Was this story written about me?”I shrugged.“Yes or no?”I shrugged again, finally earning a little scowl, which somehow made the girl even more pretty. It brought a bloom to her pale cheeks and made sharp shelves of her cheekbones.“It’s very rude not to answer simple questions,” she said.I gestured for my journal, but she still wouldn’t give it to me. So I took out my pen and wrote I can’t on my palm.Then, in tiny letters below it, I finished the thought: Now don’t you feel like a jerk?Parker Santé hasn’t spoken a word in five years. While his classmates plan for bright futures, he skips school to hang out in hotels, killing time by watching the guests. But when he meets a silver-haired girl named Zelda Toth, a girl who claims to be quite a bit older than she looks, he’ll discover there just might be a few things left worth living for.

    Varying in length from just a sentence or paragraph to a several-page story or essay, Galchen’s puzzle pieces assemble into a shining, unpredictable, mordant picture of the ordinary-extraordinary nature of babies and literature. Anecdotal or analytic, each part opens up an odd and tender world of wonder. The 47 Ronin; the black magic of maternal love; babies morphing from pumas to chickens; the quasi-repellent concept of “women writers”; origami-ophilia in Oklahoma as a gateway drug to a lifelong obsession with Japan; discussions of favorite passages from the Heian masterpieces Genji and The Pillow Book; the frightening prevalence of orange as today’s new chic color for baby gifts; Frankenstein as a sort of baby; babies gold mines; babies as tiny Godzillas …Little Labors–atomized and exploratory, conceptually byzantine and freshly forthright–delights.

    As he tries to hold his crazy father and their crumbling home together, Jason relies on a host of imaginary friends for guidance as he stumbles along trying not to draw attention to his father’s deteriorating condition.Both heartbreaking and funny, Crazy lives up to the intense and compelling characters Han Nolan is praised for. As Jason himself teeters on the edge of insanity, Nolan uncovers the clever coping system he develops for himself and throws him a lifeline in the guise of friendship.

    Suicide is ugly, unglamorous, and it is never a solution. Its aftermath is dreadful.At first, Francis feels a terrible guilt. Could he have been a better son? What if he hadn’t left his home in Montreal to go on a brief holiday in New York the weekend it happened? Soon the guilt turns to anger and then to a sadness so profound that he thinks he can’t bear it.After is the map of a year following the suicide of a family member. In the course of months, with the love of his mother, with counseling, and with the balm of time, Francis takes his first steps toward coming to terms with his father’s – and his family’s – tragedy. After is intensely personal, but it will resonate with anyone who has faced the loss of a loved one.This brilliant autobiographical first novel is an acute analysis of the grieving process. Although it is steeped in Francis’s sadness, it is ultimately a story of hope.

    Childhood churchgoing "did not provide me with any spiritual awakening ... but it anointed me with language." His mother's passion for the natural world and his father's life as a ship's skipper gave him two more complete vocabularies. And "If you define yourself by the language you acquire as you enter different spheres," MacNeil writes, the absurd language of "cricket was another piece of my self-definition."

    She starts visiting a website for “completers”— www. through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?National Book Award finalist Julie Anne Peters shines a light on how bullying can push young people to the very edge.

    Her Guyanese parents, however, have big plans for her to become a scientist or doctor. Nira's grandmother and her best friend, Emily, are the only people who seem to truly understand her desire to establish an identity outside of the one imposed on Nira by her parents. When auditions for jazz band are announced, Nira realizes it's now or never to convince her parents that she deserves a chance to pursue her passion. As if fighting with her parents weren't bad enough, Nira finds herself navigating a new friendship dynamic when her crush, Noah, and notorious mean-girl, McKenzie "Mac," take a sudden interest in her and Emily, inserting themselves into the fold. So, too, does Nira's much cooler (and very competitive) cousin Farah. Is she trying to wiggle her way into the new group to get closer to Noah? Is McKenzie trying to steal Emily's attention away from her? As Farah and Noah grow closer and Emily begins to pull away, Nira's trusted trumpet "George" remains her constant, offering her an escape from family and school drama.But it isn't until Nira takes a step back that she realizes she's not the only one struggling to find her place in the world. As painful truths about her family are revealed, Nira learns to accept people for who they are and to open herself in ways she never thought possible. A relatable and timely contemporary, coming-of age story, In the Key of Nira Ghani explores the social and cultural struggles of a teen in an immigrant household.

    This is a stunning novel about spiritual awakening, the power of art, and above all, the courage and resilience of the human spirit. Veda, a classical dance prodigy in India, lives and breathes dance—so when an accident leaves her a below-knee amputee, her dreams are shattered. For a girl who’s grown used to receiving applause for her dance prowess and flexibility, adjusting to a prosthetic leg is painful and humbling. But Veda refuses to let her disability rob her of her dreams, and she starts all over again, taking beginner classes with the youngest dancers. Then Veda meets Govinda, a young man who approaches dance as a spiritual pursuit. As their relationship deepens, Veda reconnects with the world around her, and begins to discover who she is and what dance truly means to her.

    His mother won’t leave her room, his adored older brother is drinking, and his father is obsessed with the family’s disintegration, but seems unable to fix it. Left to himself, Hooker broods on events -- and takes terrifying steps to end the confusion.

    Of his latest novel, Newsday wrote, "Thomas King has quietly and gorgeously done it again." Truth and Bright Water tells of a summer in the life of Tecumseh and Lum, young Native-American cousins coming of age in the Montana town of Truth, and the Bright Water Reserve across the river in Alberta. It opens with a mysterious woman with a suitcase, throwing things into the river -- then jumping in herself. Tecumseh and Lum go to help, but she and her truck have disappeared. Other mysteries puzzle Tecumseh: whether his mom will take his dad back; if his rolling-stone aunt is home to stay; why no one protects Lum from his father's rages. Then Tecumseh gets a job helping an artist -- Bright Water's most famous son -- with the project of a lifetime. As Truth and Bright Water prepare for the Indian Days festival, their secrets come together in a climax of tragedy, reconciliation, and love.

    Now Mama's run off, and Cricket thinks the room might be the answer to getting her to come back. If it exists. And if she can find it.Cricket's only clue is a coin from a grown-over ghost town in the woods. So with her daddy's old guidebook and a coat full of snacks stolen from the Cash 'n' Carry, Cricket runs away to find the room. Surviving in the woods isn't easy. While Cricket camps out in an old tree house and looks for clues, she meets the last resident of the ghost town, encounters a poetry-loving dog (who just might hold a key to part of the puzzle), and discovers that sometimes you have to get a little lost . . . to really find your way.

     A shy manifesto, an impractical handbook, the true story of a fabulist, an entire life in parts and pieces, Manhood for Amateurs is the first sustained work of personal writing from Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers presents his autobiography and his vision of life in the way so many of us experience our own lives: as a series of reflections, regrets, and reexaminations, each sparked by an encounter, in the present, that holds some legacy of the past. What does it mean to be a man today? Chabon invokes and interprets and struggles to reinvent for us, with characteristic warmth and lyric wit, the personal and family history that haunts him even as--simply because--it goes on being written every day. As a devoted son, as a passionate husband, and above all as the father of four young Americans, Chabon presents his memories of childhood, of his parents' marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, as a theme played--on different instruments, with a fresh tempo and in a new key--by the mad quartet of which he now finds himself co-conductor. At once dazzling, hilarious, and moving, Manhood for Amateurs is destined to become a classic.

    Diligently treating the drug addicts of Vancouver's notorious Downtown Eastside with sympathy in his heart and legislative reform in mind can't be easy. But Maté never judges. His book is a powerful call-to-arms, both for the decriminalization of drugs and for a more sympathetic and informed view of addiction. As Maté observes, "Those whom we dismiss as 'junkies' are not creatures from a different world, only men and women mired at the extreme end of a continuum on which, here or there, all of us might well locate ourselves." In the Realm of Hungry Ghosts begins by introducing us to many of Dr. Maté's most dire patients who steal, cheat, sell sex, and otherwise harm themselves for their next hit. Maté looks to the root causes of addiction, applying a clinical and psychological view to the physical manifestation and offering some enlightening answers for why people inflict such catastrophe on themselves.Finally, he takes aim at the hugely ineffectual, largely U.S.-led War on Drugs (and its worldwide followers), challenging the wisdom of fighting drugs instead of aiding the addicts, and showing how controversial measures such as safe injection sites are measurably more successful at reducing drug-related crime and the spread of disease than anything most major governments have going. It's not easy reading, but we ignore his arguments at our peril. When it comes to combating the drug trade and the ravages of addiction, society can use all the help it can get. --Kim Hughes

    instructional book for students or anyone who needs to learn business communications.

    Most of the contributors--women and men, young and old, single and married--have never spoken of the pain and consequences of their parents' divorce until now. They have often never been asked, and they believe that no one really wants to know. Despite vastly different circumstances and details, the similarities in their testimonies are striking; as the reader will discover, the death of a child's family strikes the human heart in universal ways. (Coming in paperback in May; paperback not available for pre-sale.)