This collection includes the revised and updated translations by Paul Roche of the Oedipus cycle, Oedipus the King, Oedipus at Colonus, and Antigone, as well as all-new translations of Ajax, The Women of Trachis, Electra, and Philocetes.

    Principles Of Agronomy

    Here are gathered the best of their chilling, thrilling, upsetting, and unsettling experiments with our sexual psyches. And rest assured, flesh will tingle--but whether from horror or pleasure or a bit of both, we'll leave you to judge.From its opening pages, with King's blackly humorous portrait of a very, very mad housewife to its conclusion, where we find Barker's wholly shocking tale of a deadly quest into the heart of passion, I Shudder at Your Touch brings you a host of kinky, perverse, bizarre and creepy figures. You'll find a cricket-playing vampire, a sleek sea creature likely to give mermaids a bad name, a strangely seductive handyman who's equally adept at knocking down apartment walls and female inhibitions, and a plastic religious statue offering X-rated enlightenment from its perch atop the family TV.I Shudder at Your Touch features 22 daring writers who prefer to go too far, writers whose every tale will have you fighting back a scream...and a cry of delight.Contents:The revelations of 'Becka Paulson / Stephen King --Sea lovers / Valerie Martin --Psychopomp / Haydn Middleton --A glowing future / Ruth Rendell --The tiger returns to the mountain / T.L. Parkinson --Consanguinity / Ronald Duncan --Keeping house / Michael Blumlein --The Villa Desiree / May Sinclair --Cleave the vampire, or, a gothic pastorale / Patrick McGrath --The swords / Robert Aickman --Salon Satin / Carolyn Banks --How love came to Professor Guildea / Robert Hichens --Wings / Harriet Zinnes --The Basilisk / R. Murray Gilchrist --A quarter past you / Jonathan Carroll --The master builder / Christopher Fowler --Festival / Eric McCormack --Ladies in waiting / Huch B. Cave --Death and the single girl / Thomas M. Disch --Master / Angela Carter --The conqueror worm / Stephen R. Donaldson --Jacqueline Ess: her will and testament / Clive Barker

    The new edition has been updated in accordance with the revised syllabus for 2010. It covers the history of Pakistan up to 1999 and provides students with comprehensive and in-depth knowledge required for the examination. The author is an examiner for O Level Pakistan Studies Paper 1. He is an experienced write of history textbooks for secondary classes, classes, GCSE and O Level.

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    She wants to make a successful career, prove herself to the world and has no time for love. Abhi is a lower-middle-class guy who is looking for a promising career too but he believes in love. He wants to live every portion of his life. He doesn't want to regret later. But then comes a point where he found out that his life is not the same when he meets Aparna. For Aparna, Abhi is a good friend but for Abhi, she is more than that. She is his everything now. And, It's time for him to tell her that before they leave each other to follow their career. He struggles, struggles a lot but opens his heart out to her. They move ahead with their life away from each other for another four years, not a small-time for anyone to wait for each other. Will they meet again, will they find someone else, will they be able to know what is love and what is a relationship, will they stand by each other or will someone else stand by them? Read the story of two individuals who will bring romance, emotion, and struggle and tell you what is love.

    Three years earlier, Thoreau had put his belief into action and refused to pay taxes because of the United States government's involvement in the Mexican War, which Thoreau firmly believed was unjust. For his daring and unprecedented act of protest, he was thrown in jail. The Night Thoreau Spent in Jail is a celebrated dramatic presentation of this famous act of civil disobedience and its consequences. Its poignant, lively, and accessible scenes offer a compelling exploration of Thoreau's philosophy and life.

    Until now. Finally, ordinary Christians have the opportunity and the resources to defeat the false claims of Darwinism.With all of the complicated scientific debate swirling around the topic of evolution, Christians need an easy way to understand the basic issues without oversimplifying. Phillip Johnson has the answer: the key to defeating the false claims of Darwinism is to open our minds to good thinking habits. Here is first-rate advice on avoiding common mistakes in discussions about evolution, understanding the legacy of the Scopes trial, spotting deceptive arguments, and grasping the basic scientific issues without getting bogged down in unnecessary details.In the bestselling and critically acclaimed Darwin on Trial and Reason in the Balance, Phillip Johnson took on the academic elites and exposed the misleading claims of evolutionary naturalism. Defeating Darwinism by Opening Minds provides a new and powerful treatment of these issues for high-school students, parents, teachers, pastors, youth advisors and ordinary readers. Johnson aims not just to defeat a bad theory, but to defeat it in the right way-by opening minds to the truth.

    This newly edited anthology reflects the diverse experiences of those who lived through the war, bringing together the words of poets, soldiers, and civilians affected by the conflict. Here are famous verses by Rupert Brooke, Siegfried Sassoon, and Wilfred Owen; poetry by women writing from the home front; and the anonymous lyrics of soldiers’ songs. Arranged thematically, the selections take the reader through the war’s stages, from conscription to its aftermath, and offer a blend of voices that is both unique and profoundly moving.

    Dowd starts to introduce his imaginary friend Harvey, a six and a half foot rabbit, to guests at a dinner party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and their family, from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the fringe of lunacy when she explains to doctors that years of living with Elwood's hallucination have caused her to see Harvey also! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey it seems that the mild-mannered Elwood's delusion has had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

    In Diary of a Wimpy Kid Do-It-Yourself Book, kids will be asked: What was the best dream you ever had? The worst thing you ever ate? The best secret you ever heard? The most trouble you ever got in for something that wasn’t even your fault to begin with? This Do-It-Yourself Book features art throughout, along with ruled and blank pages for readers to create their own stories, keep their own diaries, and record their favorites and least faves. Includes a bonus full-color comics section featuring the collected cartoons of Greg Heffley and his best friend, Rowley.Includes 16 pages of full-color comics!

     Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. When the Communists assume control of China in 1949, though, Ralph Chang, his sister Theresa, and his wife Helen, find themselves in a crisis. At first, they cling to their old-world ideas of themselves.  But as they begin to dream the American dream of self-invention, they move poignantly and ironically from people who disparage all that is “typical American” to people who might be seen as typically American themselves. With droll humor and a deep empathy for her characters, Gish Jen creates here a superbly engrossing story that resonates with wit and wisdom even as it challenges the reader to reconsider what a typical American might be today.

    It is told through the letters of Peter Abélard, a French philosopher and one of the greatest logicians of the twelfth century, and of his gifted pupil Héloïse. Through their impassioned writings unfolds the story of a romance, from its reckless, ecstatic beginnings through to public scandal, an enforced secret marriage and its devastating consequences. These eloquent and intimate letters express a vast range of emotions from adoration and devotion to reproach, indignation and grief, and offer a fascinating insight into religious life in the Middle Ages.This is the revised edition of Betty Radice's highly regarded translation, in which Michael Clanchy, the biographer of Abélard, updates the scholarship on the letters and the lovers. This volume includes Abélard's remarkable autobiography and his spiritual advice to Héloïse and her nuns, as well as a selection of the 'lost love letters' of Abélard and Héloïse, letters between Héloïse and Peter the Venerable, two of Abélard's hymns, a chronology, notes and maps.

    . .?she can rock Apple Bottoms jeans and stilettos like nobody's business, but she's got her share of issues. It's not easy being the thickest one in her clique or hiding that her rebellious twin sister Toi is playing wifey to the neighborhood thug. And Seven is definitely not happy that she's feelin' the school's hottest baller, Josiah, especially since he's dating her high maintenance girlfriend, Deeyah. But when Deeyah decides to play Josiah and his worst enemy against each other, she'll have everyone facing off in the worst way. The question is can Seven try and set things right or does she end up trying to save herself from major heartbreak?

    In The Caretaker, a tramp finds lodging in the derelict house of two brothers; in The Dumbwaiter, a pair of gunmen wait for the kill in a decayed lodging house. Harold Pinter gradually exposes the inner strains and fear of his characters, alternating hilarity and character to create and almost unbearable edge of tension.