He's on the run with the proceeds of a botched bank robbery. It's all he has. His crew is dead and his getaway car just died on him. He's on foot with the cash when he comes across a two-car pileup. There's no saving the drivers, but he can save himself by stealing one of the wrecked cars. Unfortunately, he boosts the wrong set of wheels. Within an hour of driving off, he develops a rash that eats away at his flesh. No doctor can help him—only the car's original owner. If Straley wants his skin back, he must journey on the road to redemption, which ends in the heart of Central America. Road Rash first appeared in the anthology Butcher Shop Quartet 2. Simon Janus is the horror identity for the award winning thriller writer, Simon Wood. What They Are Saying About Road Rash: "Road Rash is a wild collision of crime caper and supernatural thriller that works on every level. Lightning-paced, darkly funny, deeply creepy, and highly recommended." — Jonathan Maberry, NY Times bestselling author of THE DRAGON FACTORY “Simon Janus understands the darkness inside us all and nails it to the page. Fast-paced and gut-wrenching, pedal-to-the-metal thrills." — Scott Nicholson, author of THE RED CHURCH

    Two previous expeditions to investigate its secrets met with disaster, the participants destroyed by murder, suicide or insanity. Now a new investigation has been mounted - four strangers, each with his or her own reason for daring the unknown torments and temptations of the mansion...

    When a careless exploration leaves her trapped underground, she learns to live again in the absence of everything she once knew. Even driven by love and light, Sally Ann finds the deepest darkness within herself in When Darkness Loves Us.Beauty Is... - Old Martha Mannes has been a part of Morgan, Illinois since her birth. The whole town knows her as the dim-witted woman who was born without a nose, but Martha's mind wasn't always a blank slate. Unlocking the monster buried deep in her memories may bring back the sparkling child she once was... or it may send those around her crashing down into the nightmares of a little girl gone wrong.

    But she split her pair of ruby earrings and gave one to each of her beautiful twin babies. Within hours she was burned to death in a fire. The twins lived.KATHERINERaised by a poor, childless couple, Katherine was shy and withdrawn, except in her love for the Sisters of the Immaculate Conception. In her heart, Katherine had found God. In her father’s heart, they found a butcher knife.ANDREAShe grew up with all that money could buy. She was pretty and popular and went to the best schools. Her parents loved her dearly, and gladly did anything to please her. But what made Andrea happy, would make them dead.THEY MET IN THEIR NIGHTMARESIn the dark of sleep, Katherine and Andrea had terrible dreams of being the other. Until the hand of evil that guided their waking lives brought them face to face with each other . . . and the crossed fate of horror awaiting them both.Reviews“Blood Rubies is an engrossing study of unconscious evil, unreflective evil, and it is the sign of the book’s wit and audacity that the evil figure is a nun . . . At times I thought I was reading a peculiar combination of James M. Cain and Ronald Firbank . . . a beautifully crafted story.” - Peter Straub

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    Then a pretty blonde child runs into view, bringing with her an inexplicable suggestion of evil.Once Julia Lofting had a husband and a daughter. But everything has changed since she bolted from her marriage, in flight from the unbearable truth of her daughter's death. For Julia, there is no escape. Another child awaits, another mother suffers, and a circle of the damned gathers around her. The haunting has begun . . .

    Only one returned: Olivia, starved, terrified, and with no memory of where she'd been. Questioned by the police but released for lack of evidence, Nathan spent the years trying to forget. When a body is found in the same ancient woodland where they disappeared, it is first believed to be one of the missing children, but is soon identified as a Bronze Age warrior, nothing more than an archaeological curiosity. Yet Nathan starts to have horrific visions of the students, alive but trapped. Then Olivia reappears, desperate that the warrior's body be returned to the earth. For he is the only thing keeping a terrible evil at bay.

    And what they tell him is horrifying.In the Balkan mountains of Rumania, a terrible evil is growing. Long buried in hallowed ground, bound by earth and silver, the master vampire schemes and plots. Trapped in unlife, neither dead nor living, Thibor Ferenczy hungers for freedom and revenge.The vampire's human tool is Boris Dragosani, part of a super-secret Soviet spy agency. Dragosani is an avid pupil, eager to plumb the depthless evil of the vampire's mind. Ferenczy teaches Dragosani the awful skills of the necromancer, gives him the ability to rip secrets from the mind and bodies of the dead. Dragosani works not for Ferenczy's freedom but world domination. He will rule the world with knowledge raped from the dead.His only opponent: Harry Koegh, champion of the dead and the living.To protect Harry, the dead will do anything--even rise from their graves!

    Filling the air with chilling howls, the dead are rising from their graves, bent on feeding on the flesh and blood of the living. They seek out human life. And these monstrous corpses will let nothing stand in their way as they hunt down the living to satisfy their own evil desires.

    Witches, spells, ghosts, pacts with the Devil, occult rituals, love triangles, popes and the Anti-Christ are some of the ingredients of this chilling early horror work (set in the middle-ages) by Marjorie Bowen that some consider to be the ultimate Gothic Novel.

    Four days later, his mother is dead, and a strange cult of religious wanderers have been brutally murdered by the terrified local farmers. In 1995, a gnarled sycamore tree planted over their graves is uprooted by bulldozers--and evil arises.

    In the orderly, pleasant world Barbara inhabited, nice children -- and they were nice children — didn't hold an adult captive.But what Barbara didn't count on was the heady effect their new-found freedom would have on the children. Their wealthy parents were away in Europe, and in this rural area of Maryland, the next house was easily a quarter of a mile away. The power of adults was in their hands, and they were tempted by it. They tasted it and toyed with it -- their only aim was to test its limits. Each child was consumed by his own individual lust and caught up with the others in sadistic manipulation and passion, until finally, step by step, their grim game strips away the layers of childishness to reveal the vicious psyche, conceived in evil and educated in society's sophisticated violence, that lies always within civilized men.More than a terrifying horror story, Let's Go Play at the Adams' is a compelling psychological exercise of brooding insights and deadly implications.

    Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story 'Sardonicus', considered by Stephen King to be 'perhaps the finest example of the modern Gothic ever written', to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. These stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.Haunted CastlesHaunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of 'Sardonicus', 'Sanguinarius', and 'Sagittarius'. The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful.RAY RUSSELL was born in 1924 in Chicago, Illinois, and served in the United States Air Force during World War II in the South Pacific. After the war, he attended the Chicago Conservatory of Music and eventually joined the editorial staff at Playboy, where he published such writers as Ray Bradbury, Kurt Vonnegut, Richard Matheson, Jack Finney, Robert Bloch, and Charles Beaumont. His best-known work, 'Sardonicus', was called by Stephen King 'perhaps the finest example of the modern Gothic ever written'. He died in Los Angeles in 1999.GUILLERMO DEL TORO is a Mexican director, producer, screenwriter, novelist, and designer, most famous for his Academy Award-winning film,Pan's Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collector and student of arcane memorabilia and weird fiction.

    The boy seems to have a psychic connection to something in the dark forest, something unseen... and evil. The old-timers in the region know the truth of the legendary creature that stalks the Pine Barrens. And they know the savagery it's capable of

    Every day blood is spilled. Every place that rain falls, it washes away some of the red that stains the streets.Eliminating every killer in the Sixth World is as impossible as drying up every raindrop in a storm, but Thomas McAllister doesn’t want to get rid of all of them. Just one. He’s been on this killer’s trail for a while, and he knows he’s getting closer. The only question is if he’ll be able to handle getting as close as he’s about to be, or if his blood will join the stream that regularly flows into the gutters of the sprawls.