Gilroy won the Pulitzer Prize for his play "The Subject Was Roses," and 43 years since he began work on "Lake." In the vein of Edgar Lee Masters's "Spoon River Anthology," Gilroy tells the story of a summer vacation community in Northern New Jersey over the course of 25 years, the early 1920's through the late '40's. Each chapter is the voice of another character; some are monologues, some more interior than that. The story works its way around the lake, catching a vignette/snapshot/moment from each turn of the wheel. It's a remarkable read from an 86-year-old writer, still at the top of his game.

    It’s 28-year-old Ayami’s final day at her box-office job in Seoul’s audio theater. Her night is spent walking the sweltering streets of the city with her former boss in search of Yeoni, their missing elderly friend, and her day is spent looking after a mysterious, visiting poet. Their conversations take in art, love, food, and the inaccessible country to the north. Almost immediately, in the heat of Seoul at the height of the summer, order gives way to chaos as the edges of reality start to fray, with Ayami becoming an unwitting escort into a fever-dream of increasingly tangled threads, all the while images of the characters’ overlapping realities repeat, collide, change, and reassert themselves in this masterful work that upends the very structure of fiction and narrative storytelling and burns itself upon the soul of the reader. By one of the boldest and most innovative voices in contemporary Korean literature, and brilliantly realized in English by International Man Booker­–winning translator Deborah Smith, Bae Suah’s hypnotic and wholly original novel asks whether more than one version of ourselves can exist at once, demonstrating the malleable nature of reality as we know it.

    When he discovers an ancient letter in his library telling of the mythical Morning Town where the flightless may gain their wings, he sets off on a quest. It's a magical journey and coming-of-age story in which he meets a robber queen, a lonely minotaur, a cannibal, an immortal beauty, and a dream seller. Each has a story, and a lesson, for Pico - about learning to love, to persevere, and, of course, to fly. A gorgeously poetic tale of fantasy for adults, The Book of Flying is a beautiful modern fable and daring new take on the quest narrative.

    Found inside a disabled elevator, she is no longer able to function with her new consciousness of these memories—those which are so resistant to understanding. Confronted with this knowledge of evil, she must begin the painful process of remembering and reconstructing a new whole self.Helping Barbara to navigate her grief and her memories are her therapist, the Psalms, and most of all, the words of Paul Celan. Paul Celan: 1920-1970, Poet. An eastern European holocaust survivor who wrote haunting poems about the darker spiritual trials of life and relationships that exhibit a compact style that fuses broken words and chopped syntax to produce a stark musicality.This is a novel about a woman who goes to hell and back. It’s a story which affirms the resilience of the human spirit and the healing power of love and faith.

    Provides glimpses into the origins of Charles Simic's poetry

    However, The Theory, which holds that the text of any piece of writing tells us all that we need to know about its author (as if the author himself is "dead") takes on extra perversity when the revered—or is it feared?—Sfax is found to have once written something that seems...well, murderously revealing. In the hands of Gilbert Adair, it's a dexterously wrought and hysterically devilish look at academic cultishness. It's also a taut metaphysical murder mystery that confounds the reader's expectations on almost every page and reserves its most stunning surprise—the ultimate whodunit twist—for the very last page.The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    Set in Pyke County, Mississippi, Eden is a raw, heartbreaking, and enlightening novel that marks the emergence of a stunning and original talent. Narrated by fourteen-year-old Maddy Dangerfield, Eden opens in the moments after Maddy has impulsively drawn a naked woman on the pages of Genesis in bright red lipstick during Sunday service. The community is scandalized, and her devout, long-suffering mother’s response to her transgression is to force her to spend weekends nursing her dying Aunt Pip, an outcast who lives on the edge of town.From then on, Maddy must negotiate her two worlds: at the house where she lives with her hard-working, Bible-reading mother, Faye, and her father, Chevrolet—a one-armed drunk, gambler and womanizer—she is both a reluctant participant in and astute observer of the strange and confounding dynamics of her sometimes violent, sometimes tender family. (Years before, Maddy’s grandmother—her mother’s mother—chopped of Chevrolet’s arm and fed it to the pigs after he and Pip were found together in the back room as Faye entertained friends from the church—and ever since, he has been am emasculated, desperate man—drinking and gambling his wife’s money away, leaving her to clean up his mess time and again.) And then out on Commitment Road, she is caretaker to her Aunt Pip, whose only friend is her eccentric neighbor, Fat. Maddy’s time with Pip and Fat opens her eyes to the exhilaration of speaking your own mind, living your life on your own terms and without apology, and also to the cost extracted by both. She learns that there are strengths that belong to women alone, and also that there is a kind of ravaging vulnerability that is terrifying and inescapable, and uniquely female.The world Maddy inherits is one of injustice and hypocrisy, one that requires black people work for the whites for little to no pay; that sent her Uncle Sugar to jail for raping a white woman—no questions asked—when Maddy was just a baby; that preaches Christian love and forgiveness even as its actions reflect the very opposite. But Maddy soon learns that there is something that can work to oppose those truths, and that is knowledge; having the will and the ability to look beneath the surface, to question what others take as a given. By the end of the novel, newly acquainted with mortality and her own fierce strength, Maddy comes to bear both the burden and the blessing of that knowledge.In lush, vivid brushstrokes, Olympia Vernon conjures a world that is both intoxicating and cruel, and illuminates the bittersweet transformation of the young girl who must bear the burden and blessing of its secrets too soon. Eden is a haunting, memorable novel propelled by the poetry and power of a voice that is complex, lyrical, and utterly true.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    And after one disastrous morning, she wishes that her life was like those portrayed in her favorite channel's Christmas romances. A place where everything and everyone is perfect. But Mary soon learns that she needs to be careful of what she wishes for.

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    Searching for work, sex and big-city life is Ted Owen, who quickly finds himself swept into the complicated lives of the young and the jaded, people who thrive in a strange world of hip fashion and surreal night-clubs.

    

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Perfect for fans of Dilly Court, Maggie Hope and Nadine Dorries. 1903. As Rob Berkeley comes home to Berry Edge, ten years after his brother's terrible death, he brings with him memories that Faith Norman, his dead brother's fiancée, would rather forget. Rob, driven by guilt, is determined to bring the family business, the foundering steelworks, back to full strength. But every time he sees Faith, he is remained of the part he played in her bereavement and the debt he owes her and Berry Edge. The secrets he hides from the community around him could threaten his very future, and jeopardise his growing feelings for Faith . . .