Through the workaday world of a rural dairyman, his grit, wit, and heart, his daughters' courtships and marriages, and the eventual menace of the pogroms, Sholem Aleichem reveals the fabric of a now-vanished world.Motl is the clear-eyed, spirited, mischievous boy who narrates Motl the Cantor's Son, a comic novel about his emigration with his family from Russia to America. It is a journey that mirrors a larger exodus, telling the story of the disintegration of traditional Jewish life and the beginning of a new chapter of Jewish history in America.

    How can we know if we are reading them the way God intended them to be read?In this accessible guide, leading Old Testament scholar Peter Gentry identifies seven common characteristics of prophetic literature in the Bible that help us understand each book's message. With illustrations and clear examples, Gentry offers guidance for reading these challenging texts--teaching us practical strategies for deeper engagement with the biblical text as we seek to apply God's Word to our lives today.

    He walks the Alps, shepherd’s stick in hand, singing lullabies to his 625 sheep. Sometimes he even gives concerts in historically anti-Semitic towns, showing slides of the flock as he belts out Yiddish ditties. When New York-based writer Sam Apple hears about this one-of-a-kind eccentric, he flies overseas and signs on as a shepherd’s apprentice. For thoroughly urban, slightly neurotic Sam, stumbling along in borrowed boots and burdened with a lot more baggage than his backpack, the task is far from a walk in Central Park. Demonstrating no immediate natural talent for shepherding, he tries to earn the respect of Breuer’s sheep, while keeping a safe distance from the shepherd’s fierce herding dogs.As this strange and hilarious adventure unfolds, the unlikely duo of Sam and Hans meander through a paradise of woods and high meadows toward awkward encounters with Austrians of many stripes. Apple is determined to find out if there are really as many anti-Semites in Austria as he fears and to understand how Hans, who grew up fighting the lingering Nazism in Vienna, became a wandering shepherd. What Apple discovers turns out to be far more fascinating than he had imagined.With this odd and wonderful book, Sam Apple joins the august tradition of Tony Horwitz and Bill Bryson. Schlepping Through the Alps is as funny as it is moving.From the Hardcover edition.

    But we’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. With great wit and compelling arguments, Brod situates superheroes within the course of Jewish- American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for not having saved their families, like Spider-Man; outsiders persecuted for being different, like the X-Men; nice, smart people afraid that nobody will like them when they’re angry, like the Hulk. Brod blends humor with sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators—including Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby— integrated their Jewish identities and their creativity. Brod makes a strong case that these pioneering Jews created New World superheroes using models from Old World traditions. He demonstrates how contemporary characters were inspired by the golem, the mystically created artificial superhuman of Jewish lore. And before Superman was first drawn by Joe Shuster, there were those Jews flying through the air drawn by Marc Chagall. As poignant as it is fascinating, this lively guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. Superman Is Jewish? explores the deeper story of how an immigrant group can use popular entertainment media to influence the larger culture and in the process see itself in new, more empowering ways. Not just for Jewish readers or comic book fans, Superman Is Jewish? is a story of America, and is as poignant as it is fascinating. *** A surprising question, one that takes a certain amount of chutzpah to even raise. To add even a bit more chutzpah, this book considers questions about the Jewishness of more superheroes than just Superman, and offers answers that will surprise many. You mean Spider-Man is Jewish too? Well, actually, yes, but in a very different way than Superman is. And, as we’ll see, the shift between them reflects the evolution of Jewish life in America itself in the generation between the two, the generation that gets us from World War II and the “Golden Age” of comics to the 1960s and the “Silver Age” of comics. The historical turning points of those tumultuous years and others, like the powerful 1950s crusade against comics for supposedly causing juvenile delinquency, turn out to be central to our story because these events, and their great impact on American Jews, appear on comic book pages themselves, and behind the scenes in their production. For it turns out that the history of Jews and comic book superheroes, that very American invention, is the history of Jews and America, particularly the history of Jewish assimilation into the mainstream of American culture.

    In this volume, her first to appear in English, she offers a fascinating window into some of the liveliest and most colorful stories in the Talmud. Calderon rewrites talmudic tales as richly imagined fictions, drawing us into the lives of such characters as the woman who risks her life for a sister suspected of adultery; a humble schoolteacher who rescues his village from drought; and a wife who dresses as a prostitute to seduce her pious husband in their garden. Breathing new life into an ancient text, A Bride for One Night offers a surprising and provocative read, both for anyone already intimate with the Talmud or for anyone interested in one of the most influential works of Jewish literature.

    Now in paperback, the book explores the history of the Septuagint, the various versions available, and its importance for biblical studies. "Admirably delivers what it promises: it is a clearly written and organized introduction to the Greek-language Hebrew Scriptures. . . . Highly recommended."--Library Journal

    Steeped in fact, and meticulously researched, Clouds Across the Sunis the story of just one of these children. From Naples, Florida, New York City, and Washington D.C. to Israel and then the killing grounds of Vilnius, Poland (Lithuania) this story is one of great romance, discovery, redemption, and enlightenment as Jotto Wells unravels the intrigue surrounding a plan to take over the government of the United States."

    For his daughter Rivkele, however, Jack aspires for something more—respectability through her marriage to a religious scholar. But Rivkele’s tender love affair with Manke, one of Jack’s prostitutes, threatens to destroy the upcoming marriage, and with it, Jack’s dream of redemption. Pulitzer Prize-winning author Donald Margulies transforms Sholom Asch’s classic mortality tale into a work of spellbinding power.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Gordon Wenham, and with this trend his commentary identifies.Dr. Wenham has a remarkable gift for clarity of expression in discussing even the most difficult problems. His terse, crisp style serves well in his interaction with the multiciplity of arguments in primary arenas of scholarly concern-textual analysis, compositional sources, chronology, theological significance. Throughout, he effectively shares his broad knowledge of current research on Genesis and provides invaluable bibliographic information.Among the topics discussed are: Genesis in recent research and an evaluation of current critical positions An analysis of the principal source hypotheses of the early 19th century to the present The new literary criticism and its relationship to source criticism The theological relationship of Genesis 1-11 to ancient Near Eastern ideas, to the rest of the Pentateuch, and to modem thought.It would be difficult to find a more concise yet thorough discussion of technical and textual matters. At the same time, Dr. Wenham displays unusual sensitivity to the compositional artistry of Genesis and the importance of storytelling in God's self-revelation to the human family.Dr. Wenham shows the opening chapters of Genesis as describing an avalanche of sin that gradually engulfs mankind-the alienation of the first man and woman and their expulsion from the presence of God in the garden, mankind's near-annihilation in the flood, the folly of Babel and humanity's dispersal over the face of the globe teaching that without God's blessing mankind is without hope. "But the promises to Abraham and the patriarchs begin to repair that situation," says Dr. Wenham. "The covenant will benefit not just Abraham and his descendants, but in him all the nations of the earth will find blessing, and the ultimate fulfillment of the creator's ideals for humanity is guaranteed ... . Let us beware of allowing ourselves to be diverted from the central thrust of the book so that we miss what the Lord, our creator and redeemer, is saying to us."

    Nowadays, it is widely argued that Israel’s religion mirrors that of other West Semitic societies. What accounts for this radical change, and what are its implications for our understanding of the Old Testament?Dr. John N. Oswalt says the root of this new attitude lies in Western society’s hostility to the idea of revelation, which presupposes a reality that transcends the world of the senses, asserting the existence of a realm humans cannot control.While not advocating a “the Bible says it, and I believe it, and that settles it” point of view, Oswalt asserts convincingly that while other ancient literatures all see reality in essentially the same terms, the Bible differs radically on all the main points.The Bible Among the Myths supplies a necessary corrective to those who reject the Old Testament’s testimony about a transcendent God who breaks into time and space and reveals himself in and through human activity.

    We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence.

    Tensions sometimes flared, but tolerance largely prevailed until the twentieth century when the Greek army marched in, Muslims were forced out, and the Nazis deported and killed the Jews. As the acclaimed historian Mark Mazower follows the city’s inhabitants through plague, invasion, famine, and the disastrous twentieth century, he resurrects a fascinating and vanished world.

     Hannah and Pninah, once close childhood friends, become rivals for the attention of Elkanah, the man who has married them both. Pninah, passionate and independent, easily bears Elkanah many children, but bitter that he has taken her friend as a second wife, seeks fulfillment with her own secret lover. Hannah, the epitome of goodness and grace, remains completely devoted to her husband, but remains childless for many years, until a promise to God brings her the son she has yearned for. Despite their differences, these two women must learn to live together, protecting their own interests as well as each other’s, while sharing not only the love of their husband, but that of Hannah’s son Samuel, who will become one of the great prophets of the Jewish people.

    This volume delineates the link between Judaism and Christianity, between the Old and the New Testament, and calls Christians to reexamine their Hebrew roots so as to effect a more authentically biblical lifestyle.As an introduction to the world of Hebrew thought, Our Father Abraham is biblical, historical, and cultural in nature. At the same time, the writing is personal and passionate, reflecting Marvin Wilson's own spiritual pilgrimage and his extensive dialogue with Jews. The book (1) develops a historical perspective on the Jewish origins of the church, (2) sets forth the importance and nature of Hebrew thought, (3) discusses how the church can become more attuned to the Hebraic mind-set of Scripture, and (4) offers practical suggestions for interaction between Jews and Christians. The study questions at the end of each chapter enhance the book's usefulness as a text and also make it suitable for Bible-study and discussion groups. All Christians--and Jews too--will profit from Wilson's sensible treatments of biblical texts, his thorough understanding of both the Christian and the Jewish faith, and his honest historical analysis of the general failure of the Christian church to acknowledge and understand its relation to Judaism.

    Commenting on this startling discovery at the time, noted Talmud scholar Daniel Boyarin argued that “some Christians will find it shocking—a challenge to the uniqueness of their theology.”Guiding us through a rich tapestry of new discoveries and ancient scriptures, The Jewish Gospels makes the powerful case that our conventional understandings of Jesus and of the origins of Christianity are wrong. In Boyarin’s scrupulously illustrated account, the coming of the Messiah was fully imagined in the ancient Jewish texts. Jesus, moreover, was embraced by many Jews as this person, and his core teachings were not at all a break from Jewish beliefs and teachings. Jesus and his followers, Boyarin shows, were simply Jewish. What came to be known as Christianity came much later, as religious and political leaders sought to impose a new religious orthodoxy that was not present at the time of Jesus’s life.In the vein of Elaine Pagels’s The Gnostic Gospels, here is a brilliant new work that will break open some of our culture’s most cherished assumptions.