Book picks similar to
O Go My Man by Stella Feehily
plays
theatre
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Lion in the Streets
Judith Thompson - 1992
The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.
Enron
Lucy Prebble - 2009
At once a case study and an allegory, the play charts the notorious rise and fall of Enron and its founding partners Ken Lay and Jeffrey Skilling, who became reviled figures from the financial scandal of the century, with quotes like, "The only difference between me and the people judging me is they weren't smart enough to do what we did."Mixing classical tragedy with savage comedy, Enron follows a group of flawed men and women in a narrative of greed and loss which reviews the tumultuous 1990s and casts a new light on the financial turmoil in which the world finds itself in today.
Sex with Strangers
Laura Eason - 2014
As attraction turns to sex, and they inch closer to getting what they want, both must confront the dark side of ambition and the near impossibility of reinventing oneself when the past is only a click away. Sex with Strangers had its world premiere at Steppenwolf Theatre Company; it will have its New York premiere at Second Stage Theatre in June 2014, directed by David Schwimmer.
Plays by Susan Glaspell
Susan Glaspell - 1987
Although long neglected, the four plays collected in this critical edition reveal the thoroughly modern nature of her concerns. Trifles (1916) develops a feminist critique of social role, while The Outside (1917) stages a debate between the life force and a perverse celebration of death. In The Verge (1921), Glaspell presented an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. And though Inheritors (1921) is far more conventional, it nonetheless questions the nature and reality of American pieties. Long known for a single play, Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative innovation.
The Nether
Jennifer Haley - 2014
No one has been able to draw a conclusive correlation between virtual behaviour and behaviour in-world.
The Nether is a virtual wonderland that provides total sensory immersion. Just log in, choose an identity and indulge your every desire. But when a young detective uncovers a disturbing brand of entertainment, she triggers an interrogation into the darkest corners of the imagination.Winner of the 2012 Susan Smith Blackburn Prize, The Nether is both a serpentine crime drama and haunting sci-fi thriller that explores the consequences of living out our private dreams.Jennifer Haley's The Nether received its UK premiere in July 2014 at the Royal Court Theatre, London, in a co-production with Headlong.
seven methods of killing kylie jenner
Jasmine Lee-Jones - 2019
When The Discourse turns on her, the line between internet personas and IRL relationships blurs, and the heightened scrutiny she comes under puts her real-life friendship under strain...seven methods of killing kylie jenner combines theatre with gifs, memes and emojis to explore stereotypes of Black womanhood, white capitalist exploitation, and the politics of social media activism.
The Miss Firecracker Contest
Beth Henley - 1995
Carnelle enlists half-blind seamstress Popeye to help her efforts. Meanwhile, Carnelle’s cousins, Elain and Delmont, are forced to come to terms with their late mother’s legacy, against their own desires. Beth Henley’s signature messy characters fit imperfectly into tragi-comic portraits of the American South.
Love, Love, Love
Mike Bartlett - 2010
It follows one couple's forty year journey from initial burst of romance to full bloom of love and through stages of smoking, drinking, affection and paranoia. The play follows their idealistic teenage years in the 1960s to their marriage and family and ultimate divorce, which dissolves their marriage but leaves them free from acrimony. Their children, however, bitterly rail against their parents' irresponsibility and their relaxed, laissez-faire attitude.This play by Olivier award-winning writer Mike Bartlett questions whether the baby boomer generation is to blame for the debt-ridden and adrift generation of their children, now adults but far from stable and settled.