Jess is a reserved and aloof, with a quietness about her brought on by the misfortunes of her young childhood, when she and Bessie arrived motherless from England to South Africa. Then an Englishman, Captain John Niel, arrives to try his hand at the farming life. To his eyes, Bessie is lively and lovely of face and figure -- yet Jess is mystery, with a bright and roving mind and splendid, searching eyes . . . and unwillingly the three of them are drawn together, then torn apart, by the emotions that flare among them.Excerpt from Jess The day had been very hot even for the Transvaal, where, even in the autumn, the days still know how to be hot, although the neck of the summer is broken, that is, when the thunder-storms hold off for a week or two, as they occasionally will. Even the succulent blue lilies - a variety of the agapanthus which is so familiar to us in English greenhouses - hung their long trumpet-shaped flowers and looked oppressed and miserable, beneath the burning breath of the hot wind which had been blowing for hours like the draught of a volcano. The grass, too, near the wide roadway, that stretched in a feeble and indeterminate sort of fashion across the veldt, forking, branching, and reuniting like the veins on a lady's arm, was completely coated over with a thick layer of red dust. But the hot wind was going down now, as it always does towards sunset. Indeed, all that remained of it were a few strictly local and miniature whirlwinds, which would suddenly spring up on the road itself, and twist and twirl fiercely round, raising a mighty column of dust fifty feet or more into the air, where it hung long after the cause of it had passed, and then slowly dissolved as its particles floated to the earth.

    The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." — Mathematics Teacher.

    He ponders the doomed library of Alexandria and personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, a library of books never written.

    And the world is changed..." One of the judges who awarded him the 2011 Man Booker Prize described him as "an unparalleled magus of the heart." This book confirms that opinion.

    Zhivago, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys The Odyssey contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible and wise. Why Read the Classics? firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.

    His simple but profound musings—as well as Civil Disobedience, his protest against the government's interference with civil liberty—have inspired many to embrace his philosophy of individualism and love of nature.

    Boorstin explores the development of artistic innovation over 3,000 years. A hugely ambitious chronicle of the arts that Boorstin delivers with the scope that made his Discoverers a national bestseller.

    Increasingly fascinated by this most shameful of experiences, she began to explore the lonely city by way of art. Moving fluidly between works and lives -- from Edward Hopper's Nighthawks to Andy Warhol's Time Capsules, from Henry Darger's hoarding to the depredations of the AIDS crisis -- Laing conducts an electric, dazzling investigation into what it means to be alone, illuminating not only the causes of loneliness but also how it might be resisted and redeemed.

    Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for the enduring relevance of Karl Marx. The book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens' credentials as (to quote Christopher Buckley) our "greatest living essayist in the English language."

    He provides an extraordinary mediation upon the nature of place, time and our daily lives.

    For it is the lot of prophets who frighten or disappoint to be stoned. But for some of us moderns, who have been touched with the spirit of science, prophesying is almost a habit of mind.

    It’s also a love story that is in no way fictional. A fan letter to the author from a woman named Kim starts a correspondence which details research she’s conducting in one-horse towns throughout Arkansas.In the years of rural decline many of these towns dwindled to church, post office, general store, gas station, and a few rundown houses—but every house has a porch, every porch a rocker, and every rocker an old man or woman with a story.Kim and Don agree to collaborate on a book—this one—creating a unique and enchanting work about towns that will never again be their old selves and towns that never fulfilled the brave dreams of their founders. And at the end of the adventure the author and Kim meet, having learned something of expectation and hope—and love. With photos and maps.

    "Why don't you get out of that wet coat and into a dry martini?"

    Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

    He presents the country like a magic-lantern show, as vivid images ceaselessly appear before his - and his readers' - eyes. Italy's most famous sights are all to be found here - St Peter's in Rome, Naples with Vesuvius smouldering in the background, the fairytale buildings and canals of Venice - but Dickens's chronicle is not simply that of a tourist. Combining compelling travelogue with piercing social commentary, he portrays a nation of great contrasts: between grandiose buildings and squalid poverty, ancient monuments and everyday life, past and present.Edited with an Introduction and Notes by Kate Flint