The poems are prefaced by a thoughful introduction by the poet Joseph Brodsky, a friend of Akhmatova in her later years.

    100 million people viewed those videos, turning Bo into an online sensation with a huge and dedicated following. Bo taped his first of two Comedy Central specials four days after his 18th birthday, making him the youngest to do so in the channel's history. Now Bo is a rising star in the comedy world, revered for his utterly original and intelligent voice. And, he can SIIIIIIIIING!In EGGHEAD, Bo brings his brand of brainy, emotional comedy to the page in the form of off-kilter poems, thoughts, and more. Teaming up with his longtime friend, artist, and illustrator Chance Bone, Bo takes on everything from death to farts in this weird book that will make you think, laugh and think, "why did I just laugh?"

    Full of memories of friends and family and incisive observations of life in both her beloved hometown, New York City, and rural Vermont, the poems are sober and playful, experimenting with form while remaining eminently readable. They explore the beginnings and ends of relationships, the ties that bind siblings, the workings of dreams, the surreal strangeness of the aging body—all imbued with her unique perspective and voice. Mournful and nostalgic, but also ruefully funny and full of love, Fidelity is Grace Paley's passionate and haunting elegy for the life she was leaving behind.

    The decadent 1920s and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. In the bitingly witty poems and stories collected here, along with her articles and reviews, she brilliantly captures the spirit of the decadent Jazz Age in New York, exposing both the dazzle and the darkness. But beneath the sharp perceptions and acidic humour, much of her work poignantly expresses the deep vulnerability of a troubled, self-destructive woman who, in the words of philosopher Irwin Edman, was 'a Sappho who could combine a heartbreak with a wisecrack'.Dorothy Parker (1893-1967) was born in West End, New Jersey, and grew up in New York. In 1916 she sold some of her poetry to the editor of Vogue, and was subsequently given an editorial position on the magazine. She then became drama critic of Vanity Fair and the central figure of the celebrated Algonquin Round Table, whose members included George S. Kaufman and Harpo Marx. Her collections of poems included Enough Rope (1926) and Not So Deep as a Well (1936), and her collections of stories included Here Lies (1939); in addition, she collaborated on and wrote screenplays including the Oscar-winning A Star is Born (1937), and Alfred Hitchcock's Saboteur (1942).If you enjoyed The Collected Dorothy Parker, you might like Truman Capote's The Complete Stories, also available in Penguin Modern Classics.'She managed to express her real feelings in stanzas which snap and glitter like a Chanel handbag'Peter Ackroyd, The Times

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    Includes "Grass," "Prayers of Steel," "Flanders," "Prairie," "Shenandoah," many more. Introduction. Index of First Words.

    In homage to a new generation of tough young feminists, Marge Piercy presents a gathering of poems that reveal the poet as an early 'Grrrl.' Comprising over ninety poems selected from four books now out of print; poems previously published in literary magazines but never before collected and very early poems never published, this volume presents the bold and passionate political verse for which Piercy is well known alongside poems celebrating the sensual pleasures of gardening and cooking and sex; funny poems about New Year's Eve and warring boom boxes; vulnerable poems in which a young working class woman from the Midwest takes stock of herself and the limits of her world. For longtime fans and those new to Piercy's early work, this volume is an indispensable addition to the oeuvre of one of America's best-known and best-selling poets.Marge Piercy is the author of fifteen novels and fifteen books of poetry, most recently The Art of Blessing the Day (Knopf, 1999) a selection of Piercy's Jewish-themed poems. What Are Big Girls Made Of?(Knopf, 1997) was nominated for the Pulitzer Prize and selected as one of their Most Notable Books of the Year by the American Library Association. In October, 1999, she will be a featured poet on the Bill Moyers' PBS-TV poetry specials "Fooling with Words" and "The Sounds of Poetry" and her newest novel, Three Women will be published by William Morrow.TABLE OF CONTENTSPreface, .xiFrom THE TWELVE SPOKED WHEEL FLASHINGThe meaningful exchange, 4 Five thousand miles, 5 The summer invasion, and the fall, 6 Nothing you can have, 9 Archipelago, 12 The first salad of March, 15 Exodus, 16 Ask me for anything else, 18 What is permitted, 20 A gift of light, 22 Short season, 27 Ghosts, 29 The new novel, 31 Women of letters, 32From LIVING IN THE OPENThe token woman, 37 The clearest joy, 39 Make me feel it, 40 Sage and rue, 42 River road, High Toss, 44 Paradise Hollow, 45

    With acute irony tempered by a generous curiousity, she documents life's improbability as well as its transient beauty.

    The 250 poems included in this acclaimed anthology span centuries of human conflict from David's lament for Saul and Jonathan, and Homer's Iliad, to the finest poems of the Second World War, Vietnam, the conflicts in Northern Ireland and El Salvador, and chilling visions of the Next War. Reflecting the feelings of poets as diverse as Byron, Hardy, Owen, Sassoon, and Heaney, they reveal a great shift in social awareness from man's early celebratory war songs to the more recent anti-war attitudes of poets responding to man's inhumanity to man.

    She roams listlessly along the shoreline and the woods still pitted with wartime trenches, and encounters 'the Tsar' - almost old, unhappily married, both dangerously fascinating and repulsive.Pretty, malevolent Harriet finally arrives - and over the course of the long holidays draws her friend into a scheme to beguile then humiliate the Tsar, with disastrous, shocking consequences. A gripping portrayal of adolescent transgression, Beryl Bainbridge's classic first novel remains as subversive today as when it was written.

    Still popular more than a century after their deaths, their poetry vividly reflects the unique nature of their relationship.This collection presents the Brownings’ work in the context of their lives: the early years and their initial friendship, their courtship and marriage, the fifteen happy years they spent living in Italy until Elizabeth’s death. Whether in short poems such as Elizabeth’s “Hector in the Garden” and Robert’s “Natural Magic,” or in extracts from longer works such as Aurora Leigh and Pauline, the great themes they shared are all represented: love, marriage, illicit passion, England and Italy, childhood, religion, poetry, and nature. Elizabeth’s famous Sonnets from the Portuguese, based on their love affair, is included in its entirety. The poems are augmented with a generous selection of the marvelous letters the Brownings wrote to each other.

    At the beginning of the novel she's returned after a long absence to the fictional town of Radstowe (which is a thinly disguised portrait of Bristol). Miss Mole is not getting along well with her current employer and after a few days in a boarding house, gets a new job via her cousin Lilla, who is from the wealthier side of the family and has some good contacts. Without revealing the family connection, Lilla recommends her for a job as a housekeeper of sorts for a rather stuffy, pompous minister named Robert Corder, whose wife has recently passed away. The household consists of Reverend Corder, a nonconformist; daughter Ethel, who's rather desperately looking for a man so she can escape the house; young Ruth, who is still in school and longing for a mother figure; and their sassy cousin Wilfred, who's attending medical school nearby. Wilfred's presence in the house is rather awkward and raises a few eyebrows, but his mother is wealthy and the Reverend can't risk offending her. A spinster housekeeper/chaperone is exactly what they need to keep the house respectable -- or so they think. Miss Mole moves in and simultaneously elevates their lives and yet turns things upside-down. She's comforting and yet slyly subversive, and Reverend Corder doesn't quite know if he should appreciate her or fear her, as Hannah is smarter than he is. Wilfred takes to her instantly, recognizing her sharp with, and Ruth grows to love her. Eventually, though, there are whispers about Miss Mole's background which much be addressed, and we learn the real reason for her long absence from her hometown.

    over the last two decades to create what she calls in Ban en Banlieue (2015) a 'Literature that is not made from literature.' During that time Kapil has established herself as one of our most important and ethical writers, whose books often defy categorisation, as she fearlessly engages with colonialism and its ongoing and devastating aftermath. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told.How To Wash A Heart, Kapil's first full-length collection published in the U.K., depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care.

    Lying still in snow,not iron-willed, like railroad tracks, willingnot to meet until heaven, but here and theretreading slubby kissing stops, our trackswobble across the snow their long scratch.So many things that happen here are really little more,if even that, than a scratch, too. Words, in our mouths,are almost ready, already, to bandage the onewhom the scritch scritch scritch, meaning if how whenwe might lose each other, scratches scratches scratchesfrom this moment to that. Then I will go backto that silent evening, when the past just managedto overlap the future, if only by a trace,and the light doubles and caststhrough the dark a sparkling that heavens the earth.

    Cross keeps a tally of residents' deaths, and Mrs. Bellamy decides she can't take it any more and slits her throat. Meanwhile, two newcomers also cause disturbance, as hidden pasts, unusual sexual preferences, and wickedly dark humor are mixed to delicious effect.