In this moving testimonial to the preservation of the Arctic wilderness, Mardy Murie writes from her heart about growing up in Fairbanks, becoming the first woman graduate of the University of Alaska, and marrying noted biologist Olaus J. Murie. So begins her lifelong journey in Alaska and on to Jackson Hole, Wyoming where along with her husband and others, they founded The Wilderness Society. Mardy's work as one of the earliest female voices for the wilderness movement earned her the Presidential Medal of Freedom.

    How they mastered their situation, what they did, thought and observed are the subject of The Sheltering Desert. In it lies the vastness of the landscape, the clear skies, nature's silence in the joy or suffering of her creatures, and the stillness in which the reader, too, may take refuge from the wrongs of civilization.

    It would be one of the longest of all overland journeys - half-way round the world, from the English Channel to Singapore. They knew that several expeditions had already tried it.Some had got as far as the deserts of Persia; a few had even reached the plains of India. But no-one had managed to go on from there: over the jungle-clad mountains of Assam and across northern Burma to Thailand and Malaya. Over the last 3,000 miles it seemed like there were 'just too many rivers and too few roads'. But no-one really knew...

    Morton's evocative account of his days in 1950s Rome—the fabled era of La Dolce Vita—remains an indispensable guide to what makes the Eternal City eternal. In his characteristic anecdotal style, Morton leads the reader on a well-informed and delightful journey around the city, from the Fontana di Trevi and the Colosseum to the Vatican Gardens loud with exquisite birdsong. He also takes time to consider such eternal topics as the idiosyncrasies of Italian drivers as well as the ominous possibilities behind an unusual absence of pigeons in the Piazza di San Pietro. As TourismWorld.com commented recently: "H.V. Morton.. . .wrote of Rome with style, involvement, and passion. His book In Search of Rome is perhaps the definitive guide book on the Eternal City."

    The book & later film made a major contribution to awareness, outside anthropological & archeological communities, of both the island & the statues. Much of his evidence has now been refuted by archeologists. His methods have been criticised. Paul Bahn wrote: "he relied on the selective use of evidence, which resulted in a misleading conclusion". Heyerdahl is most controversially associated with an attempt to revive the theory that the islanders' stone carving technology came from S. America. He argued that as well as being settled by Polynesians, Easter Island was settled by people from Peru, an area described as "more culturally developed". "Aku-aku" refers to moving a tall, flat bottomed object by swiveling it alternatively on its corners in a walking fashion. Heyerdahl theorised the Easter Island Moai (statues) were moved in this fashion, & tested this on a small Moai--tho the test was abandoned after the Moai's base was damaged. He also asserts that for the islanders, Aku Aku means a "spiritual guide." Heyerdahl compared the highest quality stonework on the island to pre-Columbian Amerindian stonework such as at Tihuanaco. Seemingly unaware of Polynesian stoneworking traditions such as the Marae he said of Ahu Vinapu's retaining wall "No Polynesian fisherman would have been capable of conceiving, much less building such a wall". However Alfred Metraux had already pointed out that the rubble filled Rapanui walls were of a fundamentally different design to those of the Inca. Heyerdahl claimed a S. American origin for some Easter Island plants including the Totora reeds in the islands' three crater lakes which are now recognised as a separate species to the ones in Lake Titicaca. Also the Sweet Potato, which is now reckoned to have been in Polynesia before Easter Island was settled.

    Except for one essay on Central America, all of these pieces are concerned with locations in the Hindu, Buddhist, or Islamic worlds. A superb and observant traveler, Paul Bowles was a born wanderer who found pleasure in the inaccessible and who cheerfully endures the concomitant hardships with a matter-of-fact humor.These essays provide us with Paul Bowles' characteristic insightfulness and bring us closer to a world we frequently hear about, but often find difficult to understand.

    The series called "Zoo Quest" was the start of his long career.

    Maxwell presents his impressions of these secluded people, along with numerous photos. Although intended as a travel book, this make more of a historical or sociological study now, given the...turmoil in Iraq.--Library Journal.

    The head teacher tells him that, unfortunately, he is not like his father who died at war. Kozha makes promises, but he forgets them as soon as he leaves the head teacher’s office … "Working on a film with children should be like a game so that the shooting does not weight heavily on them. All children are by nature actors and story tellers. They simply express this penchant in more or less obvious ways.

    

    In these pages, readers will wrestle with sea monsters, drift endlessly in hot, dead calms, face raging storms, and battle mighty navies. They will join scientists and explorers on expeditions into the sea, across it, and to its floor to discover new life forms, new sources of wealth, and new lands to conquer. The inimitable Freuchen paints an exciting and colorful picture of humankind's adventures at sea-from the first prehistoric voyages in open rafts to daring scientific explorations in bathyspheres. He tells of sailors who fought for fame and glory, traders who risked their lives for wealth, and galley slaves who sought only freedom. He exposes the scavengers of the sea-pirates, privateers, whalers, and wreckers who placed lights on rocky shoals to lure unsuspecting ships to disaster. He describes the greatest battles of the seven seas-from the destruction of the Persian fleet at Salamis to the great conflict at Leyte Gulf in the Philippines in World War II. Revealed here are the great mysteries of the sea itself-monstrous waves over 100 feet high; rivers and currents flowing between underwater mountains and valleys; ghost ships, mermaids, and sea serpents. Here too are the great treasures of the sea-jewels, oil, minerals, and millions of dollars' worth of gold in each cubic mile of sea water. The result of many years of exploration and research, this is a truly magnificent volume.

    He volunteered for special service in SOE and then found himself set down one dark night on the Isle of Vis, off the Dalmatian Coast. His job was to work as a surgeon among Yugoslav partisans; to fight with them, to tend the wounded and to act as an unofficial liaison officer between them and the Allied troops. For many months to come, in caves and deep in the forests, up mountains, he brought his skill as a surgeon, his staunchness and bravery as a serving soldier to his strange job.In Guerilla Surgeon he tells his story.

    It is a place much less visited then the Himalayas. Here the author with a small party found a new challenge, one of the last left: to cross the Patagonian ice cap from the Pacific to the Argentine lakes.

    

    I did not see them again for seven years. But that is another story.’This is the other story: and it is a remarkable one. Sir Arthur returns, alone this time, not only to the friendship of the Gilbert and Ellice Islanders and to continue his instruction in etiquette at the hands of ‘Movement of Clouds’, who becomes his adopted daughter, but also to increased anxieties and responsibilities on Bannaba (Ocean Island). Acting as resident Commissioner, Magistrate, and in charge of police and prisons, he has to intervene in the riots between the Gilbertese and Chinese labour force and to make arrests single-handed on the island of Arorae. But the Gilbertese know him as a friend and support him faithfully and with affection, though sometimes not without merriment when he shows himself ignorant of the finer points of their code of behaviour.On the ‘guest mat’ they tell of the forces that direct their lives, of the curse of Nakaa, of the boat that came home, of the tragedies following the outlawing of polygamy, and the way to ‘the world’s edge’.What stands out again very clearly in this inspiring book is the charm, the humour and the childlike sincerity of the Gilbertese; the courage, modesty and humanity of the author; and their mutual trust and love.”

    In '57 the publication of Pagan Spain, marked a profound change in his literary & intellectual life, reflecting a style more suitable for polemic than travel writing. Indeed, as Pagan Spain portrays midcentury Spain as a country of tragic beauty, political oppression, & contradictions, he amalgamates at once polemic, travel narrative, history & journalistic essay. He combines, as well, 1st-person narrative, eyewitness reporting, commentary, anecdotes, vignettes & dramatic monologue. At the time this book was originally published, the Spanish, despite a Catholic heritage, were shown as embracing a primitive, primeval faith. Expanding his comments on this paradox, he fashions a candid portrait of a country scarred by civil war & with an excoriating condemnation of Francisco Franco's dictatorship. In this opinionated travelog he sees himself as a humanist & reporter, a nonpartisan freedom fighter who's ceaselessly probing, tracing, analyzing & denouncing the signs of evil he associates with white patriarchy & Western imperialism. Pagan Spain, less a journalistic account of a people & an exotic locale than it's a sociological critique of a corrupt system of government, is his only nonfiction book on the subject of a European country. It reveals the striking contradictions within himself as well as within Spain. As a black man in the 50s he castigates the West for its colonialism & imperialism, while as an intellectual he embraces the secular humanism of Western Civilization. His conflicted feelings about the West are perfectly suited to his analysis of Spain, a country allied with the West but also removed from it. The book is a daring portrait of a country in turmoil. The introduction by Faith Berry puts Pagan Spain in context with the trajectory of his philosophical thought. She notes how his dissatisfaction with the Franco government was, in part, the result of his disillusionment with the Communist Party, of which he had been a member. Richard Wright wrote Native Son, Uncle Tom's Children, Black Boy, The Color Curtain etc. Faith Berry has written Langston Hughes: Before & Beyond Harlem & is the editor of A Scholar's Conscience: Selected Writings of J. Saunders Redding, 1942-77 & of From Bondage to Liberation: Writings by & about Afro-Americans from 1700 to the Present.