. . Film of the year.' Sleazenation'Magnificently bizarre . . . Wonderful.' Empire'Unlike anything you'll have seen before . . . Honestly mind-blowing.' BBC Radio 1'Stunning . . . Totally original.' Time Out'Dazzling . . . Demands a second viewing.' Total FilmThe critical and audience response made Donnie Darko the cult film of the year - one whose dark ambiguities caused audiences to go back to the film again and again trying to fathom its mysteries.This book brings its readers further into the world of Donnie Darko and its creator Richard Kelly. Contained within these pages are an in-depth interview with Richard Kelly who recounts the gestation of the film; the screenplay; photos and drawings from the film and artwork inspired by it.Donnie Darko will never surrender up all its mysteries, but this book will be an indispensable guide into its intriguing world.

    It is the story of Izzy and Celia, two lonely, wounded, and mismatched strangers, transformed into soul mates by the uncanny powers of a phosphorescent stone. Destiny, as well as some bizarre and near-tragic circumstances, conspire to keep the lovers apart. But the audience and reader are privy to a grand and surprising finale that explains all. Thought-provoking, intriguing, and utterly romantic, Lulu on the Bridge offers a lyrical meditation on what distinguishes chance from fate, reality from illusion, and life from death. Following on the success of the screenplay cornpanion to Smoke and Blue in the Face, this book contains the shooting script; an interview with Paul Auster by Rebecca Prime; interviews with the producer, costume designer, editor, director of photography, and production designer; and stills from the film.

    (“Every single frame,” declared Cate Blanchett, “is burned into my retina.”) As Dyer guides us into the zone of Tarkovsky’s imagination, we realize that the film is only the entry point for a radically original investigation of the enduring questions of life, faith, and how to live. In a narrative that gives free rein to the brilliance of Dyer’s distinctive voice—acute observation, melancholy, comedy, lyricism, and occasional ill-temper—Zona takes us on a wonderfully unpredictable journey in which we try to fathom, and realize, our deepest wishes.Zona is one of the most unusual books ever written about film, and about how art—whether a film by a Russian director or a book by one of our most gifted contemporary writers—can shape the way we see the world and how we make our way through it.

    A Shaper. In a warm womb of metal, his patients dream their neuroses, while Render, intricately connected to their brains, dreams with them, makes delicate adjustments, and ultimately explains and heals. Her name is Eileen Shallot, a resident in psychiatry. She wants desperately to become a Shaper, though she has been blind from birth. Together, they will explore the depths of the human mind -- and the terrors that lurk therein

    It is a lovely, wise and lucid book of deep humanity. Above all, it is a useful book - a book to be read by those who find it hard to forgive themselves: the stumblers and agnostics who hardly dare believe that God is within them.

    With an array of stunning performances in blockbusters as diverse as Big, The Da Vinci Code, Forrest Gump, Philadelphia, and Saving Private Ryan to his name, he has an outstanding reputation as one of the world's greatest leading men. Yet behind the many roles lies an intensely complex figure. This wonderful portrait of a dedicated family man and professional explores Tom Hanks' fractured childhood, the breakdown of his first marriage, his friendship with Princess Diana, his relationship with Bill Clinton, his moral and political stances, his family life, and the highs and lows of his stellar career.

    And for a disparate, disconnected clutch of wanderers - many thousands of miles apart but linked by a common goal - four parallel journeys are just beginning.Gorych and his driver, rolling through water, sand and snow on an empty petrol tank; the occupant of a black airship, looking down benevolently as he floats above his Fatherland; young Andrey, who leaves his religious community in search of a new life; and Kharitonov, who trudges from the Sea of Japan to Leningrad, carrying a fuse that, when lit, could blow all and sundry to smithereens.Written in the final years of Communism, The Bickford Fuse is a satirical epic of the Soviet soul, exploring the origins and dead-ends of the Russian mentality from the end of World War Two to the Union's collapse. Blending allegory and fable with real events, and as deliriously absurd as anything Kurkov has written, it is both an elegy for lost years and a song of hope for a future not yet set in stone.

    The guest of honor, an actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the narrator, who begins a silent but frenzied, sometimes maniacal, and often ambivalent tirade against these former friends, most of whom were brought together by the woman whom they had buried that day. Reflections on Joana's life and suicide are mixed with these denunciations until the famous actor arrives, bringing a culmination to the evening for which the narrator had not even thought to hope."Mr. Bernhard's portrait of a society in dissolution has a Scandinavian darkness reminiscent of Ibsen and Strindberg, but it is filtered through with a minimalist prose. . . . Woodcutters offers an unusually strange, intense, engrossing literary experience."—Mark Anderson, New York Times Book Review"Musical, dramatic and set in Vienna, Woodcutters. . . .resembles a Strauss operetta with a libretto by Beckett."—Joseph Costes, Chicago Tribune"Thomas Bernhard, the great pessimist-rhapsodist of German literature . . . never compromises, never makes peace with life. . . . Only in the pure, fierce isolation of his art can he get justice."—Michael Feingold, Village Voice"In typical Bernhardian fashion the narrator is moved by hatred and affection for a society that he believes destroys the very artistic genius it purports to glorify. A superb translation."—Library Journal

    It is one of those great unclassifiable masterpieces that appear once every twenty years or so.'It will make you cleverer, maybe even a better lover. Not many novels can do that.' Nicholas Lezard, GQ

    Set in 1973 and starring Frances McDormand, Billy Crudup, and Noah Taylor, Crowe's new film tells the story of a fifteen-year-old boy whose dream of becoming a rock journalist comes true when Rolling Stone sends him on tour with the up-and-coming rock band Stillwater—loosely based on Led Zeppelin—over the objections of his protective mother. Crowe brings the same wry humor he brought to Jerry Maguire as well as the brilliant evocations of teen life that animated his earlier cult film Fast Times at Ridgemont High to chronicle and celebrate a pivotal moment in rock history—and one teenage boy's place in it.

    Her story of the moment involves a madman known as the Holy Ghost, a deranged serial killer who disfigures his victims. When Susan Trevett lives to tell about her encounter with the Holy Ghost, she picks a young farmboy out of a police lineup. But then Susan does a dramatic turnaround: she insists that the boy is innocent, and that she disfigured herself to repent for past sins. The jury delivers a not guilty verdict, and Garner is left with an ending to her book she fears might not tell the whole story. To compensate, Garner plunges headlong into another case. A media firestorm has erupted around celebrated sculptor Dane Blackmoor. Body parts have been found in his lifelike sculptures, and Garner, who has tangled with the enigmatic artist in the past, thinks she knows the villain's identity. As she becomes increasingly involved in the Blackmoor story, she realizes she's being stalked by a cold-blooded killer who knows her like a book. Garner suddenly understands that there's a small space between the words true and crime: make one mistake in judgment, and it may come back to haunt you - with a vengeance.

    Their lives are shaped by hunger, theft, betrayal, and prostitution, and they celebrate their triumphs with brutal abandon and die bleak deaths. This harsh world is portrayed with an understanding that humanity and even humor can exist amidst a hard and amoral society. A novel that caused a scandal upon its first publication more than 50 years ago, this new translation eloquently captures the gritty Roman slang of the Italian original and tells a story that still resonates powerfully to this day.

    At the age of thirty-one, Nerzhin has survived the war years on the German front and the postwar years in a succession of Russian prisons and labor camps. His story is interwoven with the stories of a dozen fellow prisoners - each an unforgettable human being - from the prison janitor to the tormented Marxist intellectual who designed the Dnieper dam; of the reigning elite and their conflicted subordinates; and of the women, wretched or privileged, bound to these men. A landmark of Soviet literature, 'The First Circle' is as powerful today as it was when it was first published, nearly thirty years ago.

    When she finally emerges from the fog of her life, it dawns on her that something is amiss in the way her husband died. As Brea searches for answers, she discovers things she never knew... and things she's not sure she wants to know. Delving into unsolved mysteries brings several questions to the forefront of Brea's thoughts, and she must decide if moving forward can erase the heartache and mistakes.

    There were three extraordinary children in the Tenenbaum family; Chas Tenenbaum (Ben Stiller) was a financial expert and started buying real estate in his early teens; Margot Tenenbaum (Gwyneth Paltrow) was an acclaimed playwright and won a Pulitzer Prize in the 9th grade; Richie Tenenbaum (Luke Wilson) was a champion tennis player ranked 2nd in the world by the age 17. They were brilliant. They were famous. They were unlucky enough to be the children of a man named Royal Tenenbaum (Gene Hackman). Now for the first time in 25 years, they're all living together under the same roof. After having largely gone their separate ways they're looking to mend fences--and themselves in the process.