Led by Wade and Wade’s partner Michael Stoneman, Foucault experimented with psychedelic drugs for the first time; by morning he was crying and proclaiming that he knew Truth.Foucault in California is Wade’s firsthand account of that long weekend. Felicitous and often humorous prose vaults readers headlong into the erudite and subversive circles of the Claremont intelligentsia: parties in Wade’s bungalow, intensive dialogues between Foucault and his disciples ata Taoist utopia in the Angeles Forest (whose denizens call Foucault “Country Joe”); and, of course, the fabled synesthetic acid trip on the multihued slopes of the Artist’s Palette at Death Valley, set to the strains of Bach and Stockhausen. Part search for higher consciousness, part bacchanal, this book chronicles a young man’s burgeoning friendship with one of the twentieth century’s greatest thinkers.

    Christy is pregnant with Jimmy's child, and she's determined to head home, with or without Jimmy, to face up to her past and prepare for the future. Somehow, barreling across America from Albany to New Orleans to Ohio and Texas in a souped-up Chevy Nova, Christy and Jimmy are transformed from passionate but conflicted lovers into a young family on a magnificent journey.

    And while it's not OK for someone else to make yo-momma jokes about your momma, it is perfectly healthy — even downright hilarious — to find the humor in your own upbringing. In fact, these writers highly recommend it. So if you think your mom is nuts, pull up a chair. You're in good company.

    In Autobahn, Neil LaBute's provocative new collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to great effect, investigating the inchoate apprehension that surrounds the steering wheel. Each of these seven brief vignettes explore the ethos of perception and relationship--from a make-out session gone awry to a kidnapping thinly disguised as a road trip, a reconnaissance mission involving the rescue of a Nintendo 64 to a daughter's long ride home after her release from rehab. The result is an unsettling montage that gradually reveals the scabrous force of words left unsaid while illuminating the delicate interplay between intention and morality, capturing the essence of middle America and the myriad paths which cross its surface.

    As a black child of the American South and a decorated veteran of the Vietnam War, Komunyakaa brings his singular vision to this outstanding volume. Included here is a diverse mix of senior masters, crowd-pleasing bards, rising stars, and the fresh voices of an emerging generation. With comments from the poets elucidating their work and series editor David Lehman's eloquent foreword assessing the state of the art, The Best American Poetry 2003 is a must-have for readers of contemporary poetry. Jonathan Aaron • Beth Anderson • Nin Andrews • Wendell Berry • Frank Bidart • Diann Blakely • Bruce Bond • Catherine Bowman • Rosemary Catacalos • Joshua Clover • Billy Collins • Michael S. Collins • Carl Dennis • Susan Dickman • Rita Dove • Stephen Dunn • Stuart Dybek • Charles Fort • James Galvin • Amy Gerstler • Louise Glück • Michael Goldman • Ray Gonzalez • Linda Gregg • Mark Halliday • Michael S. Harper • Matthea Harvey • George Higgins • Edward Hirsch • Tony Hoagland • Richard Howard • Rodney Jones • Joy Katz • Brigit Pegeen Kelly • Galway Kinnell • Carolyn Kizer • Jennifer L. Knox • Kenneth Koch • John Koethe • Ted Kooser • Philip Levine • J. D. McClatchy • W. S. Merwin • Heather Moss • Stanley Moss • Paul Muldoon • Peggy Munson • Marilyn Nelson • Daniel Nester • Naomi Shihab Nye • Ishle Yi Park • Robert Pinsky • Kevin Prufer • Ed Roberson • Vijay Seshadri • Alan Shapiro • Myra Shapiro • Bruce Smith • Charlie Smith • Maura Stanton • Ruth Stone • James Tate • William Tremblay • Natasha Trethewey • David Wagoner • Ronald Wallace • Lewis Warsh • Susan Wheeler • Richard Wilbur • C. K. Williams • Terence Winch • David Wojahn Robert Wrigley • Anna Ziegler • Ahmos Zu-Bolton II

    

    Renowned for his passionate songwriting, galvanizing live shows, and political activism, the iconic rocker shows no signs of slowing down. Richly photographed, and featuring brilliant writing by one of Americas top music critics as well as a foreword by Peter Ames Carlin (author of the bestselling biography Bruce), this is a must-have for Springsteens millions of fans.

    It's a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.

    In this book, readers will discover how he got his start in the entertainment industry through fascinating facts and a timeline of his career so far. Exciting concert photographs and cute close-ups enhance the accessible text. Reluctant readers will have Bieber fever after reading this high-interest book.

    The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    The daily devotional thoughts published in Our Daily Bread help readers spend time each day in God’s Word. This electronic edition of Our Daily Bread allows you to enjoy the same inspiring content found in the print edition of Our Daily Bread, but with many additional digital features: • 90 Digital Daily Devotionals • Includes Scripture Passages and Insights • Links to a Daily Bible Reading Plan • Links to Additional Topical Content Resources from Our Daily Bread Ministries • Our Daily Bread Author Biographies Our Daily Bread is published and distributed worldwide in more than 40 languages by Our Daily Bread Ministries offices around the globe. Our Daily Bread Ministries also produces a variety of other Bible resources, which are available for the asking. Our Daily Bread is distributed via print, large-print, radio, podcast, email, rss, and mobile. For social networking users, find Our Daily Bread on Twitter, Facebook, and Google+.

    The much-anticipated poetry chapbook by Sam Pink, author of the cult favorites Person and I Am Going to Clone Myself Then Kill the Clone and Eat It, who the Los Angeles Review of Books called, “Simply one of the best, darkest, funniest, wildest, and [most] touching writers we’ve got.”

    She has published a book of essays on painting (Mysteries of the Rectangle) as well as an interdisciplinary investigation of a neurological disorder (The Shaking Woman or A History of My Nerves). She has given lectures on artists and theories of art at the Prado, the Metropolitan Museum of Art in New York, and the Academy of Fine Arts in Munich. In 2011, she delivered the thirty-ninth annual Freud Lecture in Vienna. Living, Thinking, Looking brings together thirty-two essays written between 2006 and 2011, in which the author culls insights from philosophy, neuroscience, psychology, psychoanalysis, and literature.The book is divided into three sections: the essays in Living draw directly from Hustvedt's life; those in Thinking explore memory, emotion, and the imagination; and the pieces in Looking are about visual art. And yet, the same questions recur throughout the collection. How do we see, remember, and feel? How do we interact with other people? What does it mean to sleep, dream, and speak? What is "the self"? Hustvedt's unique synthesis of knowledge from many fields reinvigorates the much-needed dialogue between the humanities and the sciences as it deepens our understanding of an age-old riddle: What does it mean to be human?

    Critics internationally have lauded the band’s brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by The New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically when Pollard, a fourth-grade teacher in his early thirties from Dayton, Ohio, began recording songs with drinking buddies in his basement. James Greer, an acclaimed music writer and former Spin editor, enjoys a unique advantage in having played in the band for two years. This personal connection grants him unparalleled insight and complete access to the workings of Pollard’s muse.

    Like all children, they exist in an eternal present; time is imminent, and the adults of the street live in their assorted houses like numbers on a clock. Meanwhile, ominous rumors circulate, and the increasing agitation of the neighbors points to a future in which all will be lost. Soon a sorcerer's car will speed down Mary's street, and as past and future fold into each other, the resonant parenthesis of her girlhood will close forever. Beyond is adulthood, a world of robots and sorcerers, slaves and masters, bodies without souls. In Duplex, Kathryn Davis, whom the Chicago Tribune has called "one of the most inventive novelists at work today," has created a coming-of-age story like no other. Once you enter the duplex—that magical hinge between past and future, human and robot, space and time—there's no telling where you might come out.