If you have ever felt the full force of anger and wondered at its power, then this book is for you.

    In Little Boat, Valentine continues her exploration of spiritual life, confronting the realities of aging and death in the serene and dreamlike voice so beloved by her many readers. Infusing even the most melancholy subjects with warmth and humanity, Little Boat explores such subjects as grief, ordinary objects, illness, and memory, carrying the reader into disparate worlds, rendering the complexity of our common experience through startling images. The poet's extraordinary juxtapositions blur the boundaries of the material world and the invisible, the given and the assumed, the present and the sometimes recently absent. Readers will find Valentine's quiet epiphanies on rich display here, as this much-heralded poet quietly merges the sorrowful and the sublime.

    This is the first collection to draw on the full range of Zukofsky's poetry-containing short lyrics, versions of Catullus, and generous selections from "A", his 24-part"poem of a life"-and provides a superb introduction to a modern master of whom the critic Guy Davenport has written: "Every living American poet worth a hoot has stood aghast before the steel of his integrity." The most formally radical poet to emerge among the second wave of American modernists, Louis Zukofsky continues to influence younger poets attracted to the rigor, inventiveness, and formal clarity of his work. Born on New York's Lower East Side in 1904 to emigrant parents, Zukofsky achieved early recognition when he edited an issue of Poetry devoted to the Objectivist poets, including George Oppen and Charles Reznikoff. In addition to an abundance of short lyrics and a sound-based version of the complete poems of Catullus, he worked for most of his adult life on the long poem "A" of which he said: "In a sense the poem is an autobiography: the words are my life." Zukofsky's work has been described as difficult although he himself said: "I try to be as simple as possible." In the words of editor Charles Bernstein, "This poetry leads with sound and you can never go wrong following the sound sense... Zukofsky loved to create patterns, some of which are apparent and some of which operate subliminally... Each word, like a stone dropped in a pond, creates a ripple around it. The intersecting ripples on the surface of the pond are the pattern of the poem." Here for the first time is a selection designed to introduce the full range of Zukofsky's extraordinary poetry.

    Whether denouncing the corporate world ("To Whom It May Concern"), or lustily joining it ("New Millennial Bad Ass"), to celebrating love in the face of smut ("Let's Make Out!"), Aptowicz dramatizes the hopes, humor and ambitions of young poet first steps into a very surreal 'real world.' This expanded version nearly triples the length of the original with previously unpublished works, including "Sass Manifesto," which was used to win the 2004 National Forsenics Championship in Poetry Interpretation.

    This passionate and riveting memoir is a mixtape of dreams and nightmares, of immigration court lineups and queer South Asian dance nights; it reveals how a disabled queer woman of color and abuse survivor navigates the dirty river of the past and, as the subtitle suggests, "dreams her way home."Leah Lakshmi Piepzna-Samarasinha's poetry book Love Cake won a Lambda Literary Award.

    Inside this luxurious hardcover, you’ll find stories about storm chasers and Colombian supermodels, about talking plants and DIY bands and camboys and encounters with the dead. Contributors include Bryan Washington, Eileen Myles, Kristen Arnett, Sarah Gerard, Juli Delgado Lopera, Gabby Bellot, Denne Michele, Emma Copley Eisenberg, K-Ming Chang, and many more, with dazzling full-color illustrations throughout by Derek Abella. Guest-edited and featuring an introduction by Patrick Cottrell, and filled to a surfeit with letters, stories, and dazzling full-color comics and art, you’ll be jealously hoarding this collection for decades to come.Featuring original stories by:Eileen MylesBryan WashingtonEmma Copley EisenbergChristopher James LlegoK-Ming ChangVenita Blackburnhurmat kazmiJuli Delgado LoperaKristen N. ArnettGabrielle BellotPaul Dalla RosaTimi OduesoKayla Kumari UpadhyayaVi Khi NaoDenne MicheleSarah GerardBridget BrewerFull-color comics by:Garrett YoungLee LaiFull-color illustrations throughout by:Derek AbellaAnd letters by:RL GoldbergAmanda MontiAarushi AgniDrew PhamEmerson WhitneyCover by:Angie WangTitle-page and table-of-contents illustrations by:Ariel Davis

    A collection examining America's loss of innocence, the poems in this title range from the horrific flight of a World War II pilot to the World Trade Center attack, from the death of JFK Jr to the poet's own bastard birth.

    P. Cavafy (1863 - 1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

    This is something to remember for the times ahead."-- Lambda Literary "Smith conveys the impact of this prejudicial hostility on two young women who are struggling to make their way in an intolerant world with a tender and delicate understanding in this nuanced tale of identity and misperception, connection and alienation."-- Booklist Online Included in BookRiot's list of 9 Small Press Books to Read in January 2017!"This well crafted novel stands out for a number of reasons--the nuanced descriptions of the characters’ complex feelings, the realistic portrayal of how quickly a person’s life and a community can fall into crisis, and the focus on two lesbians and the challenges they face."--World Wide Work"A recommended novel that explores small town bigotry."-- She Treads Softly "A tale of persecution where it shouldn't have happened...There are many people you can't trust. And it's hard to tell."-- Journey of a Bookseller "Smith is an artist of prose, utilizing her palette to create a complex landscape of anger and ignorance…Extremely relevant."--Thoughts on This n' That"The Year of Needy Girls is a study in hypocrisy and small-town secrets. Patricia A. Smith’s contemporary witch hunt north of Boston is a collision of The Children’s Hour and Mystic River."--Stewart O’Nan, author of Songs for the Missing"The Year of Needy Girls is as much about how fear can cloud our perceptions of both self and other as it is about the persistent search for love and home. Patricia A. Smith's vision is at once keen and generous."--Elizabeth Graver, author of The End of the PointA young boy's murder unleashes chaos in the life of a schoolteacher and a small New England town.Bradley, Massachusetts is in many ways a typical small New England town, but a river divides it in half—on one side, the East End: crowded triple-deckers, the Most Precious Blood parish, and a Brazilian immigrant community; and on the other, the West End: renovated Victorians, Brandywine Academy, and families with last names as venerable as the Mayflower.Deirdre Murphy and her partner Sara Jane (SJ) Edmonds have just moved to their first house—and for the first time are open in their relationship—in the West End, where Deirdre teaches at Brandywine Academy. A dedicated teacher from a working-class background, she is well loved by her students. But the murder of ten-year-old Leo Rivera from the East End changes everything—for Deirdre and SJ, for the girls at Brandywine, and for all of Bradley. And when Deirdre is falsely accused of sexually molesting one of her students, the entire town erupts.

    Wright is one of America’s leading poets, an artist of idiosyncratic vision who demands ever more from words and poems. As Dave Eggers wrote in The New York Times, “C.D. Wright has been writing some of the greatest poetry-cum-prose you can find in American literature.”Rising, Falling, Hovering is a work of profound social, political, and cultural consequence, a collection that uses experimental forms to climb within the unrest teeming around the world and inside the individual. “We are running on Aztec time,” she writes, “fifth and final cycle.”In short lyrics and long sequences, Wright’s language is ever-sharpened with political ferocity as she overlays voices from the United States, Oaxaca, Baghdad, and the borderlands between nations, to reveal the human struggle for connection and justice during times of upheaval and grief.If a body makes 1 centavo per chile picked or5 cents for 50 chiles can Wal-Mex get it down to 3 cents. Pass the savings on to US.Will they open a Supercenter in Falluja once it is pacified. Once the corpsesin the garden have decomposed. Once the wild dogs have finished off the bones.Does the war never end. Is this the war of all against all.Who will build the great wall between us, the illegals, the vigilantes, theevangelicals. . .C.D. Wright, author of twelve collections of poetry and prose, is a professor of English at Brown University and received a MacArthur Fellowship in 2005. She lives outside Providence, Rhode Island.

    Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace."[BEAUTY IS A VERB] is going to be one of the defining collections of the 21st century...the discourse between ability, identity & poetry will never be the same." —Ron Silliman, author of In The American Tree"This powerful anthology succeeds at intimately showing...disability through the lenses of poetry. What emerges from the book as a whole is a stunningly diverse array of conceptions of self and other.”—Publishers Weekly, starred reviewFrom "Beauty and Variations" by Kenny Fries:How else can I quench this thirst? My lipstravel down your spine, drink the smoothnessof your skin. I am searching for the core:What is beautiful? Who decides? Can the lawsof nature be defied? Your body tells me: comeclose. But beauty distances even as it drawsme near. What does my body want from yours?My twisted legs around your neck. You bendme back. Even though you can't give the bonesat birth I wasn't given, I let you deep inside.You give me—what? Peeling back my skin, youexpose my missing bones. And my heart, longbefore you came, just as broken. I don't know whoto blame. So each night, naked on the bed, my bodydoesn't want repair, but longs for innocence. Ifinnocent, despite the flaws I wear, I am beautiful.Sheila Black is a poet and children's book writer. In 2012, Poet Laureate Philip Levine chose her as a recipient of the Witter Bynner Fellowship.Disability activist Jennifer Bartlett is a poet and critic with roots in the Language school.Michael Northen is a poet and the editor of Wordgathering: A Journal of Poetics and Disability.

    For any lover, letter writing is an act of urgency: for the lesbian lover, it has often been an act of necessity. Collected here for the first time is a sampling of poignantly revealing and often breathlessly passionate love letters between women, written over the past 140 years, including intimate musings by such famous writers as Virginia Woolf, Emily Dickinson, and tatiana de la tierra. Illustrated with more than sixty full-color collages, Between Us is a landmark work, shedding light on lesbian love with candor, humor, and grace.

    McLane’s stunning third poetry collection, This Blue. Here are songs for and of a new century, poems both archaic and wholly now. In the middle of life, stationed in our common “Terran Life,” the poet conjures urban pigeons, Adirondack mountains, Genoa, Andalucía, Belfast, Parma; here is a world sounded out, broken, possibly shareable, newly named: “Take it up Old Adam— / everyday the world exists / to be named.” This Blue is a searching and a singing—intricate, sexy, smart.

    His third book of poetry, Looking for The Gulf Motel, is a genealogy of the heart, exploring how his family’s emotion legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.

    Drawing from the New York Public Library's archives, The Stonewall Reader is a collection of first accounts, diaries, periodic literature, and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots. Most importantly the anthology spotlights both iconic activists who were pivotal in the movement, such as Sylvia Rivera, co-founder of Street Transvestites Action Revolutionaries (STAR), as well as forgotten figures like Ernestine Eckstein, one of the few out, African American, lesbian activists in the 1960s. The anthology focuses on the events of 1969, the five years before, and the five years after. Jason Baumann, the NYPL coordinator of humanities and LGBTQ collections, has edited and introduced the volume to coincide with the NYPL exhibition he has curated on the Stonewall uprising and gay liberation movement of 1969.