The lump soon morphs into a shape familiar to everyone but her, triggering her curiosity and her father's greatest fears. He frantically tries to intervene, but having a large phantom phallus in a curious maiden's bed is never a good combination.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    — ...fairy tales were written for young and old alike; it is only in the last century that they have been deemed fit only for children and stripped of much of their original violence, sensuality, and power to frighten and delight. — Patricia C. Wrede, the best-selling author of Caught In Crystal and other beloved fantasy novels, brings Snow White and Rose Red back to an adult audience, in this romantic and magical retelling set in the enchanted forests of England at the time of Queen Elizabeth.Tor Books is proud to present the latest offering in the Fairy Tale Series -- a growing library of beautifully-designed original novels by acclaimed writers of fantasy and horror, each retelling a classic tale such as Snow White and Rose Red, Briar Rose, and Tam Lin in interesting -- often startling -- new ways.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    They are travelling at seventy miles per hour.A newborn baby is the sole survivor of a terrifying plane crash.She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world.When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail…So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.

    And so the Editor ventured forth, wandering the land of Story from shore to shore, climbing massive mountains of books and delving deep into lush, literary forests, gathering together thirty-three of the best re-tellings of fairy tales he could find. Not just any fairy tales, mind you, but tantalizing tales from some of the biggest names in today’s fantastic fiction, authors like Gregory Maguire, Susanna Clarke, Charles de Lint, Holly Black, Alethea Kontis, Kelly Link, Neil Gaiman, Patricia Briggs, Paul Di Filippo, Gregory Frost, and Nancy Kress. But these stories alone weren’t enough to satisfy the Editor, so the Editor ventured further, into the dangerous cave of the fearsome Bill Willingham, and emerged intact with a magnificent introduction, to tie the collection together. And the inhabitants of Story—from the Kings and Queens relaxing in their castles to the peasants toiling in the fields, from the fey folk flitting about the forests to the trolls lurking under bridges and the giants in the hills—read the anthology, and enjoyed it. And they all lived... ...Happily Ever After.

    A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away, the mythic figures of our childhoods and the source of so much of our wonder are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Re-imagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

    and more

    Cinderella swaps her glass slippers for Crocs. The Tortoise and the Hare Facebook stalk each other. Goldilocks goes gluten free. And Peter Pan finally has to grow up and get a job, or at least start paying rent.Here are more than one hundred fairy tales, illustrated and re-imagined for today. Instead of fairy godmothers, there’s Siri. And rather than big bad wolves, there are creepy dudes on OkCupid. In our brave new world of social networking, YouTube, and texting, fairy tales can once again lead us to "happily ever after" — and have us laughing all the way.

    Drawn from The History Press’ popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman’s peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

    I like to think of them as poisoned apples. Once you taste them, you will never see fairy tales in the same light again. The Grimm Diaries Prequels are short books in the form of epistolary diary entries. They are teasers for The Grimm Diaries. The 6 diaries are told by The Evil Queen, Peter Pan, Little Red Riding Hood, the Devil, Prince Charming, and Alice Grimm.Grimm Diaries Prequels:1 Snow White Blood Red (narrated by The Snow White Queen)2 Ashes to Ashes and Cinder to Cinder (narrated by Alice Grimm)3 Beauty Never Dies (narrated by Peter Pan)4 Ladle Rotten Rat Hut (narrated by Little Red Riding Hood)5 Mary Mary Quite Contrary6 Blood Apples (narrated by Prince Charming)7 Jawigi (narrated by sandman Grimm)

    INCLUDED DELETED BONUS SCENES AND ALICE HU'S RED QUEEN'S REVENGE CUPCAKE RECIPE!Her Mad Hatter: Alice is all grown up. Running the Mad Hatter's Cupcakery and Tea Shoppe is a delicious job, until fate--and a fairy godmother with a weakness for bad boys--throws her a curveball. Now, Alice is the newest resident of Wonderland, where the Mad Hatter fuels her fantasies and thrills her body with his dark touch. The Mad Hatter may have a voice and a body made for sex, but he takes no lovers. Ever. But a determined fairy godmother has forced Alice into Wonderland--and his arms. Now, as desire and madness converge, the Hatter must decide if he will fight the fairy godmother's mating--or fight for Alice. Gerard's Beauty: A not so classic retelling of Beauty and the Beast, as seen through the eyes of the villain... Betty Hart has had it with men. Jilted in love, her life now consists of shelving books by day, watching too much Anime by night, and occasionally dressing up like a superhero on the weekends with her fellow ?Bleeding Heart? nerds. Men are not welcome and very much unwanted. Especially the sexy Frenchman who saunters into her library reeking of alcohol and looking like he went one too many rounds in the ring. Gerard Caron is in trouble. Again. Caught with his pants down (literally) he?s forced to seek asylum on Earth while his fairy godmother tries to keep Prince Charming from going all ?Off with his head?. Maybe, messing around with the King?s daughter hadn?t been such a great idea after all, not that Gerard knew the silly redhead was a princess. But his fairy godmother knows the only way to save his life is to finally pair Gerard with his perfect mate, whether he?s willing or not. From the moment Gerard lays eyes on the nerdy librarian he knows he must have her, but Betty is unlike any woman he?s ever known. He thought Betty would come as willingly to his bed as every other woman before her, but she is a woman who demands respect and even? horror of all horrors? love. Is it possible for a self-proclaimed Casanova to change his ways? Red and Her Wolf: Long ago there lived a beautiful child. Her name was Violet. Fair of skin, with blonde hair and large blue eyes. Born of wild magic, she was a woman with a child?s heart. Innocent and lovely, but not at all what she seemed--you see Violet went by another name: The Heartsong. She was the child of fairy magic, the physical manifestation of all fae kinds unbridled power. Cosseted and pampered, she grew up in isolation, never knowing who she really was, or why there were those who?d seek to harm her. Ewan of the Blackfoot Clan is a wolf with a problem. He?s been sent to kill the Heartsong, but the moment he lays eyes on the blonde beauty he knows he?ll defy the evil fae he works for to claim Violet as his own. This is the tale of Little Red Riding Hood and the Big Bad Wolf, as it really happened...

    Not even to get your ball. Leave it. That ball belongs to the Witches and the Beasties, now. Those wicked Witches. Stealing your ball. Magic is forbidden in Myrsina, along with various other abominations, such as girls doing maths. This is bad news for Gretel Mudd, who doesn't perform magic, but does know a lot of maths. When her clever inventions prompt the sinister masked Huntsmen who run the country to accuse her of Witchcraft, she is forced to flee into the neighbouring Darkwood, where all the Witches and Monsters dwell. There, she happens upon Buttercup, a Witch who can't help turning things into gingerbread, Jack Trott, who can make plants grow at will, the White Knight with her band of Dwarves and a talking spider called Trevor. These aren't the terrifying villains she's been warned about all her life. They're actually quite nice. Well... most of them. With the Huntsmen on the warpath, Gretel must act fast to help the Witches save both the Darkwood and her home village, while unravelling the rhetoric and lies that have demonised magical beings for far too long.

    collection—features twelve of the World Fantasy and British Fantasy Award-winning Australian author’s finest, darkest fairy tales, and adds two new novellas to her marvelous cauldron of fiction. Stories peopled by women and girls—fearless, frightened, brave, bold, frail, and fantastical—who take the paths less traveled by, accept (and offer) poisoned apples, and embrace transformation in all its forms. Reminiscent of Angela Carter at her best, Slatter’s work is both timeless and fresh: fascinating new reflections from the enchanted mirrors of fairy tales and folklore.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"