In a year that sees a Scottish referendum on independence, Linda Colley analyses some of the forces that have unified Britain in the past.She examines the mythology of Britishness, and how far - and why - it has faded. She discusses the Acts of Union with Wales, Scotland and Ireland, and their limitations, while scrutinizing England's own fractures. And she demonstrates how the UK has been shaped by movement: of British people to other countries and continents, and of people, ideas and influences arriving from elsewhere.As acts of union and disunion again become increasingly relevant to our daily lives and politics, Colley considers how - if at all - the pieces might be put together anew, and what this might mean.Based on a 15-part BBC Radio 4 series.

    --Donald G. BloeschChristianity TodayMoltmann is perhaps unsurpassed among his contemporaries in keenness of insight and rhetorical power. --Daniel L. Migliore, Theology TodayMoltmann presents a stirring vision which every Christian community could well ponder...With a missionary emphasis, he seeks to help the reader face the question of the church's identity in the light of the contemporary political, economic, and social scene. --Religious Education

    Cynthia Barnett does it by telling us the stories of the amazing personalities behind our water wars, the stunning contradictions that allow the wettest state to have the most watered lawns, and the thorough research that makes her conclusions inescapable. Barnett has established herself as one of Florida’s best journalists and Mirage is a must-read for anyone who cares about the future of the state.”—Mary Ellen Klas, Capital Bureau Chief, Miami Herald “Mirage is the finest general study to date of the freshwater-supply crisis in Florida. Well-meaning villains abound in Cynthia Barnett’s story, but so too do heroes, such as Arthur R. Marshall Jr., Nathaniel Reed, and Marjorie Harris Carr. The author’s research is as thorough as her prose is graceful. Drinking water is the new oil. Get used to it.”—Michael Gannon, Distinguished Professor of history, University of Florida, and author of Florida: A Short History “With lively prose and a journalist’s eye for a good story, Cynthia Barnett offers a sobering account of water scarcity problems facing Florida—one of our wettest states—and the rest of the East Coast. Drawing on lessons learned from the American West, Mirage uses the lens of cultural attitudes about water use and misuse to plead for reform. Sure to engage and fascinate as it informs.”—Robert Glennon, Morris K. Udall Professor of Law and Public Policy, University of Arizona, and author of Water Follies: Groundwater Pumping and the Fate of America’s Fresh Waters Part investigative journalism, part environmental history, Mirage reveals how the eastern half of the nation—historically so wet that early settlers predicted it would never even need irrigation—has squandered so much of its abundant freshwater that it now faces shortages and conflicts once unique to the arid West. Florida’s parched swamps and supersized residential developments set the stage in the first book to call attention to the steady disappearance of freshwater in the American East, from water-diversion threats in the Great Lakes to tapped-out freshwater aquifers along the Atlantic seaboard. Told through a colorful cast of characters including Walt Disney, Jeb Bush and Texas oilman Boone Pickens, Mirage ferries the reader through the key water-supply issues facing America and the globe: water wars, the politics of development, inequities in the price of water, the bottled-water industry, privatization, and new-water-supply schemes. From its calamitous opening scene of a sinkhole swallowing a house in Florida to its concluding meditation on the relationship between water and the American character, Mirage is a compelling and timely portrait of the use and abuse of freshwater in an era of rapidly vanishing natural resources.

    Andrew Feinstein, a former ANC member of parliament, recounts how Mandela's successor Thabo Mbeki repressed debate within the party, imposed his AIDS denialism on government, refused to criticize Mugabe's rule in Zimbabwe and stopped an investigation of a multi-billion-dollar arms deal that was tainted by allegations of high-level graft. Feinstein shows how this infamous deal epitomises all that is rotten at the heart of the ANC. Investigating the payment of up to $200 million worth of bribes, he reveals a web of concealment and corruption involving senior politicians and officials, and figures at the very highest level of South African politics.With an insider's account of the events surrounding the contentious trial of South Africa's colourful President, Jacob Zuma, and the ongoing tragedy in Zimbabwe, After the Party has been acclaimed as the most important book on South Africa since the end of apartheid.

    Featuring hundreds of photos of his impressive art and behind-the-scenes details about how these creations came to be, The Art of the Brick is an inside look at how Sawaya transformed a toy into an art form.Follow one man's unique obsession and see the amazing places it has taken him.

    There, on the edge of the Great Basin Desert, disturbing tales of local sickness and death interrupted an idyllic life. A seven-year quest to understand a hidden history of ecocide followed. Canaries on the Rim is Ward’s firsthand account of that quest and how lessons learned in the wilderness were later applied to building opposition to toxic waste disposal, chemical weapons incineration, industrial pollution, and nuclear waste storage. The secret holocaust that is unfolding along the toxic shadow of America’s Great Basin Desert is grim, but Ward’s colorful and often-humorous story is not. Canaries on the Rim is a warning and a call to arms, but it is also a compelling drama and a lively primer on environmental activism. If civil action took place in Edward Abbey’s West, this is the book that would result.

    They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.

    The first part of the book defines and describes thirty-seven threshold concepts of the discipline in entries written by some of the field’s most active researchers and teachers, all of whom participated in a collaborative wiki discussion guided by the editors. These entries are clear and accessible, written for an audience of writing scholars, students, and colleagues in other disciplines and policy makers outside the academy. Contributors describe the conceptual background of the field and the principles that run throughout practice, whether in research, teaching, assessment, or public work around writing. Chapters in the second part of the book describe the benefits and challenges of using threshold concepts in specific sites—first-year writing programs, WAC/WID programs, writing centers, writing majors—and for professional development to present this framework in action.Naming What We Know opens a dialogue about the concepts that writing scholars and teachers agree are critical and about why those concepts should and do matter to people outside the field.

    This groundbreaking study shows why five central arguments promoting nuclear weapons are, in essence, myths. It is a myth: • that nuclear weapons necessarily shock and awe opponents, including Japan at the end of World War II • that nuclear deterrence is reliable in a crisis • that destruction wins wars • that the bomb has kept the peace for sixty-five years • and that we can’t put the nuclear genie back in the bottle Drawing on new information and the latest historical research, Wilson poses a fundamental challenge to the myths on which nuclear weapons policy is currently built. Using pragmatic arguments and an unemotional, clear-eyed insistence on the truth, he arrives at a surprising conclusion: nuclear weapons are enormously dangerous, but don’t appear to be terribly useful. In that case, he asks, why would we want to keep them? This book will be widely read and discussed by everyone who cares about war, peace, foreign policy, and security in the twenty-first century.

    Strong case studies include The Body Shop, BBC, Volvo, IKEA, ABB and Glaxo.

    This year marks the tenth anniversary of the attacks on the World Trade Center and the Pentagon, an occasion that is sure to be observed around the world. But among the memorials, political speeches, and news editorials, the most pressing consideration- and often the most overlooked-is the lives and well-being of the 9/11 first responders, their families, and the victims' families over the past decade.Dennis Smith, a former firefighter and the author of the bestselling Report from Ground Zero, addresses this important topic in a series of interviews with the heroes and families of those most affected by the tragedy either through feats of bravery in the rescue efforts or heroic bearing up in the face of unimaginable loss. Smith provides an intimate look at a terrible moment in history and its challenging and difficult aftermath, allowing these survivors to share their stories of loss, endurance, and resilience in their own words. A Decade of Hope is an honest and vitally important look at a decade in the lives of those for whom a national tragedy was a devastatingly personal ordeal.

    The war was coming to an end at last. The people of Nagasaki knew this as they desperately tried to survive each day's shortages of food and warmth - ordinary people going about their lives as normally as they could manage. People like Nagai, the doctor who'd just been told he had leukemia; Father Tamaya, the obliging Catholic priest, who'd agreed to postpone a return to his rural parish; and Koichi, the mobilised tram driver, who secretly watched the Noguchi sisters sobbing behind the company toilet block. Because the bombing of Hiroshima had been so devastating and there was severe media censorship, they knew nothing of what had befallen that city except for the unbelievable stories told by a few survivors who had just now arrived. Beyond Japan, forces they could never have imagined were mustering as the Americans prepared to drop their next atomic bomb on the armaments manufacturing city of Kokura. Bad weather, however, sent the pilots and their terrible load to Nagasaki, where a small group of 169 POWs, including 24 Australians, were digging air-raid shelters and repairing bridges near what became the bomb's epicentre. And, above the heads of them all, the machinery of wartime politics stumbled on towards its catastrophic finale. In this compelling narrative - based on eye-witness accounts, contemporary diaries, letters and interviews - Craig Collie collects up the stories of the many levels of devastation suffered on that fateful day. We come as close as history will allow us to being there when 80,000 people died as a result of the bomb, half of that number instantaneously. The world had changed forever and the shock waves would ripple right up to the present day, as we continue to contemplate the terrible power of a nuclear future

    It is Lonergan's answer to those who would argue that in this time of cultural change and dissolution the believer is afloat on a sea of multiplying theologies, without rudder or compass. Lonergan was resolute in his refusal to be defeatist on this point. While agreeing that theology must continually change to mediate between religion and culture, he worked out an integral method to guide and control this ongoing process.This is a reprint of the 1973 edition. A new annotated edition of Method in Theology will be published eventually as a part of the Collected Works of Bernard Lonergan.Bernard Lonergan (1904-1984), a professor of theology, taught at Regis College, Harvard University, and Boston College. An established author known for his Insight and Method in Theology, Lonergan received numerous honorary doctorates, was a Companion of the Order of Canada in 1971 and was named as an original members of the International Theological Commission by Pope Paul VI.

    Singapore, Incomplete is a collection of personal reflections about the country’s underdeveloped political culture and structure. “Ours is a middle-aged country with a maturing economy—but a political system that treats us like children,” he argues. George calls for more open “rules of engagement” that will protect and celebrate a diversity of ideas and beliefs. He critiques Singapore’s culture of fear, the lack of political transparency, and governmental groupthink. This is his first book for a general audience since Singapore: The Air-Conditioned Nation (2000).

    All designers have their own way of working and their own combinations of the thousands of techniques one can apply when planning a new design project. But there are some dos and don'ts that always figure in any heated debate about what one should or should not accept as the right way to create the best graphic design. This book looks at key dos and don'ts, bringing them together in the form of a classically structured almanac. Packed with practical advice, but presented in a light-hearted fashion, the advisory rather than dictative approach means designers can take or leave the advice presented in each rule as is typical of most creatives with their own strong views on what does and does not constitute good design practice. Individual entries will either bring forth knowing nods of agreement or hoots of derision, depending on whether or not the reader loves or hates hyphenation, has a pathological fear of beige, or thinks that baseline grids are boring. Thou Shall Not Use Comic Sans is the must-have collection of the best advice that any graphic designer should have at his fingertips, with each entry combining a specific rule with a commentary from a variety of experienced designers from all fields of the graphic design industry. Grouped into six, color-coded categories-typography, color, layout, imagery, production, and the practice of design-but presented numerically and in mixed groups, the reader can either dip in at random or use the book as the source of a daily lesson in how to produce great graphic design.