Judaism began a few thousand years before that. Religion in Egypt and Sumer go maybe a few thousand years before that. But what came before? Most people don't know that civilization began at Sind, a fertile area in modern Pakistan. Their ancient religion, the worship of Shiva and Shakti, is the oldest religion known. It spread throughout the world and it, reactions to it, or a combination of the two are the basis for all religion in the world today. Does this sound surprising? Historian and former history teacher Ann Moura has been able to trace civilization and religion into the past by over 100,000 years! She presents this information in "Origins of Modern Witchcraft. "The author reveals that virtually every aspect of modern Witchcraft can be traced back to the ancient Sind religion. Much of the same can be found in modern Hinduism, but Hinduism has had many Vedic ideas – including orthodoxy and caste – added to the original faith. Even so, the notion of the triple goddess (a Maiden, Mother, and Crone) comes straight from the older religion. The idea of the God being horned is derived from an image of Shiva. Many of the mythic images we associate with Greece and Rome originally came from the Sind religion. But this goes beyond Wicca to other religions. You'll see that Christ was a version of Krishna and "original sin" was a development of those who hated the original religion. It means that something was evil because it originally came from Sind. Controversial? You bet! This book is destined to be one of the most controversial books published this or any other year! But the author has listed all of her sources. Now is your chance to read the evidence for yourself and discover the real ancient sources for your beliefs. Get your copy today!

    With all ephemera included.

    Originally written in 1897 by the 28th president of the United States, this essay underlines the necessity for everyone in the modern world to embrace humane behavior.

    It sounds obvious, but many people who call themselves writers don't produce enough words in a year to fill a postcard. Other writers churn out thousands of words but never sell their work. This book tackles both problems: it gets you writing, easily and painlessly guiding you through the dreaded "writer's block," and it divulges industry secrets that will help you to raise the quality of your work to a professional level. Writing is a business like any other. Successful writers know the rules and conventions that make their work stand out from the rest of the "slush pile"—rules Stewart Ferris now reveals in How to be a Writer that will help launch your writing career.

    The problem is, every one she knows tells her it can't be done. Instead she slogs to work every day, ignoring her dream. One day, at her favorite coffee shop, she meets Daniel. He'll soon teach her how to become the author she's always dreamed of being.This parable is fictional, but seven out of nine chapters include practical exercises for readers. If you're looking to become a writer or just struggling to find a better way, this short novel is for you.If you're ready, here's the first step. Start by reading the following statement: My Name is (state your name), and I am a Writer.More in this series:My Name is (state your name), and I am an Indie Author-->> amzn.com/B00FNR8V4C

    Longtime skateboard artist Sean Cliver put together this staggering survey of over 1,000 skateboard graphics from the last 30 years, creating an indispensable insiders' history as he did so.Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as: Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk.The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face.

    Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams."A magical book. . . . The Poetics of Space is a prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard." -from the new foreword by John R. Stilgoe

    The perfect introduction to magic and the occult, it explores forms of divination from astrology and palmistry to the Tarot and runestones, mystical plants and potions such as mandrake, the presence of witchcraft in literature from Shakespeare's Macbeth to the Harry Potter series, and the ways in which magic has interacted with mainstream religions.The most comprehensive illustrated history of witchcraft available, A History of Magic, Witchcraft, and the Occult will enthrall and fascinate you with its lavish illustrated, accessible entries, whether you are a believer or a skeptic.

    The pieces captivating listeners are by turns funny, heartbreaking, and profound. Using personal stories to breathe life into abstractions, these programs help us--all in the space of an hour or less--to understand ourselves and our world a little bit better. Each of these beloved shows has a distinct style, but every one delivers stories that are brilliantly told and produced. Out on the Wire offers an unexpected window into this new kind of storytelling--one that literally illustrates the making of a purely auditory medium.With the help of This American Life's Ira Glass, Jessica Abel, a cartoonist and devotee of narrative radio, uncovers just how radio producers construct a narrative, spilling some juicy insider details. Jad Abumrad of RadioLab talks about chasing moments of awe with scientists, while Planet Money's Robert Smith speaks candidly about his slightly goofy strategy for putting interviewees at ease. And Abel reveals how mad--really mad--Ira Glass becomes when he receives edits from his colleagues. Informative and engaging, Out on the Wire demonstrates that, even in the midst of all the other media that consumes us, radio is still very much alive.

    She was born and raised in Southern California and presently lives with her three children in the sultry piedmont forest of North Carolina.I began the Mary-el Tarot in late 1997 when I had my first baby Sophia. 15 years later it is finally being released to the world via Schiffer Books. What a journey! In the early days I decided my big goal with this tarot was to have one that was powerful, beautiful and balanced between male and female energies. This idea grew and evolved as this tarot unfolded, and at the end, I think, represents the greatness of the balanced human soul, which is itself a reflection of the balanced universe. A journey from perfection in innocence to experience and enlightenment. What you should know about the Mary-el Tarot: It has a traditional structure, 22 major arcana, 56 minor arcana, standard names for all. It is built on traditional symbolism. I took the symbolism as found in tarot and illustrated those ideas the best I could. It is not a clone of other tarots, rather a parallel.The whole Mary-el Tarot is built on the symbolism in modern tarot. The Major Arcana is traditional and the Minor Arcana is built on the ideas, symbolism and numerology of the Major Arcana. For example, the 5s are elemental extensions of the Hierophant. The 4s of the Emperor. The 7s the Chariot. Taking this even further the Court cards are, the Pages - Strength. The Knights - the Hanged Man, the Queens-Death. The Kings -Temperance. While there are a lot of associations, ideas and symbolism in these cards the above is the most basic of them - number and element. I think that there is a great objective truth that underlies reality. We can't always see it clearly, though we do feel it, sense it, and are made of it. We each try to describe it using the tools available to us, the trappings of our culture and experience, and this gives rise to different mythologies and religions and systems, esoterics included. Its all the same. I have tried to illustrate that common underlying reality, sometimes using what I thought were the best representative examples of that idea, like Raven Stealing the Sun for the 7 of Swords.The Mary-el tarot is not perfect, not by far!! These things keep evolving!! But it is a journey and hopefully what you find inside will help illuminate a little bit of what you are looking for.

    Allen's distinctive ethnography of the Quechua-speaking people of the Andes brings their story into the present. She has added an extensive afterword based on her visits to Sonqo in 1995 and 2000, and has updated and revised parts of the original text. The book focuses on the very real problem of cultural continuity in a changing world, and Allen finds that the hold life has in 2002 is not the same as it was in 1985.

    While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery—for many of them, West’s efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In Ethnographic Sorcery, West explores the fascinating issues provoked by this equation.A key theme of West’s research into sorcery is that one sorcerer’s claims can be challenged or reversed by other sorcerers. After West’s attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.

    

    Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.

    He knows firsthand the struggles they must face, and through his many books and professional practice he’s helped them find balance in their lives while pursuing their artistic endeavors. Firmly grounded in psychology, Creativity for Life explores all the challenges confronting an artist: deciding if you have talent (or if that’s even important); determining your level of commitment; pursuing stardom; honing your craft; overcoming blocks; taking care of the business end of your artistic life; finding your place in culture; coming out as an artist; finding love and friendship inside and out of your artistic community; and using your art to explore your inner life. A comprehensive approach to the much-misunderstood artist's life, this book, contains both nuts-and-bolts ideas and exercises and inspiration to nurture growth as an artist and a person. It includes update and expanded material from Maisel's Life in the Arts.