Soon, she starts receiving a series of anonymous and menacing letters urging her to find her missing son in Venice. Despite the danger involved, Julia has no choice but to follow the taunting messages. With her miserable days in La Rivière still looming over her, she ventures to Italy on a train. But she can’t shake the feeling that the letters were written by someone she knows, someone playing an awful and dangerous game. Meanwhile, Julia meets a handsome stranger on the train, but does she dare fall for him? In the mystical and unfamiliar city of Venice, who can she trust? The journey to Venice brings a new friendship, an old confrontation and, above all, danger. But there is also the hope of happiness, if Julia can fight her way out of the conspiracy around her… ‘Jane Aiken Hodge captures interest from the start. A good holiday read-in Venice or anywhere'. - EVENING STANDARD Jane Aiken Hodge (December 4, 1917 – June 17, 2009) was an American-born British writer. She is also the author of ‘Runaway Bride’, ‘Escapade’ and ‘All for Love’. Endeavour Press is the UK's leading independent publisher of digital books.

    'Be sure you don't answer the door to anyone you don't know.'A little Patricia Highsmith, a touch of Shirley Jackson: the long-neglected Celia Fremlin wrote short, sharp stories that threw women's lives into shiver-inducing relief.In each of these twinned tales, a mother and daughter meet again, and an ordinary home becomes the setting for a return of the repressed.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Instead she found terror and murder...Isolated in the Gilmartin ancestral home in Herondale, Deborah and young Carreen were left to face a nameless, unseen danger lurking in the frozen village, where only the flick of a curtain at a window or some random footprints in the snow, showed that it was inhabited at all.Alone in a house that had known violence, Deborah turned to Carreen's cousin Jeremy, as attractive as he was cynical and mysterious. But was he really a friend, or was he the enemy? In spite of Jeremy - or because of him? - Deborah found herself fighting for her life in an affair so bizarre as to shatter the silence of Herondale forever.1973 printing, with the "Ace * First in Gothics" banner at the top of the front cover.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    . . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.

    Lovecraft is broke, living alone in a creaky old house and deathly ill. At the edge of a nervous breakdown, he hires a personal assistant, Arthor Crandle. As the novel opens, Crandle arrives at Lovecraft’s home with no knowledge of the writer or his work but is soon drawn into his distinctly unnerving world: the malevolent presence that hovers on the landing; the ever-shining light from Lovecraft’s study, invisible from the street; and visions in the night of a white-clad girl in the walled garden. Add to this the arrival of a beautiful woman who may not be exactly what she seems, and Crandle is pulled deeper into the strange world of the horror writer (a man known to Crandle only through letters, signed “Ech-Pi”), until Crandle begins to unravel the dark secret at its heart.A brilliantly written, compelling and deeply creepy novel, The Broken Hours is an irresistible literary ghost story.

    Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?

    It's not a place many would choose to live - yet the Governor of Dartmoor Prison did just that. When Herbert Russell retired, he bought All Hallow's Hall - a rambling Tudor mansion on the edge of the moor, and lived there all his life.Now he's dead, and his estranged family are set to inherit his estate. But when the dead man's family come to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo, and wind whistles in the house's famous priest hole. And then, on the morning the family decide to leave All Hallow's Hall once and for all, their young son Timmy goes missing.

    Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local legend. A river flows past the front garden. It's perfect for them...if it a bit gloomy. And Chester, their dog, seems really spooked at being away from home. And old houses do make sounds. And it's constantly cold. And even though they shut the cellar door every night, it's always open again in morning The Secret of Crickley Hall is James Herbert's finest novel to date. It explores the darker, more obtuse territories of evil and the supernatural. With brooding menace and rising tension, he masterfully and relentlessly draws the reader through to the ultimate revelation one that will stay to chill the mind long after the book has been laid aside.

    Not even the horrors she has witnessed during her years on the police force. But when she agrees to look after her brother's farmhouse, she finds herself inexplicably drawn to the crumbling old mansion in the woods nearby. But an innocent exploration of the empty ruin and the discovery of the diary of former resident Alice leaves her more than a little spooked. She knows it holds the secrets to a dark past, and she has to find out more. What was the terrible truth that Alice uncovered? And how could what happened to her over 100 years ago help solve the murders of young women in the town? Annie needs to stop the serial killer before she becomes his next victim –- but the past comes back to haunt her in ways she could never have expected.

    These tales are richly populated by spirits and ghosts seeking revenge; by grief-stricken women and haunted men coming to terms with their destiny - all rooted deep in the elemental landscapes of Sussex, Brittany and the Languedoc.The collection will include The Mistletoe Bride, La Fille de Melisande, Red Letter Day, The Lending Library, The House on the Hill...

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Her charge, Mary, is a troubled child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William—just days after their former nanny disappeared.With Mary defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William. Just as no one can explain the hypnotic lullabies sung in empty corridors. Nor the strange dolls that appear in abandoned rooms.Nor the faint whistling that comes in the night...As winter draws in and passage to the mainland becomes impossible, Elspeth finds herself trapped.But is this house haunted by the ghosts of the past?OR THE SECRETS OF THE LIVING..?Chilling, twisty and emotionally gripping, The Whistling is an atmospheric page-turner with shades of the classics, yet a unique character of its own. Perfect for fans of Susan Hill and Laura Purcell.

    

    Perfect summer reading! “Wherever you go, I will follow …” Merryn Burton is excited to travel down to Cornwall to start her first big job for the London art dealers she works for. But as soon as she arrives at Pencradoc, a beautiful old mansion, she realises this will be no ordinary commission. Not only is Pencradoc filled with fascinating, and possibly valuable artwork, it is also owned by the Penhaligon brothers – and Merryn’s instant connection with Kit Penhaligon could be another reason why her trip suddenly becomes a whole lot more interesting. But the longer Merryn stays at Pencradoc the more obvious it is that the house has a secret, and a long-forgotten Rose might just hold the key …