She endured a catastrophic set of physical calamities as a child and young woman, was an active member of the Communist Party, and survived a tempestuous marriage to the artist Diego Rivera. This book includes many photographs of her life alongside her extraordinary paintings, and presents commentary by leading Mexican art historians, stunning reproductions of her most seminal works -- some never before reproduced, and nine gate-folds allowing the reader to examine in detail aspects of her larger works.

    In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    Ferguson did to him when he was a boy. The pain, the blood and the snip-snip of those glinting scissors will live in his nightmares for the rest of his life. But now Dr. Ferguson is back and not just in Stuart's dreams. He's very real. He's determined to perform that same horrible procedure on Stuart's young son. And his scissors are nice and sharp.

    After his parents’ marriage fell apart, he was dragooned in, at the age of 22, to pick up the pieces of their new venture, a barely-trading country house hotel that had, frankly, seen better days. Not only was it posting an annual loss, but the fabric of the building was crumbling and there was no money left to make improvements. There were to be battles royal with neighbours not wanting their status quo to be altered, and with the local fire authority who sought to impose draconian new safety measures.Over the years, and with the steepest of learning curves, the grand old building was renovated and transformed to meet the requirements of the modern discerning traveller. Accolades for the hotel and its restaurant were won; together they became a well-regarded destination for a number of celebrities – and those that deemed themselves to be celebrities but were not. Stories abound featuring idiosyncratic guests, overbearing public bodies, fractured family life and animals of all shapes and sizes. The local fire station next door was demolished one foggy night, people were frightened by flying dogs and snakes in the long grass, and there were, as befits a country house, strange goings on in the night. Many were the guests who checked in who really should not have been seen together.A rescue mission originally thought of as lasting for a year or two turned into a 35 year lifetime love affair with a beautiful old building. This is a tribute to all the people behind the scenes who helped to make the hard-won transformation into a great success.

    A clandestine brotherhood hides a secret that could bring down the Catholic Church. Their chosen hiding place - the art of Hieronymus Bosch. London, 2014. An excommunicated priest approaches both the Church and the art world, claiming to possess an artefact that will destroy their reputations. This man, Nicholas Laverne, is poised to end over 500 years of silence and injustice. Yet, unknown to Nicholas, he has just summoned a killer intent on silencing him.

    FosterYou know, the best thing about nightmares is that they're not real. It's all just in your head, and as soon as you wake up, pop! It's all gone. You're safe. It's not like they could crawl out, creeping from your mind with long, slender fingers and milky yellow eyes sunken into heads with pointed horns bursting out. That'd just be insane. Daniel Tanner's life is insane. A mysterious disease came to claim his son, seemingly pulling him into the grave with cold fingers named misery and hopelessness.Now a stranger has come calling with an even stranger tale of monsters—horrible things that take children in the middle of the night and leave their own, things that crawled out of the fairy tales our barbarous ancestors used to tell, things that they tried to warn us about. We didn't listen. Because monsters aren't real, are they? There's no reason to fear the dark, no reason at all to believe the old tales about creatures with a taste for human meat. That would be insane... wouldn't it?

    His Christmas wish is to marry the woman he loves. But where has she gone? Andrew Roberts hasn’t felt such anticipation for Christmas day since he was five years old. This year he has plans, life-changing plans. He is going to propose to Allyson Flanders, the woman of his dreams. He’d lived his first thirty years as a confirmed bachelor, contented with dating, managing the family’s fleet of ships, fishing, and sailing anywhere he wanted, whenever he wanted.Until . . .One date with Allyson, and Andy was hopelessly caught by the smartest, kindest, most beautiful woman he’d ever met. He had no complaints. Life with Allyson was better than anything he’d ever imagined. They spent hours of every day together, casting lines into the waters off the shore of Martha’s Vineyard, talking, laughing, and dreaming. He hadn’t spent a day without being in Allyson’s company.Until . . . Something happened after Thanksgiving. Something he can’t figure out. Something he can’t name. But that something has created more distance than a two-month sail from Vineyard Haven Harbor to Sri Lanka. Allyson had no time for him, barely spoke to him, and made secret plans without him.The diamond and sapphire ring resting in the black velvet box looked lonely, but not as lonely as Andy felt. Where was she spending her time? Why didn’t she return his phone calls? Had she found someone else? Was there any hope his Christmas wish might still come true? A Vineyard RomanceRomance, Faith, and Adventure on the Island of Martha’s Vineyard

    I'm a writer by trade and a road warrior by heart. Neither of these things are wise career or life choices. The tolls add up.Over the last twenty years, things have changed. Book tours have changed, publishing has changed, bookselling has changed, conventions have changed, horror fiction—and the horror genre—have changed. I've changed, too.The only things that haven't changed are writing and the road. They stay the same. The words we type today are the past tomorrow. Everything is connected like the highways on a map are connected. This holds true for the history of our genre, as well.I rode into town twenty years ago. Now I'm riding out. You're all coming with me..."So begins Brian Keene's End of the Road—a memoir, travelogue, and post-Danse Macabre examination of modern horror fiction, the people who write it, and the world they live—and die—in. Exhilarating, emotional, heartfelt, and at times hilarious, End of the Road is a must-read for fans of the horror genre. Introduction by Gabino Iglesias.

    Here is the dramatic - and tragic - story of Versailles and the men and women who made it their home.

    In a body of work spanning over a half-century, he was variously a draughtsman, a printmaker, a sculptor and a painter. This short book is both a biography and a guide to his art. It focuses on the extraordinary works that Henri Matisse made during the last period of his life - the large-scale cut-outs on coloured paper, including his famous Blue Nudes, The Snail and Large Composition with Masks.

    The quick brushstrokes of the Impressionists suited his temperament, as did his heavy use of impasto. This helpful volume shows many of van Gogh's best loved works, including the famous self-portrait with a Bandaged Ear, painted after he had cut off part of his ear in a fit of madness, Sunflowers, which were to him a symbol of power and beneficence, and The Starry Night, a painting which clearly expresses intensity and mental turbulence.

    They are provided with a beautiful house on Mahe and commute to work on the tiny island of Ste. Anne in a World War II landing craft. Lush, sunny and colourful, the Seychelles is the perfect setting for two girls on the lookout for inspiration and fresh experiences, so why not join them? See the sights, find out about life in the Indian Ocean, and enjoy the madness. Fuelled by fish, rice and South African rum, Bev and Carol tour the islands on an ancient motorbike in their free time, discovering paradise and what lies beyond. There are giant spiders, heart-stopping bus rides and a tangled expatriate community, against a volatile political backdrop. Put your feet up and dive into Bev and Carol's chaotic world, where common sense and spontaneity are often at odds. You'll see what makes them tick and probably have a lot of laughs along the way. 'Stranded in the Seychelles' - could it be this much fun?"

    Pieced together, they form a revealing mosaic of the creative mind. It's like viewing an exhibit from the therapist's couch as each entry delves into the mental anguish that afflicts the artist and affects their art.The scope of the artists covered is as varied as their afflictions. Inside, you will find not just the creators of the darkest of dark literature, music, and art. While it does reveal what everyday problem kept Poe's pen to paper and the childhood catastrophe that kept Picasso on edge, it also uncovers surprising secrets of more unexpectedly tormented artists. From Charles Schultz's unrequited love to J.K. Rowling's fear of death, it's amazing the deep-seeded troubles that lie just beneath the surface of our favorite art.As much an appreciation of artistic genius as an accessible study of the creative psyche, Tortured Artists illustrates the fact that inner turmoil fuels the finest work.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.