed his wife and two young daughters good-bye and disappeared inside the car. His family never saw him again. His wife would soon vanish as well, leaving Lyudmila and Lenina alone to drift across the vast Russian landscape during World War II . Separated as the Germans advanced in 1941, they were miraculously reunited against all odds at the war's end. Some twenty-five years later, in the early 1960s, Mervyn Matthews - Owen's father - followed a lifelong passion for Russia and moved to Moscow to work for the British embassy. He fell in and out with the KGB, and despite having fallen in love with Lyudmila, he was summarily deported. For the next six years, Mervyn worked day and night to get Lyudmila out of Russia, and when he finally succeeded, they married. Decades on from these events, Owen Matthews - then a young journalist himself in Russia - came upon his grandfather's KGB file recording his "progress from life to death at the hands of Stalin's secret police." Excited by its revelations, he has pieced together the tangled and dramatic threads of his family's past and present, making sense of the magnetic pull that has drawn him back to his mother's homeland. Stalin's Children is an indelible portrait of Russia over seven decades and an unforgettable memoir about how we struggle to define ourselves in opposition to our ancestry only to find ourselves aligning with it.

    Black Mass Film Tie In

    These homeless dogs, plucked from the streets of Moscow, were selected because they fitted the program's criteria: weighing no more than 15 pounds, measuring no more than 14 inches in length, robust, photogenic and with a calm temperament. These characteristics enabled the dogs to withstand the extensive training that was needed to prepare them for suborbital, then for orbital, space fights. On 3 November 1957, the dog Laika was the first Earth-born creature to enter space, making her instantly famous around the world. She did not return. Her death, a few hours after launching, transformed her into a legendary symbol of sacrifice. Two further strays, Belka and Strelka, were the first beings to make it back from space, and were swiftly immortalized in children's books and cartoons. Images of the Space Dogs proliferated, reproduced on everyday goods across the Soviet Union: cigarette packets, tins of sweets, badges, stamps and postcards all bore their likenesses. "Soviet Space Dogs" uses these unique items to illustrate the story (in fact and fiction) of how they became fairytale idols. The first book to document these items, it contains more than 350 images, almost all of which are previously unpublished, and many of which have never been seen before outside Russia. The rich and varied ephemera (from cigarette packets to sweet wrappers and children's toys) of Soviet graphics will have immense appeal to the art and design market, as well as appealing to dog-lovers everywhere.

    Field, once a well-meaning and privileged American, spied for Stalin during the 1930s and '40s. Then, a pawn in Stalin’s sinister master strategy, Field was kidnapped and tortured by the KGB and forced to testify against his own Communist comrades.How does an Ivy League-educated, US State Department employee, deeply rooted in American culture and history, become a hardcore Stalinist? The 1930s, when Noel Field joined the secret underground of the International Communist Movement, were a time of national collapse: ten million Americans unemployed, rampant racism, retreat from the world just as fascism was gaining ground, and Washington—pre FDR—parched of fresh ideas. Communism promised the righting of social and political wrongs and many in Field’s generation were seduced by its siren song. Few, however, went as far as Noel Field in betraying their own country.With a reporter’s eye for detail, and a historian’s grasp of the cataclysmic events of the twentieth century, Kati Marton captures Field’s riveting quest for a life of meaning that went horribly wrong. True Believer is supported by unprecedented access to Field family correspondence, Soviet Secret Police records, and reporting on key players from Alger Hiss, CIA Director Allen Dulles, and World War II spy master, “Wild Bill” Donovan—to the most sinister of all: Josef Stalin. A story of another time, this is a tale relevant for all times.

    Historians and reviewers worldwide have hailed Antony Beevor's magisterial Stalingrad as the definitive account of World War II's most harrowing battle. In August 1942, Hitler's huge Sixth Army reached the city that bore Stalin's name. In the five-month siege that followed, the Russians fought to hold Stalingrad at any cost; then, in an astonishing reversal, encircled and trapped their Nazi enemy. This battle for the ruins of a city cost more than a million lives. Stalingrad conveys the experience of soldiers on both sides, fighting in inhuman conditions, and of civilians trapped on an urban battlefield. Antony Beevor has interviewed survivors and discovered completely new material in a wide range of German and Soviet archives, including prisoner interrogations and reports of desertions and executions. As a story of cruelty, courage, and human suffering, Stalingrad is unprecedented and unforgettable.

    This biography makes use of archive material to piece together his private as well as public life in an effort to give a complete picture of Lenin in all his different roles. Through the prism of Lenin's career, the author examines events such as the October Revolution and the ideas of Marxism-Leninism, the one-party state, economic modernization, dictatorship and the politics of inter-war Europe. He casts light on the nature of the state and society left behind by Lenin, a state and society which has not entirely disappeared after the collapse of the Soviet regime in 1991.

    His books sell in their hundreds of thousands across the world, are often made into films, and have turned him into arguably the most successful writer of the horror genre. Yet despite his worldwide fan base, surprisingly little is known about the man himself. In this work, Craig Cabell has written an in-depth biography of the man with his full cooperation. Herbert has granted the author a number of rare interviews, and the result is a frank and revealing portrait of one of the giants of contemporary popular fiction. In addition to this, Herbert has granted the author full access to his photographic archives and provided unreleased material to publish in this book.

    According to Wikipedia: "Aleksey Maksimovich Peshkov, better known as Maxim Gorky was a Soviet/Russian author, a founder of the socialist realism literary method and a political activist. From 1906 to 1913 and from 1921 to 1929 he lived abroad, mostly in Capri, Italy; after his return to the Soviet Union he accepted the cultural policies of the time, although he was not permitted to leave the country."