He gained a unique gaze on life, death, sadness and humour. With a family tragically affected by World War Two, and a father who died early because of his injuries, James, his sister and mother were left to the mercy of a gold mine with little use for them. His upbringing was mainly by a tribal ayah and an elderly Swahili man with pretensions beyond his station, but the soul and heart of a lion, who feared nobody, except his wife in Nubian-gin-inspired fury. James learnt to fish with home-made line and hooks, to eat insects, and, to the amusement of the watu, to abuse the European hierarchy on the mine in Swahili they did not understand. At boarding school in Arusha James befriended boys of different nations who were, in their separate ways, also outcasts or non conformers. He presented a dilemma to the teachers - a white boy with a "black spirit." His gang got up to nefarious enterprises, bringing them into a state of permanent conflict with the system. James became imbued with the history of Tanganyika, back to its time as the German Colony of Deutsch Ost Africa, which ended in 1918. The unparalleled courage and brilliance of the massively outnumbered German leader Obestleutnant Paul von Lettow Vorbeck and his schutztruppe in the bush war against the British became a beacon to James of what can be accomplished, even in the most adverse of circumstances.

    The unit, the reports claimed, had carried out a series of illegal spook operations: they had spied on President Jacob Zuma, run a brothel, illegally bought spyware and entered into unlawful tax settlements.In a plot of Machiavellian proportions, head of the elite crime-busting unit Johann van Loggerenberg and many of SARS’s top management were forced to resign. Van Loggerenberg’s select team of investigators, with their impeccable track record of busting high-level financial fraudsters and nailing tax criminals, lost not only their careers but also their reputations.Now, in this extraordinary account, they finally get to put the record straight and the rumours to rest: there was no ‘rogue unit’. The public had been deceived, seemingly by powers conspiring to capture SARS for their own ends.Shooting down the allegations he has faced one by one, Van Loggerenberg tells the story of what really happened inside SARS, revealing details of some of the unit’s actual investigations.

    The Nationalist Party was still in power, but everyone knew that its grip on political power would draw to an inevitable end sooner rather than later. Memoirs of a Born Free is a journey back through the life of Malaika Wa Azania as she recounts the experience of growing up through the end of apartheid and South Africa’s transition into a democratic nation. She was not born during the times of constitutionalized apartheid but is still a product of an epoch of systematic individualized apartheid. Her story is not a reflection of freedom; it is an epitome of the ongoing struggle for liberation and emancipation from mental slavery. The struggle of the generations before that of the Born Frees was a struggle for political freedom and democracy and was the foundation for revolution and reform but not the ultimate goal. Malaika contests the notion of the born-free generation when it is a generation that was born in the midst of a struggle for economic freedom and the quest for the realization of the objectives of the African Renaissance. The book's purpose is to give an alternative narrative to the existing one that suggests that Malaika’s is a generation of apolitical and desensitized people.

    Usually sooner. The short answer is “Yes, it could”, whether it is a charging lion or a rampaging elephant. It is inevitable that when working so close to these animals, something will happen. Mark Penney spent more than 20 years working as a field guide and a tourist guide in various South African game parks and reserves, including the Kruger National Park and Pilanesberg. Over the years he has had some interesting experiences and shares some of the stories of encounters with the unpredictable wildlife of Southern Africa.

    Running for their lives to escape the political upheaval in Ethiopia, two young girls from different faiths form an unlikely friendship.

    The murder weapon was then hidden on Antjie Krog 's stoep. In Begging to Be Black, Krog begins by exploring her position in this controversial case. From there the book ranges widely in scope, both in time reaching back to the days of Basotho king Moshoeshoe and in space as we follow Krog 's experiences as a research fellow in Berlin, far from the Africa that produced her. Begging to Be Black forms the third part of a trilogy that Antjie Krog (unknowingly) began with Country of My Skull and continued with A Change of Tongue. Mixing memoir and history, philosophy and poetry, the book is stylistically experimental and personally courageous. Begging to Be Black is a welcome addition to Krog 's own oeuvre and to South African literary non-fiction.

    Teresa O'Kane had always longed to see the world. She owned scads of travel books and maps to prove it and was about to buy yet another bookcase to hold the many Lonely Planet guides and travel essays that she had accumulated over the years when she turned to her husband and said, "I'm tired of storing our dreams. Let's live them!" Within a month, they bought one-way tickets to Morocco, leased out their home, and set out on a journey of the African Continent top to bottom, from Casablanca to Cape Town. Transiting seventeen countries in 10 months, mostly by public transport, they explored wild, exotic, and historic locations they had only dreamed of and some they had never heard of. From sandy Timbuktu, to a tiny lemur populated island in Madagascar, the author embraces Africa. She strokes the manes of lions, contracts malaria, flies a micro light over Victoria Falls, earns a level one certification as a South African safari guide, discovers that an insect has turned her foot into a nursery for hundreds of eggs, grapples with the negative effects of foreign aid, and rubs elbows with European royalty deep within the Dogon in Mali. O'Kane offers an entertaining and enlightening look into overland travel on the African continent. Filled with helpful budget minded travel tips, this hilarious and inspiring book may find you yearning to take a career break of your own. Awards: The Indie Book Award for Best Memoir of 2012. San Francisco Book Festival Honorable Mention Award for Non-Fiction. Travelers Tales SOLAS for My Gambian Husband.

    They include a genocide survivor from Rwanda; a pygmy who lives in a grass hut at the base of a volcano in the Congo; Zanzibar's most famous living diva; a former child soldier from Liberia; a grandmother fighting AIDS in South Africa; a freed slave from Ghana, who as a child was given to a priest as a sacrifice for crimes committed by an ancestor; a famous Egyptian belly dancer turned movie star; and a pioneering midwife from Timbuktu. The women speak frankly about their astonishing lives, past and present, in some of the most hostile and exotic parts of the continent.This book is a journey across Africa, in all its complexity – from the townships of Johannesburg, to the back alleys of Zanzibar; from the frontline of the war in the Sudan, to the nightclubs of Cairo. It is a vivid, illuminating and often haunting composite picture of an extraordinary continent, in the words of the people who know it best.

    Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

    For anyone who wants to add Morocco's spicy design mix into their own home, Maryam Montague, the personality behind the award-winning blog My Marrakesh, explains how to do so with the building blocks of Moroccan design—from the colors, patterns, and textiles to the archways, fountains, gardens, and so much more. With illustrative text and gorgeous photographs, Maryam shows how Moroccan design comes to life in real villas and riads and in her own magnificent home and guesthouse. Eager DIYers will love the ideas presented in sidebars and in how-to projects that can be applied to homes anywhere. Filled with all the richness of Morocco,Marrakesh by Design will transport readers straight to the souks and salons of this exotic city while showing them the multitude of ways to live with the enticing elements of Moroccan design.

    His real-life story inspired the Oscar®-nominated writer of In the Name of the Father, Terry George, to make the extraordinary film, Hotel Rwanda, starring Don Cheadle, Sophie Okonedo, Joaquin Phoenix, and Nick Nolte, which has received accolades from critics and moviegoers alike, winning numerous awards.Now, in the only official companion book, comes the fascinating filmmaking story, with first-person pieces by Terry George and co-screenwriter Keir Pearson about their three-year struggle to gain support and financing, as well as a brief history of Rwanda with details on the actual events portrayed in the movie.Illustrated with more than 70 historical and contemporary photos and movie stills, the book also includes journalist Nicola Graydon's report on joining Paul Rusesabagina when he first returned to Rwanda on the tenth anniversary of the genocide; writer Anne Thompson's personal journal of her visit to the set in Africa during production in February 2004; and a compelling transcript of the PBS Frontline documentary revealing the afterthoughts of officials who chose not to listen to the cries for help. In addition there is a timeline of the crisis, a further reading and viewing list, and the complete screenplay.

    Poacher is an action-packed romantic thriller which gives the reader a glimpse of what the tourists never see - the real Africa. Sam is a man who puts his trust in the laws of nature rather than in those of man.The lucrative but dangerous trade in rhino horn and ivory has been re-classified to the status of organised crime.Sam lives as a hardened bachelor at the Nwanetzi outpost and has, for the first time in his life, fallen in love. He has a fiancée who loves him to distraction, and he is a contented man.All this changes when Linda enters his life. She is determined to make Sam her own, and she sets out to stalk him with the stealth of a hunting leopard.Sam Jenkins gives new meaning to the saying “Africa is not for sissies”.

     An homage to Africa's people and wildlife   Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.  This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.   *Salgado’s Africa was awarded the M2-El Mundo People’s Choice Award for best exhibition at PhotoEspaña 2007!*

    M. Coetzee delivered an intriguing and enigmatic short story, ?He and His Man.? The story features Robinson Crusoe, long after his return from the island, reflecting on death and spectacle, writing and allegory, solitude and sociability, as he searches his mind for some true understanding of the ?man? who writes of and for him. In the spare and powerful prose for which Coetzee is renowned, The Nobel Lecture in Literature, 2003 is a provocative testament to the uncompromising vision of one of the world?s most profound writers.

    At the heart of these debates on African identity are the seminal works of politicians, creative writers, and philosophers from Africa and its diaspora. In this book, Appiah asks how we should think about the cultural situation of these intellectuals, reading their works in the context both of European and American ideas and of Africa's own indigenous traditions. Appiah draws on his experiences as a Ghanaian in the New World to explore the writings of African and African-American thinkers. In the process, he contributes his own vision of the possibilities and pitfalls of an African identity in the late twentieth century. Setting out to dismantle the specious oppositions between "us" and "them, " the West and the Rest, that have governed so much of the cultural debate about Africa in the modern world, Appiah maintains that all of us, wherever we live on the planet, must explore together the relations between our local cultures and an increasingly global civilization. Appiah combines philosophical analysis with more personal reflections, addressing the major issues in the philosophy of culture through an exploration of the contemporary African predicament.