The literature is chronologically arranged by genre and supported by informative and concise editorial matter, including a complete guide to writing about literature at the back of the book. This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value.

    Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

     Bringing you festive treats and Yuletide chills: Mark Tufo, Amy Cross, Mark Allan Gunnells, Mark Cassell, Lex H. Jones, Chris Miller, Steven Stacy, James Matthew Byers & Kevin J. Kennedy We hope your Christmas is both wonderful and terrifying.

     Within these pages, you’ll find a treasure trove of myths, legends, folktales, urban legends, historical accounts, and stories about horrors, both ancient and modern, that have been hidden, ignored, or forgotten entirely. “The Monsters We Forgot” is a massive anthology of horror stories by an international team of authors ranging from award-winners and bestsellers to visionary newcomers. These stories draw inspiration from the folklore traditions of countries including Russia, Brazil, Mexico, Japan, Taiwan, Australia, Ireland, Wales, England, Norway, Nigeria, Greece, Poland, the Caribbean, the Middle East, Canada, and the United States, the tales in this three-volume collection range from original folktales and chilling myths to information-age monsters and modern urban legends, and everything in between. Turn on the lights, check the locks, and settle in. You’re about to remember The Monsters We Forgot.

    But with dire consequences.ANGIE by John F.D. Taff - A divorced couple tries to ensure their survival after society collapses. Navigating the treacherous back roads of America, they realize the horror of true devotion.ON THE THRESHOLD by William Meikle - How far is science willing to go to prove we're not alone and possibly find the terrifying dangers that exist beyond the threshold?DOYOSHOTA by Ken Altabef - One by one the residents of a Nevada town are succumbing to the debilitating effects of a strange hum. Many believe it’s a black ops program others are convinced of its far darker origins.THIRD OFFENSE by Gregory L. Norris - In an oppressive society where creativity is banned and advertising is all-pervasive, a factory worker attempts to escape enslavement with horrifying results.METAMORPHOSIS by J. Daniel Stone - Together, a brother and sister discover the unique bond has the ability to affect humanity in the darkest of ways.WE ARE HALE, WE ARE WHOLE by Eric Del Carlo - Global climate change has reshaped the world, and multi-national corporations control every aspect of life. To what horrifying lengths will they go in the struggle to maintain profit?PURE BLOOD AND EVERGREEN by Bracken MacLeod - Victims of ethnic cleansing, two boys share a painful struggle for survival. Their actions start events that leave the lives of everyone they know hanging in a dangerous balance.JOHN, PAUL, XAVIER, IRONSIDE AND GEORGE (BUT NOT VINCENT) by Hugh A.D. Spencer - Earth is under attack by mysterious biomechanical entities. With the end near, one man spends his last days with an enigmatic client who is of great import to those in charge.AND THE HUNTER, HOME FROM THE HILL by Edward Morris - Could it be that accounts of superheroes are actually based in reality? It could be that the old man living down the street is hiding his own dark secrets.BORN BAD by Jonathan Balog - Raised by the church, Lucien harbors a frightening secret that may prove to have dire circumstances for mankind.THE LAST BASTION OF SPACE by Ewan C. Forbes - Privatization has run amok and simple pleasures come at a premium price. For one young couple there is no choice but to turn their minds over to insidious corporate control.EVERY SOUL IS A GRIMOIRE by Allen Griffin - Harvey works for a shadowy government and is responsible for a man with dangerous knowledge. Being near him is blurring his reality and opening the door to terrifying evil.FROM THE EAST by Alice Goldfuss - After global cataclysm, a scientist struggles to determine the cause. Driven by professional convictions, she finds herself in a struggle for the existence of humanity.DECIDING IDENTITY by Paul Williams - Faced with the collision of two worlds, the citizens of each are given the choice to decide who shall live and who shall die.THE LAST ELF by T. Fox Dunham - The fate of humanity rests with a sociopathic concentration camp commander. Having spent a lifetime chasing the enemies of Germany, he finds himself on the verge of his crowning achievement—ultimate extermination.

    They soon discover that the monster is in fact a submarine called the Nautilus, headed by Captain Nemo, an enigmatic man who has withdrawn from the world. When Arronnax and his team are taken prisoner by Nemo, the Nautilus heads into the deepest fathoms of the seas where adventure and discovery await. Twenty Thousand Leagues Under the Seas is a science-fiction classic that has been adapted into numerous films, television episodes, comic books and graphic novels. This edition uses the 1991 F. P. Walter translation which restores a great deal of material that was cut in the original English translations of the work. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

    The daughters of Franz Kafka and Mary Shelley, the Brothers Grimm, and Angela Carter, these inventive, insightful authors steep their narratives in a heady potion of surrealism and macabre black comedy. The result is wildly creative work that captures the potent truth about human nature far more clearly than much of the fiction (or, for that matter, the nonfiction) being written today. Why just women? More and more women writers are creating work that not only pushes the envelope but also folds realistic fiction into an origami dragon, transporting readers into worlds we’ve never seen before and digging deeper into the psychic bedrock than their male counterparts.So slip into a pocket universe, drive through a family’s home, awake in the night to find you’ve become a deer, and dive into the ocean to join your mermaid mother. We can’t imagine ever wanting to escape this spellbinding world, but if you must, best leave a trail of crumbs along your way.

    

    These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    H. Lawrence. The story describes a young middle-class Englishwoman who "had no luck." Though outwardly successful, she is haunted by a sense of failure; her husband is a ne'er-do-well and her work as a commercial artist doesn't earn as much as she'd like. The family's lifestyle exceeds its income and unspoken anxiety about money permeates the household. Her children, a son Paul and his two sisters, sense this anxiety; moreover, the kids even claim they can hear the house whispering "There must be more money." Paul tells his Uncle Oscar Cresswell about betting on horse races with Bassett, the gardener. He's been placing bets using his pocket money and has won and saved three hundred twenty pounds. Sometimes he says he is "sure" of a winner for an upcoming race, and the horses he names do in fact win, sometimes at remarkable odds. Uncle Oscar and Bassett both place large bets on the horses Paul names. After further winning, Paul and Oscar arrange to give the mother a gift of five thousand pounds, but the gift only lets her spend more. Disappointed, Paul tries harder than ever to be "lucky." As the Derby approaches, Paul is determined to learn the winner. Concerned about his health, his mother rushes home from a party and discovers his secret. He has been spending hours riding his rocking horse, sometimes all night long, until he "gets there," into a clairvoyant state where he can be sure of the winner's name. Paul remains ill through the day of the Derby. Informed by Cresswell, Bassett has placed Paul's bet on Malabar, at fourteen to one. When he is informed by Bassett that he now has 80,000 pounds, Paul says to his mother: "I never told you, mother, that if I can ride my horse, and get there, then I'm absolutely sure - oh absolutely! Mother, did I ever tell you? I am lucky!" "No, you never did," said his mother. The boy dies in the night and his mother hears her brother say, "My God, Hester, you're eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he's best gone out of a life where he rides his rocking horse to find a winner.