Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ”We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants).Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release.

    With a face of stone and a mind that engineered breathtakingly intricate moments of slapstick, Keaton has become an icon of the American cinema. Marion Meade's definitive biography explores his often brutal childhood acting experiences, the making of his masterpieces, his shame at his own lack of education, his life-threatening alcoholism, and his turbulent marriages. Based on four years of research and more than 200 interviews with notables such as Billy Wilder, Leni Riefenstahl, Gene Kelly, Douglas Fairbanks, Jr., Irene Mayer Selznik, as well as members of Keaton's family who had previously refused to discuss him, Buster Keaton: Cut to the Chase is a startling and moving account of the troubled life of a cinematic genius.

     Widow Maddie McLendon has uprooted her life to move to Rustlers Gulch with her son and grandson. But as a brutal Montana winter looms on the horizon, contractors have yet to break ground on their new house, leaving them to live in a makeshift camp of trailers, tents, and sheds....Since his wife died six years earlier, millionaire rancher Sam Conacher has been content to wallow in his grief alone, while keeping a tight rein on his twenty-six-year-old daughter. But now the girl has gone and fallen in love with his foolish new neighbor’s no-good son....Maddie and Sam will never see eye to eye on anything, until a near-tragedy gives them a true glimpse into each other’s souls. And as the first snowflakes begin to fall, they’ll discover that an open heart is the biggest gift of all....

    If you've ever been asked, "Who is Saint Nicholas?"...If you've ever wondered if he is just a commercial invention...If you've ever thought there is no such person...You may be surprised to know the true Saint Nicholas.You'll never again think of Santa Claus in quite the same way.An instant classic by one of America's most respected thinkers, The True Saint Nicholas is a book to be shared with family and friends every year to evoke the true spirit of Christmas.

    Journalism of the Twentieth Century were chosen by the New York University Department of Journalism and a distinguished panel that included David Brinkley, Pete Hamill, Jeff Greenfield, Mary McGrory, and Morley Safer, Picture had an honored place on that list.

    Melody Tarleton is driving home for Christmas when a man--clad in Revolutionary War-era costume--appears out of nowhere, right in the path of her car. Shaken, she takes in the injured stranger, listening with concern to Jake Mallory's fantastic claim that he's a Patriot soldier, sentenced to death by British authorities. The last thing he remembers is the tug of the noose.Safe at her parents' house, Melody concocts a story to explain the handsome holiday guest with the courtly manners, strange clothes and nasty bump on the head. Mark, her close friend who wishes he were more, is skeptical and her family is fascinated--though not half so fascinated as Melody herself. Jake is passionate, charming and utterly unlike anyone she's ever met. Can he really be who he claims? And can a man from the distant past be the future she truly longs for?With the aid of enchanted petals, ancient potions and the peculiar magic of the season, Melody and Jake embark on an unimaginable Christmas adventure--and discover a love that transcends time.

    The dramatic life of the incomparably beautiful and swashbuckling Ava Gardner--one of Hollywood's most beautiful actresses and lover of many men, from bullfighters to Frank Sinatra--by The New York Times bestselling author of ROBERT MITCHUM: Baby, I Don't Care

    Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.

    Among this virtual army of hometown participants were numerous professional and amateur photographers, each with full access to the production’s inner workings—for the first time ever this compiles their behind-the-scenes photographs and stories into a treasure trove of Jaws rarities. Included are a foreword by director Steven Spielberg, interviews with production designer Joe Alves, screenwriter Carl Gottlieb, location casting director Shari Rhodes, and more, providing an unprecedented all-access pass to the creation of some of the most memorable and terrifying scenes in film history. This unique compendium is the first to focus on the production’s local participants, telling their stories at last.

    Is it serious movie discussion? Is it funny? Do the writers know what the hell they are talking about? Yes, Yes, Yes, and Yes. OK, that’s too many Yes’s but you get the point.  Graham Elwood and Chris Mancini, both professional filmmakers and comedians, created Comedyfilmnerds.com to mind meld the idea of real movie talk and real funny. And they called in all of their professionally funny and filmy friends to help them. Comedians and writers who have been on everything from the Tonight Show to having their own comedy specials tell you what’s what on their favorite film genres.  While "The Comedy Film Nerds Guide to Movies" is funny and informative, each film genre is given a personal touch. All of the Comedy Film Nerds have a love of film and a personal connection to each genre.  Read about a love of film from an insider’s perspective.  "The Comedy Film Nerds Guide to Movies" is for the movie lover with a good sense of humor.

    In his distinct voice we hear Wilder's inside view on his collaborations with such stars as Barbara Stanwyck, Gary Cooper, Marilyn Monroe, Jack Lemmon, Tony Curtis, William Holden, Audrey Hepburn, and Greta Garbo (he was a writer at MGM during the making of Ninotchka. Here are Wilder's sharp and funny behind-the-scenes stories about the making of A Foreign Affair, Double Indemnity, Sunset Boulevard, Love in the Afternoon, Some Like It Hot, The Apartment, and Ace in the Hole, among many others. Wilder is ever mysterious, but Crowe gets him to speak candidly on Stanwyck: "She knew the script, everybody's lines, never a fault, never a mistake"; on Cary Grant: "I had Cary Grant in mind for four of my pictures . . . slipped through my net every time"; on the "Lubitsch Touch": "It was the elegant use of the super-joke." Wilder also remembers his early years in Vienna, working as a journalist in Berlin, rooming with Peter Lorre at the Chateau Marmont -- always with the same dry wit, tough-minded romanticism, and elegance that are the hallmarks of Wilder's films. This book is a classic of Hollywood history and lore.

    Since her husband died three years ago, Gaby's four children have drifted apart, each consumed by the turbulence of their own lives. They haven't celebrated Christmas together since their father's death, but when Gaby announces that she's getting married--and that the groom will remain a secret until the wedding day--she may finally be able to bring them home for the holidays.But the wedding isn't Gaby's only surprise--she has one more gift for her children, and it could change all their lives forever. With deeply affecting characters and the emotional twists of a James Patterson thriller, The Christmas Wedding is a fresh look at family and the magic of the season.

    While the role may have given him eternal life on the silver screen, it doomed him to a career plagued by typecasting. After a decade of trying vainly to broaden his range and secure parts to challenge his acting abilities, Lugosi finally resigned himself to a career as the world's most recognizable vampire. His last years were spent as a forgotten and rather tragic figure.

    Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.

    Molly Allen lives alone in Portland, but she left her heart back in Tennessee with a man she walked away from five years ago. They had a rare sort of love she hasn’t found since.Ryan Kelly lives in Nashville after a broken engagement and several years on the road touring with a country music duo. He can still hear Molly’s voice encouraging him to follow his dreams; Molly, whose memory stays with him. At least he can visit The Bridge—the oldest bookstore in historic downtown Franklin—and remember the hours he and Molly once spent there.For thirty years, Charlie and Donna Barton have run The Bridge, providing the people of middle Tennessee with coffee, conversation, and shelves of good books—even through dismal book sales and the rise of digital books. Then in May, the hundred-year flood swept through Franklin and destroyed nearly every book in the store.Now the bank is pulling the lease on The Bridge. Despondent and without answers, Charlie considers the unthinkable. Then tragedy strikes, and suddenly, everything changes. In the face of desperate brokenness and lost opportunities, could the miracle of a second chance actually unfold?The Bridge is a love story set against the struggle of the American bookstore, a love story you will never forget.