A survey of the myths, legends and religious beliefs of the ancient Anglo-Saxons.

    Under her, women's roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women's status. Index, maps and illustrations.

    Appearing as goddess and demon, gate and pillar, garden and tree, hovering sky and containing vessel, the Feminine is seen as an essential factor in the dialectical relation of individual consciousness, symbolized by the child, to the ungraspable matrix, symbolized by the Great Mother.

    

    She also writes of her fiercely independent mother, whose skill with healing plants and inner strength she inherited. She writes of her druid teacher, the brusque but magnetic Giannon, who first introduced her to the mysteries of written language. But disturbing events at the cloister keep intervening. As the monastery is rent by vague and fantastic accusations, Gwynneve's words become the one force that can save her from annihilation.

    Only now are we coming to a fuller appreciation of the nature and role of myth in human history. In these five lectures originally prepared for Canadian radio, Claude Lévi-Strauss offers, in brief summations, the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding. The lectures begin with a discussion of the historical split between mythology and science and the evidence that mythic levels of understanding are being reintegrated in our approach to knowledge. In an extension of this theme, Professor Lévi-Strauss analyzes what we have called “primitive thinking” and discusses some universal features of human mythology. The final two lectures outline the functional relationship between mythology and history and the structural relationship between mythology and music.

    Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost god.

    It is a collection of religious and philosophic texts gathered and translated into Coptic by fourth-century Gnostic Christians and translated into English by dozens of highly reputable experts. First published in 1978, this is the revised 1988 edition supported by illuminating introductions to each document. The library itself is a diverse collection of texts that the Gnostics considered to be related to their heretical philosophy in some way. There are 45 separate titles, including a Coptic translation from the Greek of two well-known works: the Gospel of Thomas, attributed to Jesus' brother Judas, and Plato's Republic. The word gnosis is defined as "the immediate knowledge of spiritual truth." This doomed radical sect believed in being here now--withdrawing from the contamination of society and materiality--and that heaven is an internal state, not some place above the clouds. That this collection has resurfaced at this historical juncture is more than likely no coincidence.--P. Randall Cohan

    In Seidr: The Gate is Open, Katie Gerrard has contributed a major work on the practices of seidr and trance prophecy, providing a practical manual full of dynamic group rituals and techniques based on known Seidr practices. Foremost amongst these techniques is the prophetic rite of the High Seat, where the Volva (seer) sends her consciousness to the underworld realm of Hel to gain answers to the questions posed to her. Combining more than a decade of research and experimentation, this book is characterised by both its scholarship and its accessibility. Katie Gerrard shares her own experiences on the path of the seer, and also draws inspiration from original sources in the old texts of the Sagas and the Eddas, as well as contemporary researchers and groups working with seidr in Scandinavia, Europe and America. Techniques for achieving trance, levels of trance possession, coming out of trance, the vardlokkurs (chants), necessary equipment, and the requirements for the roles of the different participants, are all discussed in a clear and concise manner, as is the relevance of contacting the ancestors, the dead and the appropriate gods, including the goddesses Freyja and Hel, and the Allfather god Odin. As befits such an inspirational book, the author provides both the relevant background information for the eleven rites contained within, together with explanations of their inclusion and purposes. The rites emanate practical effectiveness, a result of their regular use over many years for successful exploration of the mysteries of trance prophecy, the High Seat rite and Norse witchcraft. "This is a spiritual journey laid bare for an audience who are either already treading a similar path or are looking for guidance in order to follow a well trodden path to a similar end point." * * * * * Katie Gerrard is a writer, researcher, and workshop facilitator with a passion for the magic of Seidr and the Runes. She has been studying the different forms of norse magic and working with norse gods since discovering them in the 1990s. Katie is also the author of Odin's Gateways (about working with the runes) and the forthcoming The Gate is Open (about Seidr and Northern tradition magical techniques), both publised by Avalonia Books. An essay on the High Sear Rite written by Katie Gerrard appeared in the Avalonia anthology 'Priestesses, Pythonesses, Sibyls'. She also regularly hosts seidr and other seer and norse rites within the London (UK) area.

    With magisterial learning and the elan of a born storyteller, Pagels turns Satan's story into an audacious exploration of Christianity's shadow side, in which the gospel of love gives way to irrational hatreds that continue to haunt Christians and non-Christians alike.

    Tell My Horse is an invaluable resource and fascinating guide. Based on Zora Neale Hurston’s personal experience in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of ceremonies and customs and superstitions of great cultural interest.

    But magic - the idea that we have a connection with the universe - has developed a bad reputation.It has been with us for millennia - from the curses and charms of ancient Greek, Roman and Jewish magic, to the shamanistic traditions of Eurasia, indigenous America and Africa, and even quantum physics today. Even today seventy-five per cent of the Western world holds some belief in magic, whether snapping wishbones, buying lottery tickets or giving names to inanimate objects.Drawing on his decades of research, with incredible breadth and authority, Professor Chris Gosden provides a timely history of human thought and the role it has played in shaping civilization, and how we might use magic to rethink our understanding of the world.

    The Chalice and the Blade tells a new story of our cultural origins. It shows that warfare and the war of the sexes are neither divinely nor biologically ordained. It provides verification that a better future is possible—and is in fact firmly rooted in the haunting dramas of what happened in our past.

    The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is a fascinating depiction of an age of brutal battles, murder, sorcery and bitter family feuds.