Ayyan Mani, one of the thousands of dalit (untouchable caste) men trapped in Mumbai’s slums, works in the Institute of Theory and Research as the lowly assistant to the director, a brilliant self-assured astronomer. Ever wily and ambitious, Ayyan weaves two plots, one involving his knowledge of an illicit romance between his married boss and the institute’s first female researcher, and another concerning his young son and his soap-opera-addicted wife. Ayyan quickly finds his deceptions growing intertwined, even as the Brahmin scientists wage war over the question of aliens in outer space. In his debut novel, Manu Joseph expertly picks apart the dynamics of this complex world, offering humorous takes on proselytizing nuns and chronicling the vanquished director serving as guru to his former colleagues. This is at once a moving portrait of love and its strange workings and a hilarious portrayal of men’s runaway egos and ambitions. .

    She thrives in her job as a radio jockey and at home she is the darling of the family. But her happy world starts to fall apart when revolution blooms in the country. As the people's agitation gathers strength, Sameera finds herself and her family embroiled in the politics of their adopted land. She is forced to choose between family and friends, loyalty and love, life and death.Jasmine Days is the heart-rending story of a young woman in a city where the promise of revolution turns into destruction and division.

    Thus begins the story of Poonachi, the little orphan goat. As you follow her story from forest to habitation, independence to motherhood, you recognise in its significant moments the depth and magnitude of your own fears and longings, fuelled by the instinct for survival that animates all life. Masterly and nuanced, Perumal Murugan’s tale forces us reflect on our own responses to hierarchy and ownership, selflessness and appetite, love and desire, living and dying. Poonachi is the story of a goat who carries the burden of being different all her life, of a she-goat who survives against the odds. It is equally an expression of solidarity with the animal world and the female condition. The tale is also a commentary on our times, on the choices we make as a society and a nation, and the increasing vulnerability of individuals, particularly writers and artists, who resist when they are pressed to submit. Reviews for Poonachi “Murugan’s sarcasm speaks of the robustness of his spirit … As in all his novels, (his) story is rich in detail … (He) sustains the narrative tension right from the start.”- Elizabeth Kuruvilla, The Hindu Literary Review

    They are the Hindi-Bindi Club, a nickname given by their American daughters to the mothers who left India to start anew—daughters now grown and facing struggles of their own.For Kiran, Preity, and Rani, adulthood bears the indelible stamp of their upbringing, from the ways they tweak their mothers’ cooking to suit their Western lifestyles to the ways they reject their mothers’ most fervent beliefs. Now, bearing the disappointments and successes of their chosen paths, these daughters are drawn inexorably home.Kiran, divorced, will seek a new beginning—this time requesting the aid of an ancient tradition she once dismissed. Preity will confront an old heartbreak—and a hidden shame. And Rani will face her demons as an artist and a wife. All will question whether they have the courage of the Hindi-Bindi Club, to hold on to their dreams—or to create new ones.An elegant tapestry of East and West, peppered with food and ceremony, wisdom and sensuality, this luminous novel breathes new life into timeless themes.

    The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    The uproar of the crowd in the stadium. The cheering and clapping. All fell silent Just the thumping of their hearts remained and a questionwere they going to lose him? Thanks to the makeover by her sisters friends, the nerdy Niharika entered college more confident, more attractive. She meets the sweet, shy Tanmay, and the spoilt but lovely Pia and they become best friends. And when Akshat and she began dating, life finally seemed to be falling in place. Except that it wasn't Tanmays success in football had begun to change him. Akshats perfection seemed like a front for something dark and sinister. And their college senior Karthik? His aggressiveness was a cover for his mysterious past. Someone Like You is a powerful and touching story of friendship, love and betrayal.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Mitter, AKA Feluda. The plots involve murder, mystery and adventure, most of the times in exotic locations, narrated in a racy, humorous style by the detective's cousin-cum-assistant Topeshranjan Mitter AKA Topshe, and in most cases, accompanied by the funny Lalmohan Ganguly AKA Jatayu, who himself was a famous crime writer. All of this makes for enormously entertaining fare - and it is no wonder that each Feluda book has been a best-seller. All the stories are now available together in this two volume omnibus. For the first time ever, the stories are arranged in chronological order of composition, and one can note Feluda's development from an unknown amateur detective to a famous investigator. This first volume contains some of the best Feluda stories ever written.

    "A sort of frost seems to have descended on the souls of the human agents ... Every confrontation - and the play is a series of confrontations - instead of thawing the ice, leaves it a bigger iceberg.' -R.L.Nigam, in 'Enact'

    Desperate to get noticed, Ananya takes some big steps.Over the weekend, Ananya is a changed person. Her skirt's shorter, her shirt's tighter and her hair falls stylishly over her shoulders. This is not what she wanted, but it wasn't about what she wanted anymore.Soon she realizes that changing just the outer appearance is not enough. The culture shock is too much for her to take. Will she survive the transition, without losing her integrity?

    While dealing with her parents’ contentious divorce, a breakup of her own, and shifting friendship dynamics, she has every reason to feel cynical. But then she meets Harry, her fellow coworker at the local cinema. He’s brash, impulsive, and a major flirt. And even though Audrey tries to resist, she finds herself falling for his charms. But in this funny, insightful, and ultimately empowering novel, love—and life—isn’t what it’s like in the movies.A clever, deconstructed rom-com that proves that in real life “girl meets boy” doesn't always mean “happily ever after” . . . or does it? At turns funny, feminist, and achingly real, this read is perfect for fans of Sophie Kinsella, Patrick Ness, and Julie Buxbaum.

    The struggle for supremacy between the Chalukya Emperor, Pulikesi II, and the Pallava Emperor, Mahendra Varmar and at a later stage, his son, Narasimha Varmar, forms the core of the novel. The story begins with Pulikesi's unanticipated invasion of the Pallava Kingdom and the ruses Mahendra Varmar employes to safeguard his kingdom and the capital, Kanchi. Mahendra Varmar is handicapped by his ill-equipped smaller army which is no match for the larger Chalukya army.Pulikesi's invasion is not Mahendra Varmar's sole cause for concern. The impractical yet ardent romance between his only son, Crown Prince Narasimha Varmar and the beautiful and talented danseuse, Sivakami, the daughter of the land's foremost sculptor, Aayanar, and the fate of Mamallapuram which Mahendra Varmar is in the midst of concerting into a sculpture-filled "dream world", weigh heavily on him.The scheming Chalukya loyalist, Naganandi Bikshu, the young and brave Pallava army commander Paranjyothi, the mysterious Vajrabahu, the passionate sculptor Aayanar and the Pallava spies Shatrugnan and Gundodharan aid in the story's progression. This intense and unforgettable narrative by 'Kalki' plays on the emotions of the readers and concludes with the least expected climax.

    This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    What is it that we as a nation are missing? At the heart of the book is the belief that the people of a nation have the power, by dint od hard work, to realize their dream of a truly good life. Lalam takes up different issues and themes that struck him on his pilgrimage around the country as he met thousands of schoolchildren, teachers, scientists saints and seers in the course of two years. The result is a book that motivates usto get back on the winning track and unleash the energy within a nation that has not allowed itself full rein. Ignited minds will fire the minds of the young to whom it is promarly addressed Khuswant Singh in Outlook.