In this country, he's more important than Ned Kelly.' Jack ThompsonIt's been almost fifty years since a teenage David Gulpilil illuminated screens worldwide with his breakout role in Walkabout. It was one of the first times we'd seen an Aboriginal person cast in a significant role and only four years after Holt's referendum to alter the constitution and give Indigenous people citizenship and, subsequently, the right to vote.Gulpilil quickly became the face of the Indigenous world to white Australian audiences. Charisma. Good looks. A competent, strong, mysterious man starring in films ranging from Crocodile Dundee to Rabbit-Proof Fence.But what has marked Gulpilil, despite his fame and popularity, is the feeling that he's been forever stuck between two worlds: a Yolngu man, a hunter, a tracker, who grew up in the bush in Arnhem Land outside any white influence; and a movie star flitting from movie sets to festivals.Able to exist in both worlds, but never truly home.From the author of the bestselling Wednesdays with Bob , Derek Rielly builds a narrative around his attempt to encapsulate the most beguiling and unconventional of Australian entertainers, observing Gulpilil's own attempt to find a place in the world. With interviews from notable icons and friends - such as Jack Thompson, Paul Hogan, Phillip Noyce, Craig Ruddy, George Gittoes, Gary Sweet and Damon Gameau - this book unriddles a famous enigma at last.'He has an extraordinary presence, what ever that word means. It's very real. Some people have it and some people don't. And David has it - he knows how to feed the camera.' Jack Thompson

    My list goes: The Velvet Underground, The Byrds, The Beach Boys, The Doors, and then I stall on the fifth. Creedence? The Band - although they're mostly Canadian. Simon and Garfunkel? Jefferson Airplane? The Lovin' Spoonful? But I plump for The Monkees."-Robert Forster In The 10 Rules of Rock and Roll, Robert Forster takes readers on an exhilarating trip through the past and present of popular music - from Bob Dylan, AC/DC and Nana Mouskouri through to Cat Power, Franz Ferdinand and ... Delta Goodrem. To accompany Forster's acclaimed writing for The Monthly, there are some stunning new pieces - 'The 10 Rules' and 'The 10 Bands I Wish I'd Been In' and an appreciation of Guy Clark - as well as a reflection on The Velvet Underground, a short story about Normie Rowe and a moving tribute to fellow Go-Between Grant McLennan. Funny and illuminating, The 10 Rules of Rock and Roll shows a great critic at work.

    He doesn’t stop immediately. By the time he returns to the scene, the road is empty, but there is a dent in the car, high up on the passenger door, and what looks like blood. Only a man could have made such a dent, he thinks. For some reason he looks up, though he knows no one is there. Has he hit someone, and if so, where is the victim?So begins a story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal- less.Part crime novel, part road movie, part love story, No One takes its protagonist to the very heart of a nation where non-existence is the true existence, where crimes cannot be resolved and guilt cannot be redeemed, and no one knows what to do with ghosts that are real.

    What it contained - and why - would prove to be explosive.The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis.Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades.

    Martin Quarrier has come to convert the fearful and elusive Niaruna Indians to his brand of Christianity. Lewis Moon, a stateless mercenary who is himself part Indian, has come to kill them on behalf of the local commandant. Out of their struggle Peter Matthiessen has created an electrifying moral thriller, a novel of Conradian richness that explores both the varieties of spiritual experience and the politics of cultural genocide.

    Index. A Helen and Kurt Wolff Book

    Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in a lively and accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an essential introduction to the subject for both the student and the general reader.

    In '57 the publication of Pagan Spain, marked a profound change in his literary & intellectual life, reflecting a style more suitable for polemic than travel writing. Indeed, as Pagan Spain portrays midcentury Spain as a country of tragic beauty, political oppression, & contradictions, he amalgamates at once polemic, travel narrative, history & journalistic essay. He combines, as well, 1st-person narrative, eyewitness reporting, commentary, anecdotes, vignettes & dramatic monologue. At the time this book was originally published, the Spanish, despite a Catholic heritage, were shown as embracing a primitive, primeval faith. Expanding his comments on this paradox, he fashions a candid portrait of a country scarred by civil war & with an excoriating condemnation of Francisco Franco's dictatorship. In this opinionated travelog he sees himself as a humanist & reporter, a nonpartisan freedom fighter who's ceaselessly probing, tracing, analyzing & denouncing the signs of evil he associates with white patriarchy & Western imperialism. Pagan Spain, less a journalistic account of a people & an exotic locale than it's a sociological critique of a corrupt system of government, is his only nonfiction book on the subject of a European country. It reveals the striking contradictions within himself as well as within Spain. As a black man in the 50s he castigates the West for its colonialism & imperialism, while as an intellectual he embraces the secular humanism of Western Civilization. His conflicted feelings about the West are perfectly suited to his analysis of Spain, a country allied with the West but also removed from it. The book is a daring portrait of a country in turmoil. The introduction by Faith Berry puts Pagan Spain in context with the trajectory of his philosophical thought. She notes how his dissatisfaction with the Franco government was, in part, the result of his disillusionment with the Communist Party, of which he had been a member. Richard Wright wrote Native Son, Uncle Tom's Children, Black Boy, The Color Curtain etc. Faith Berry has written Langston Hughes: Before & Beyond Harlem & is the editor of A Scholar's Conscience: Selected Writings of J. Saunders Redding, 1942-77 & of From Bondage to Liberation: Writings by & about Afro-Americans from 1700 to the Present.

    After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia. In her ten years in the force, she witnessed appalling institutional racism and sexism, and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves.With a great gift for storytelling and a wicked sense of humour, Gorrie frankly and movingly explores the impact of racism on her family and her life, the impact of intergenerational trauma resulting from cultural dispossession, and the inevitable difficulties of making her way as an Aboriginal woman in the white-and-male-dominated workplace of the police force.Black and Blue is a memoir of remarkable fortitude and resilience, told with wit, wisdom, and great heart.

    Brilliantly reviewed, astonishingly original, this "eloquent and illuminating portrait of an extraordinary woman" (New York Times Book Review) tells a fascinating, true story in the tradition of Isak Dinesen and Barry Lopez.

     For most Pagans of any denomination, Yule is a high holy season. The ancient festival was a 12 daylong celebration beginning on the eve of the Winter Solstice (known to most Pagans as Yule) and ending at the new calendar year. This celebration was so important in ancient times that it was converted by the Christians to the 12 Days of Christmas. Many Pagans, especially those devoted to the Norse and Anglo Saxon Gods and Goddesses try to find some way to keep these 12 days, yet many are unsure exactly how to celebrate. Social media blows up in the weeks leading up to the Solstice with questions like: How do you celebrate? What do you do exactly? What activities, what rituals, what prayers and celebrations? For the past several years I have been working on this guide in an attempt to answer some of those questions for my own family and for others. This guide is a result of creating family traditions for this special and most sacred (not to mention FUN!) time of year. I put it all together into one little, handy and easy to follow guide, so that you and your family can celebrate the 12 Days of Yule together, with a little inspiration from what our family has been doing. Please enjoy!

    It transports readers back in time to a Middle Eastern society far removed from modern American sensibilities-to Morocco, where Saadia was born and wed against her will at thirteen. Based on recorded history and family memories, the book chronicles Saadia's arranged marriage and hardships as a young mother to Wafa, a French-educated, sexually liberated Muslim woman, who traveled to Europe and then to America, reaching a top position on Wall Street-in theory, the fulfillment of her American dream but in reality an overwhelming experience that threatens everything she holds dear.Like the best of fiction, this is an intensely personal emotional rollercoaster tale full of twists and turns, which make it hard to put down. In the words of a reader: "It's beautiful even in the heartbreaking moments and utterly exquisite in the pleasant ones."

    It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal

    Through observation, anecdote, extensive interviews, and analysis Karen Elliot House navigates the maze in which Saudi citizens find themselves trapped and reveals the mysterious nation that is the world’s largest exporter of oil, critical to global stability, and a source of Islamic terrorists. In her probing and sharp-eyed portrait, we see Saudi Arabia, one of the last absolute monarchies in the world, considered to be the final bulwark against revolution in the region, as threatened by multiple fissures and forces, its levers of power controlled by a handful of elderly Al Saud princes with an average age of 77 years and an extended family of some 7,000 princes. Yet at least 60 percent of the increasingly restive population they rule is under the age of 20. The author writes that oil-rich Saudi Arabia has become a rundown welfare state. The public pays no taxes; gets free education and health care; and receives subsidized water, electricity, and energy (a gallon of gasoline is cheaper in the Kingdom than a bottle of water), with its petrodollars buying less and less loyalty. House makes clear that the royal family also uses Islam’s requirement of obedience to Allah—and by extension to earthly rulers—to perpetuate Al Saud rule. Behind the Saudi facade of order and obedience, today’s Saudi youth, frustrated by social conformity, are reaching out to one another and to a wider world beyond their cloistered country. Some 50 percent of Saudi youth is on the Internet; 5.1 million Saudis are on Facebook. To write this book, the author interviewed most of the key members of the very private royal family. She writes about King Abdullah’s modest efforts to relax some of the kingdom’s most oppressive social restrictions; women are now allowed to acquire photo ID cards, finally giving them an identity independent from their male guardians, and are newly able to register their own businesses but are still forbidden to drive and are barred from most jobs. With extraordinary access to Saudis—from key religious leaders and dissident imams to women at university and impoverished widows, from government officials and political dissidents to young successful Saudis and those who chose the path of terrorism—House argues that most Saudis do not want democracy but seek change nevertheless; they want a government that provides basic services without subjecting citizens to the indignity of begging princes for handouts; a government less corrupt and more transparent in how it spends hundreds of billions of annual oil revenue; a kingdom ruled by law, not royal whim. In House’s assessment of Saudi Arabia’s future, she compares the country today to the Soviet Union before Mikhail Gorbachev arrived with reform policies that proved too little too late after decades of stagnation under one aged and infirm Soviet leader after another. She discusses what the next generation of royal princes might bring and the choices the kingdom faces: continued economic and social stultification with growing risk of instability, or an opening of society to individual initiative and enterprise with the risk that this, too, undermines the Al Saud hold on power. A riveting book—informed, authoritative, illuminating—about a country that could well be on the brink, and an in-depth examination of what all this portends for Saudi Arabia’s future, and for our own.

    Today's young Muslims will be tomorrow's leaders, and yet too many are vulnerable to extremist propaganda that seems omnipresent in our technological age. The burning question, Ghobash argues, is how moderate Muslims can unite to find a voice that is true to Islam while actively and productively engaging in the modern world. What does it mean to be a good Muslim?What is the concept of a good life? And is it acceptable to stand up and openly condemn those who take the Islamic faith and twist it to suit their own misguided political agendas? In taking a hard look at these seemingly simple questions, Ghobash encourages his sons to face issues others insist are not relevant, not applicable, or may even be Islamophobic. These letters serve as a clear-eyed inspiration for the next generation of Muslims to understand how to be faithful to their religion and still navigate through the complexities of today's world. They also reveal an intimate glimpse into a world many are unfamiliar with and offer to provide an understanding of the everyday struggles Muslims face around the globe."