The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.

    Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.

    Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece "Slaughterhouse-Five;" wry dispatches from Vonnegut's years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Gunter Grass, and Bernard Malamud. Vonnegut's unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels--from a crackpot scheme for manufacturing "atomic" bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. ("Knopf, for example, might give John Updike's contract to Simon and Schuster, and receive Joan Didion's contract in return.") Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. - On a job he had as a young man: "Hell is running an elevator throughout eternity in a building with only six floors."- To a relative who calls him a "great literary figure" "I am an American fad--of a slightly higher order than the hula hoop."- To his daughter Nanny: "Most letters from a parent contain a parent's own lost dreams disguised as good advice."- To Norman Mailer: "I am cuter than you are." Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    Clarke was published in 1972 by Signet as an accompaniment to the novel 2001: A Space Odyssey.The book itself consists in part of behind-the-scenes notes from Clarke concerning scriptwriting (and rewriting), as well as production issues. The core of the book, however, is contained in excerpts from the proto-novel and an early screenplay that did not make it into the final version.Alternative settings for launch preparation, the EVA scene where astronaut Frank Poole is lost, and varying dialogues concerning the HAL 9000 unit are all featured in the book. Also included is the original short story The Sentinel on which 2001 is loosely based.

    Told in the same fanciful, irreverent style as the Hitchhiker trilogy, with scraps of scripts, letters and comments from Adams, Don't Panic is the perfect companion to one of the most successful series in publishing history.

    Now The Road to Dune is a companion work comparable to The Silmarillion, shedding light on and following the remarkable development of the bestselling science fiction novel of all time.In this fascinating volume, the world's millions of Dune fans can read--at long last--the unpublished chapters and scenes from Dune and Dune Messiah. The Road to Dune also includes some of the original correspondence between Frank Herbert and famed editor John W. Campbell, Jr., along with other correspondence during Herbert's years-long struggle to get his innovative work published, and the article "They Stopped the Moving Sands," Herbert's original inspiration for Dune.The Road to Dune also features newly discovered papers and manuscripts of Frank Herbert, and Spice Planet, an original novel by Brian Herbert and Kevin J. Anderson, based on a detailed outline left by Frank Herbert.The Road to Dune is a treasure trove of essays, articles, and fiction that every reader of Dune will want to add to their shelf.

    If that many. But he kept at it, for ten years and running. Now 40,000 people drop by on a daily basis to see what he's got to say.About what? Well, about whatever: Politics, writing, family, war, popular culture and cats (especially with bacon on them). Sometimes he's funny. Sometimes he's serious (mostly he's sarcastic). Sometimes people agree with him. Sometimes they send him hate mail, which he grades on originality and sends back. Along the way, Scalzi's become a best-selling, award-winning author, a father, and a geek celebrity. But no matter what, there's always another Whatever to amuse and/or enrage his readers.Your Hate Mail Will Be Graded collects some of the best and most popular Whatever entries over the history of the blog, from some of the very first entries right up into 2008. It's a decade of Whatever, presented in delightfully random form -- just the way it should be.

    "Wired" magazine sent him to Singapore to report on one of the world's most buttoned-up states. "The New York Times Magazine" asked him to describe what was wrong with the Internet. Rolling Stone published his essay on the ways our lives are all "soundtracked" by the music and the culture around us. And in a speech at the 2010 Book Expo, he memorably described the interactive relationship between writer and reader.These essays and articles have never been collected-until now. Some have never appeared in print at all. In addition, "Distrust That Particular Flavor" includes journalism from small publishers, online sources, and magazines no longer in existence. This volume will be essential reading for any lover of William Gibson's novels. "Distrust That Particular Flavor" offers readers a privileged view into the mind of a writer whose thinking has shaped not only a generation of writers but our entire culture.

    And the thousands of devotees of the series now have a book that will be a goldmine of information, background details, and little-known facts about the Vorkosigan saga. Included are an all-new interview with Bujold as well as essays by her on crafting the Vorkosigan universe, articles on the biology, technology and sociology of the planet Barrayar, appreciations of the individual novels by experts, maps, a complete timeline of the series, and more. Readers can't get enough of the Vorkosigan series and they'll jump at the chance to read this story behind the stories. Baen has a new novel in the Vorkosigan series under contract.

    1 RefugeeCALIGULA OF THE STARSThough he was later accused of every crime and sexual perversion in the galaxy, Hope Hubris began as an innocent. Because he defended his older sister against the violent lusts of a wealthy scion, Hope and his peasant family were forced to flee Callisto, one of the moons of Jupiter. Pursued by the bloodthirsty scions across the airless desert, they barely escaped with their lives. The illegal space bubble was overcrowded with refugees, all hoping to reach Jupiter for asylum.But the space travelers had not reckoned on the terrible threat of high space-the pirates, barbaric men who rape, rob, and murder, with no thought but to satisfy their bestial appetites. It will take all Hope's ingenuity to survive, but the atrocities he witnesses will never die. There is only one way he can be rid of them . . . REVENGE

    In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin--basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing--they only gave it to me because I'm famous," Leary explains. "But it's legal and it means I get to say I'm a doctor--just like Dr. Phil." In Why We Suck, Leary's famously smart style and sardonic wit have found their fullest and fiercest expression yet. Zeroing in on the ridiculous wherever he finds it, Leary unravels his Irish Catholic upbringing, the folly of celebrity, the pressures of family life, and the great hypocrisy of politics with the same bright, savage, and profane insight he brought to his critically acclaimed one-man shows No Cure for Cancer and Lock 'n Load, and his platinum-selling song, "Asshole." Proudly Irish American, defiantly working class, with a reserve of compassion for the underdog and the overlooked, Leary delivers blistering diatribes that are penetrating social commentary with no holds barred. Leary's book will find wide appeal among people who want to laugh out loud or find a guide who matches their view of what's wrong in America and the world-at-large; and fans of his one-man shows, his many movies, and Rescue Me, Leary's Golden Globe and Emmy-nominated television show. Why We Suck is the latest salvo from one of America's most original and biting comic satirists.

    In the decades since his death in September 1973, millions have read THE HOBBIT, THE LORD OF THE RINGS, and THE SILMARILLION and become fascinated about the very private man behind the books. Born in South Africa in January 1892, John Ronald Reuel Tolkien was orphaned in childhood and brought up in near-poverty. He served in the first World War, surviving the Battle of the Somme, where he lost many of the closest friends he'd ever had. After the war he returned to the academic life, achieving high repute as a scholar and university teacher, eventually becoming Merton Professor of English at Oxford where he was a close friend of C.S. Lewis and the other writers known as The Inklings.Then suddenly his life changed dramatically. One day while grading essay papers he found himself writing 'In a hole in the ground there lived a hobbit' -- and worldwide renown awaited him. Humphrey Carpenter was given unrestricted access to all Tolkien's papers, and interviewed his friends and family. From these sources he follows the long and painful process of creation that produced THE LORD OF THE RINGS and THE SILMARILLION and offers a wealth of information about the life and work of the twentieth century's most cherished author.

    talk show Arthur C. Clarke was once asked to name his favorite writer. His answer was "Larry Niven." Countless others agree. The Baltimore Sun and Kirkus Reviews have both dubbed Niven "the premier writer of hard SF," and Gregory Benford has hailed him as "the paradigm of SF personality of the last several decade."Now Larry Niven presents us with his undisputed masterwork. N-Space contains, very simply, the best SF of his career--marvelous fiction, a wealth of anecdotes and gossip, plus Niven's own special brand of wit and excitement.Contents:1 • Introduction: The Maker of Worlds • (1990) • essay by Tom Clancy3 • On Niven • (1992) • essay by Frederik Pohl and Steven Barnes and David Brin and John Hertz and Wendy All and Gregory Benford15 • Dramatis Personae • (1990) • essay by Larry Niven25 • Foreword: Playgrounds for the Mind • (1990) • essay by Larry Niven31 • From World of Ptavvs (excerpt) • (1990) • shortfiction by Larry Niven36 • Bordered in Black • (1966) • shortstory by Larry Niven56 • Convergent Series • (1967) • shortstory by Larry Niven (variant of The Long Night)62 • All the Myriad Ways • [Time Travel - Parallel Universe] • (1968) • shortstory by Larry Niven73 • From A Gift From Earth (Excerpt) • (1990) • shortfiction by Larry Niven90 • The Meddler • (1968) • novelette by Larry Niven112 • Passerby • [State] • (1969) • shortstory by Larry Niven126 • Down in Flames • (1969) • essay by Larry Niven139 • From Ringworld (Excerpt) • (1990) • shortfiction by Larry Niven148 • The Fourth Profession • (1971) • novelette by Larry Niven195 • "Shall We Indulge in Rishathra?" • (1978) • shortfiction by Larry Niven195 •  "Shall We Indulge in Rishathra?" • (1978) • interior artwork by William Rotsler199 • Man of Steel, Woman of Kleenex • (1969) • essay by Larry Niven208 • Inconstant Moon • (1971) • novelette by Larry Niven234 • What Can You Say About Chocolate Covered Manhole Covers? • (1971) • shortstory by Larry Niven245 • Cloak of Anarchy • [Known Space] • (1972) • shortstory by Larry Niven269 • From Protector (excerpt) • (1990) • shortfiction by Larry Niven279 • The Hole Man • (1974) • shortstory by Larry Niven293 • Night on Mispec Moor • [State] • (1974) • shortstory by Larry Niven305 • Flare Time • (1978) • novella by Larry Niven347 • The Locusts • (1979) • novelette by Larry Niven and Steven Barnes389 • From The Mote in God's Eye (excerpt) • (1990) • shortfiction by Larry Niven and Jerry Pournelle394 • Building the Mote in God's Eye • [A Step Farther Out] • (1976) • essay by Larry Niven and Jerry Pournelle420 • Brenda • (1988) • novella by Larry Niven465 • The Return of William Proxmire • (1989) • shortstory by Larry Niven475 • The Tale of the Jinni and the Sisters • (1988) • shortstory by Larry Niven491 • Madness Has Its Place • [Man-Kzin Wars] • (1990) • novelette by Larry Niven519 • Niven's Laws (1990 version) • (1990) • essay by Larry Niven528 • The Kiteman • [Integral Trees] • (1990) • novelette by Larry Niven571 • The Alien in Our Minds • (1987) • essay by Larry Niven580 • Space • (1990) • essay by Larry Niven597 • Bibliography of Larry Niven • (1990) • essay by uncredited

    A true master tells all, revealing the strange secret of growing young and mad; opening a Witch Door that links two intolerant centuries; joining an ancient couple in their wild assassination games; celebrating life and dreams in the unique voice that has favored him across six decades and has enchanted millions of readers the world over.Contains: Unterderseaboat Doktor -- Zaharoff/Richter Mark V -- Remember Sascha? -- Another Fine Mess -- The Electrocution -- Hopscotch -- The Finnegan -- That Woman on the Lawn -- The Very Gentle Murders -- Quicker Than the Eye -- Dorian in Excelsis -- No News, or What Killed the Dog? -- The Witch Door -- The Ghost in the Machine -- At the End of the Ninth Year -- Bug -- Once More, Legato -- Exchange -- Free Dirt -- Last Rites -- The Other Highway -- Make Haste to Live: An Afterword