But below the surface, there are scars.Then his world changes. For reasons he doesn't understand, Sam is thrust back in time to 1968, the summer he turned thirteen. He meets his parents and his own childhood self.That summer changed Sam's world. Monsters walked the streets of his hometown, and now Sam will come face to face with those monsters again, this time as an adult.Nothing will ever be the same.

    What Castle sees in Walsmear's pictures is incredible. When he goes to Sir Arthur Conan Doyle for verification of the faerie images found on the negatives, Doyle tries to bribe Castle to destroy the pictures. But Castle will not be bought; he is out to discover the truth. And truth he finds in the small village of Burkinwell, a village built upon secrets, strange sexual practices, beautiful gardens, and true human nature.

    Paul Wilson's fiction from the FREAK SHOW anthology. The events here take place a year after the Oddity Emporium's encounter with Repairman Jack in ALL THE RAGE, with an extra ten-thousand words of new characters and new subplots that weave the story into the Adversary Cycle.Description:"It will be a long trip, brothers and sisters," Oz said as he walked among the members of his troupe. "Long in distance and in days."And perhaps it is good that we make a full circuit of this country - better yet if we could make a circuit of the globe - for it will allow us a chance to see it and remember it as it was - if we care to."He let his gaze range over them as he allowed the words to sink in.All the important ones were here. The special ones, the ones like him. Three-eyed Carmella sat with melon-headed Leshane Burns, flashing sidelong glances at George Swenson who sat alone; the bovine Clementine also sat alone, but not necessarily by choice; woody-skinned Bramble sat near green-skinned Haman who appeared to be staring at the closed tent flap while the eyeless Gerald Gaines stared at nothing yet saw everything; Delta Reid coiled around her chair as Janusch waved his stalked eyes. Others sat scattered about. The troupe had no unity yet. They were not yet a team. But by the end of this tour they would be. They'd be family. The troupe. The freak show. People with green skin, white skin, furry skin, reptile hide, no eyes, extra eyes, no digits, extra digits, people with visions, with no vision, with one face, with two faces. A gathering to give many a towner nightmares for life. But to Oz they were beautiful. Because they were kin. Brother and sister were not forms of address he took lightly. Truly kin. For they shared a common parent, a third parent that had left an indelible imprint on their genes.The Otherness. Each had been touched by the Otherness.And so begins a hunt . . . for the pieces of a Device, a Contraption, a Thing-a-ma-jig. Call it what you will, it has power . . . it straddles the worlds - the one we know and another we cannot see.

    If one half of the characters live their secret, interior lives apart from society, then the other half are looking for their own ways out: drugs, murder, revolution, betrayal, and infidelity.

    Shortly after her father's death, Victoria and her mother move to a small village outside of Boston where she meets a wealthy teenage boy who teaches her a valuable but painful lesson about life.

    With the publication of this Library of America volume, the third of three volumes, all Melville's fiction has now been restored to print for the first time.Pierre; or, The Ambiguities, published in 1852 (the year after Moby-Dick), moves between the idyllic Berkshire countryside and the nightmare landscape of early New York City. Its hero, a young American patrician trying to redeem the secret sins of his father, elopes to the city, discovers Bohemian life, attempts a literary epic, and struggles his way through incest, murder, and madness. Long a controversial work, it is Melville's darkest satire of American life and letters and one of his most powerful books.A pivotal work, both for Melville's career and for American literature, Pierre was followed by Israel Potter, the story of a veteran of the Revolution, victim of a thousand mischances, and a long-suffering exile in England. Along the way are memorable episodes of war and intrigue, with personal portraits of Benjamin Franklin, John Paul Jones, and George III. In the exploits of this touchingly optimistic soldier, Melville offers a scathing image of the collapse of revolutionary hopes.The Piazza Tales demonstrates Melville's dazzling mastery of many styles, including "The Encantadas," about nature's two faces--enchanting and horrific; the famous "Bartleby the Scrivener," about a Wall Street copyist who "would prefer not to"; and the enigmatic "Benito Cereno," about a credulous Yankee sea captain who stumbles into an intricately plotted mutiny aboard a disabled slave ship.The Confidence-Man, Melville's last published novel, is in many ways a forerunner of modernist American fiction. An extended meditation on faith, hope, and charity as these are manifested on board a Mississippi riverboat one April Fools' Day, it presents a menagerie of Americans buying and selling, borrowing and lending, believing and mistrusting, as they are carried toward the auction blocks of New Orleans.Many pieces never before collected are also included: the "Authentic Anecdotes of Old Zack" (burlesque sketches of Zachary Taylor's Mexican campaign), "Fragments from a Writing-Desk" (Melville's earliest surviving prose), reviews of Hawthorne, Parkman, and Cooper, and all the tales Melville published in magazines during the 1850s.Finally, there is the posthumously published masterpiece Billy Budd, Sailor, the haunting story of a beautiful, innocent sailor who is pressed into naval service, slandered, provoked to murder, and sacrificed to military justice. While encouraging questions for which there are no answers, it invites us to meditate on the conflicts central to all Melville's work: between freedom and fate, innocence and civilized corruption.

    What awaits Earl in the faint glow of a distant porch light is the world of Dan Brown. Dan Brown's brother has been killed. Dan has plans to handle the revenge, and Earl has strayed into the crossfire. Dan is the last of the road warriors, a murderous, drug-crazed biker who only thinks of laws as things to break. But more than Buddy Brown lies dead in the moonlight. From a time when the valley was the hub of the nation's citrus industry to the defoliated sorry mess of today, it has come down to one fact. Earl Dean, broken-hearted vacuum cleaner salesman, owns the last single acre of orange groves in Pomona. And like his great-grandfather before him, he must come forward to claim his inheritance.

    The voice could only belong to one person, her brother Ethan, but his body, broken by drugs, lies cold in the morgue. An invisible hand has opened the door for Lucy and her sisters and though Lucy questions her parents they have receded into their private existence where nothing can touch them. Lucy is quickly losing touch with her reality of white fences and pristine lawns. She is drawn beyond that door into the dark abyss where her brother waits and evil is hiding in the shadows. Each day the voice grows stronger, demanding that she journey far away to the place that stole her brother's mind and body. As the secret unfolds, the Prodigal emerges.

    Photos throughout.

    Twenty-two masters of horror and fantasy give Van Helsing, the vampire hunter from Bram Stoker's Dracula, his due as they reimagine the adventures of the greatest foe of the most evil vampire in literary history.

    Jessie meets hers when she and her friend Angela move into their new apartment--he lives in the rotten-smelling basement apartment--wet lips, whiny voice, eating Cheez Doodles with warm Coke. He's always waiting for her, inviting her down to his apartment ... he has 'things' to show her. When Jessie's obsession with this repulsive man turns to paranoia, it takes over more than just her life. Locus Poll Award Nominee, World Fantasy Award Nominee, Bram Stoker Award Winner

    It continues after midnight, when a young boy, held captive in a basement, is filled with unearthly visions of fantastic and frightening worlds. How could his kidnappers know that the ransom would be their own souls? For, as the hours pass, the boy's nightmares invade his captors like parasites-and soon, they become real.This audiobook also contains the short stories "Underworld," "O Rare and Most Esquisite," "The Rendering Man," "The Fruit of Her Womb," "The Hurting Season," "Chosen," "The Night Before Alec Got Married," "Only Connect," "The Little Mermaid," "Damned if You Do," and "The Ripening Sweetness of Late Afternoon." You can also listen to the acclaimed novelettes, "White Chapel" and "I am Infinite, I Contain Multitudes."

    At the time it seems like the perfect place to do it, so quiet, so secluded. But they have no way of knowing that they've moved into what was once a sacred site of an old religion. And that the old god is not dead--only waiting. Already the god's dark power has begun to spread, changing and polluting all that it touches. A hideous evil pervades the small town. Soon the dead no longer stay dead. When the power awakens the rotting crew of a ship that sank decades earlier, a nightmare of bloodshed and violence begins for the Stainforths, a nightmare that can end only with the ultimate sacrifice--death.

    Whether based in sf or fantasy, Shea's short fiction is not for the squeamish.Contents:Polyphemus (1981)The Angel of Death (1979)Uncle Tuggs (1986)The Pearls of the Vampire Queen (1982)The Horror on the #33 (1982)The Extra (1987)The Autopsy (1980)

    A once-promising novelist, she announces to her family the imminent publication of a memoir dredging up a pivotal and tragic event in the family's history - a wound that her parents don't want reopened.Brooke has come home to draw a line in the sand and is daring her family to cross it. Her brother won't play her game; her aunt knows way too much, and her parents fall into all their old routines as they plead with her to keep their story quiet. In this family, secrets are currency and everyone is rich.In simplest terms, the play is about a girl who comes home to the desert with a story about where she is from, who her people really are, what she thinks they really are. Her parents represent an Establishment that she feels has betrayed this country. She goes to war with them, and blood is spilled.