He confronts its costs, not only human (six hundred thousand men killed) and economic (beyond reckoning) but social and psychological. He touches on popular misconceptions, including some concerning Abraham Lincoln and the issue of slavery. The war in all its facets “grows in our consciousness,” arousing complex emotions and leaving “a gallery of great human images for our contemplation.”

    Richly colored paintings interspersed throughout express not just the meaning of the words, but the magic within them.

    This Library of America volume presents his essential writings, covering the full span of a restless life dedicated to the struggle for racial justice.The Suppression of the African Slave-Trade to the United States 1638–1870 (1896), his first book, renders a dispassionate account of how, despite ethical and political opposition, Americans tolerated the traffic in human beings until a bloody civil war taught them the disastrous consequences of moral cowardice.The Souls of Black Folk (1903), a collection of beautifully written essays, narrates the cruelties of racism and celebrates the strength and pride of black America. By turns lyrical, historical, and autobiographical, Du Bois pays tribute to black music and religion, explores the remarkable history of the Reconstruction Freedman’s Bureau, assesses the career of Booker T. Washington, and remembers the death of his infant son.Dusk of Dawn (1940) was described by Du Bois as an attempt to elucidate the “race problem” in terms of his own experience. It describes his boyhood in western Massachusetts, his years at Fisk and Harvard universities, his study and travel abroad, his role in founding the NAACP and his long association with it, and his emerging Pan-African consciousness. He called this autobiography his response to an “environing world” that “guided, embittered, illuminated and enshrouded my life.”Du Bois’s influential essays and speeches span the period from 1890 to 1958. They record his evolving positions on the issues that dominated his long, active life: education in a segregated society; black history, art, literature, and culture; the controversial career of Marcus Garvey; the fate of black soldiers in the First World War; the appeal of communism to frustrated black Americans; his trial and acquittal during the McCarthy era; and the elusive promise of an African homeland.The editorials and articles from The Crisis (1910–1934) belong to the period of Du Bois’s greatest influence. During his editorship of the NAACP magazine that he founded, Du Bois wrote pieces on virtually every aspect of American political, cultural, and economic life. Witty and sardonic, angry and satiric, proud and mournful, these writings show Du Bois at his freshest and most trenchant.

    J. O'Rourke's classic, best-selling guided tour of the world's most desolate, dangerous, and desperate places. Tired of making bad jokes and believing that the world outside seemed a much worse joke than anything I could conjure, P. J. O'Rourke traversed the globe on a fun-finding mission, investigating the way of life in the most desperate places on the planet, including Warsaw, Managua, and Belfast. The result is Holidays in Hell--a full-tilt, no-holds-barred romp through politics, culture, and ideology. P.J.'s adventures include storming student protesters' barricades with riot police in South Korea, interviewing Communist insurrectionists in the Philippines, and going undercover dressed in Arab garb in the Gaza Strip. He also takes a look at America's homegrown horrors as he braves the media frenzy surrounding the Reagan-Gorbachev summit in Washington D.C., uncovers the mortifying banality behind the white-bread kitsch of Jerry Falwell's Heritage USA, and survives the stultifying boredom of Harvard's 350th anniversary celebration. Packed with P.J.'s classic riffs on everything from Polish nightlife under communism to Third World driving tips, Holidays in Hell is one of the best-loved books by one of today's most celebrated humorists.

    The poets of Resistencia explore feminist, queer, Indigenous, and ecological themes alongside historically prominent protests against imperialism, dictatorships, and economic inequality. Within this momentous collection, poets representing every Latin American country grapple with identity, place, and belonging, resisting easy definitions to render a nuanced and complex portrait of language in rebellion.Included in English translation alongside their original language, the fifty-four poems in Resistencia are a testament to the art of translation as much as the act of resistance. An all-star team of translators, including former US Poet Laureate Juan Felipe Herrera along with young, emerging talent, have made many of the poems available for the first time to an English-speaking audience. Urgent, timely, and absolutely essential, these poems inspire us all to embrace our most fearless selves and unite against all forms of tyranny and oppression.Original languages include Spanish, French, Portuguese, Kaqchikel, Mapudungun, Miskito, and Quechua.

    ...y no se lo trago la tierra won the first national award for Chicano literature in 1970 and has become the standard literary text for Hispanic literature classes throughout the country. It is now an award-winning, motion picture entitled And the Earth Did Not Swallow Him.... and the Earth did not devour him / Tomás Rivera --from Voices of the fields: children of migrant farmworkers tell their stories / S. Beth Atkin --Christmas / Langston Hughes --Children for hire / Verena Dobnik and Ted Anthony --First confession / Frank O'Connor --Aria: a memoir of a bilingual childhood / Richard Rodriguez

    He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in. Olivarez has a unique voice that makes him a poet to watch.

    For well over two centuries now, Americans of all stripes--presidents and activists, writers and soldiers--have turned to Shakespeare's works to address the nation's political fault lines, such as manifest destiny, race, gender, immigration, and free speech. In a narrative arching across the centuries, James Shapiro traces the unparalleled role of Shakespeare's 400-year-old tragedies and comedies in making sense of so many of these issues on which American identity has turned. Reflecting on how Shakespeare has been invoked--and at times weaponized--at pivotal moments in our past, Shapiro takes us from President John Quincy Adams's disgust with Desdemona's interracial marriage to Othello, to Abraham Lincoln's and his assassin John Wilkes Booth's competing obsessions with the plays, up through the fraught debates over marriage and same-sex love at the heart of the celebrated adaptations Kiss Me Kate and Shakespeare in Love. His narrative culminates in the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated.Extraordinarily researched, Shakespeare in a Divided America shows that no writer has been more closely embraced by Americans, or has shed more light on the hot-button issues in our history. Indeed, it is by better understanding Shakespeare's role in American life, Shapiro argues, that we might begin to mend our bitterly divided land.

    In its entirety...you have the CSA "Confederate States of America" Constitution.This is a must read.....imagine a young country that just learned all the things wrong with their country and its government....then makes their own.The CSA was ahead of its time in many respects...(never mind the whole slavery thing)....If you are a History buff or just doing research...get this...read it....it is outstanding.

    Uniquely comprehensive, The American Intellectual Tradition includes classic works in philosophy, religion, social theory, political thought, economics, psychology, and cultural and literary criticism. Organized chronologically into thematic sections, the two volumes trace the evolution of intellectual writing and thinking from its origins in Puritan beliefs to the most recent essays on diversity and postmodernity. Pedagogical features include introductions and headnotes to the selections, updated bibliographic material throughout, and detailed chronologies at the end of each book. Addressing such highly contested subjects as race, class, gender, aesthetics, political religion, and the role of the United States in the world, The American Intellectual Tradition, Fifth Edition, is invaluable for undergraduate courses in intellectual history. It is also an excellent supplement for graduate seminars and classes in American history, American studies, and American literature. Volumes I and II now offer new selections from Roger Williams, John Humphrey Noyes, Asa Gray, Thomas Wentworth Higginson, Charles Augustus Briggs, Elizabeth Cady Stanton, Walter Lippmann, Thurman Arnold, Henry Luce, Henry A. Wallace, Albert Einstein, Aldo Leopold, James Baldwin, George Kennan, Milton Friedman, Herbert Marcuse, Edward Said, Gloria Anzaldua, Henry Louis Gates, Jr., Joan W. Scott, Samuel Huntington, and Carl Sagan.

    Included are dramatic confrontations from Virginia, where Patrick Henry pitted his legendary oratorical skills against the persuasive logic of Madison, and from New York, where Alexander Hamilton faced the brilliant Antifederalist Melancton Smith.In addition to useful notes, there are biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    Down, down he leads us, in intoxicating, nearly hallucinogenic prose-past the Yaqui, the Anasazi, and other ghosts of our collective history, past the hookers, winos, and assorted have-nots outside the prosperous circle by the fire. We meet a prisoner obsessed with painting presidents, sex offenders whose desires are not as alien as we wish, a murderer whose execution does not cure what ails us. I wound up looking at a world where cannibalism is life, Bowden writes, and of course, given the diet, a life without a future. He mourns a young artist who couldn't find a reason to keep living and tends a mesquite tree that won't die. And down among its metaphoric roots, he reacquaints us with the appetites-fierce, flawed, human-that might save us too. Blues for Cannibals is scripture for an age when bushes no longer burn.

    NBC News and MSNBC correspondent Jacob Soboroff was among the first journalists to expose the truth of what their lives were like on the inside after seeing them firsthand. His widely shared reports in June 2018 ignited public scrutiny that contributed to the President reversing his own policy by Executive Order, and earned Soboroff the Cronkite Award for Excellence in Political Broadcast Journalism and the 2019 Hillman Prize for Broadcast Journalism.In Separated, Soboroff weaves together his own experience unexpectedly covering this national issue with other key figures in the drama he met along the way, including feuding administration officials responsible for tearing apart and then reuniting families, and the parents and children who were caught in the middle. He reveals new and exclusive details of how the policy was carried out, and how its affects are still being felt. Today, there is still not a full accounting of the total number of children the President ripped away from their parents. The exact number may never be known, only that it is in the thousands. Now the President is doubling down on draconian immigration policies, including threatening to hold migrant families indefinitely and making tens of thousands applying for asylum wait in some of Mexico’s most dangerous cities. Separated is required reading for anyone who wants to understand how Trump and his administration were able to carry out this inhumane policy, and how so many missed what was happening before it was too late. Soboroff lays out compassionately, yet in the starkest of terms, its human toll, and makes clear what is at stake in the 2020 presidential election.

    StoryCorps began with the idea that everyone has an important story to tell. And since 2003, this remarkable project has been collecting the stories of everyday Americans and preserving them for future generations. In New York City and in mobile recording booths traveling the country-from small towns to big cities, at Native American reservations and an Army post-StoryCorps is collecting the memories of Americans from all ages, backgrounds, and walks of life. The project represents a wondrous nationwide celebration of our shared humanity, capturing for posterity the stories that define us and bind us together. In Listening Is an Act of Love, StoryCorps founder and legendary radio producer Dave Isay selects some of the most remarkable stories from the already vast collection and arranges them thematically into a moving portrait of American life. The voices here connect us to real people and their lives-to their experiences of profound joy, sadness, courage and despair, to good times and hard times, to good deeds and misdeeds. To read this book is to be reminded of how rich and varied the American storybook truly is, how resistant to easy categorization or caricature. Above all, this book honors the gift each StoryCorps participant has made, from the raw material of his or her life, to the Americans who will come after. We are our history, individually and collectively, and Listening Is an Act of Love touchingly reminds us of this powerful truth.

    In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature.ContentsPrelude: Excerpt from The use of thought / Samuel Ramos Early influences:Major Aranda's hand / Alfonso Reyes My cousin Agueda, and In the wet shadows / Ramón López Velarde Excerpt from Pedro Páramo / Juan Rulfo L.A. nocturne : the angels / Xavier Villaurrutia Chicano/a voices I: How to tame a wild tongue / Gloria AnzaldúaIndia / Richard RodriguezMeditations on the South Valley: Poem IX / Jimmy Santiago Baca B. Traven is alive and well in Cuernavaca / Rudolfo Anaya Contemporary Mexican voices:Excerpt from The death of Artemio Cruz / Carlos Fuentes Introduction from Here's to you, Jesusa! / Elena Poniatowska The day of the dead, and I speak of the city / Octavio Paz Excerpt from The book of lamentations / Rosario Castellanos Chicano/a voices 2: Daddy with Chesterfields in a rolled up sleeve / Ana Castillo Never marry a Mexican / Sandra Cisneros Maria de Covina / Dagoberto Gilb Excerpt from Crossing over : a Mexican family on the migrant trail / Rubén Martínez New departures:Hagiography of the apostate / Ignacio PadillaAunt Leonor, and Aunt Natalia / Ángeles MastrettaIdentity hour or, What photos would you take of the endless city / Carlos Monsiváis Fish of fleeting skin / Coral Bracho