Author Daniel Pool provides countless intriguing details (did you know that the "plums" in Christmas plum pudding were actually raisins?) on the Church of England, sex, Parliament, dinner parties, country house visiting, and a host of other aspects of nineteenth-century English life—both "upstairs" and "downstairs."An illuminating glossary gives at a glance the meaning and significance of terms ranging from "ague" to "wainscoting," the specifics of the currency system, and a lively host of other details and curiosities of the day.

    Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for the enduring relevance of Karl Marx. The book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens' credentials as (to quote Christopher Buckley) our "greatest living essayist in the English language."

    You have arrived in the hills. In here, you are surrounded by dense, menacing forests, enveloped in a deadly silence... You never know what lurks here in the Cold, dark night. Do not walk alone after sunset in the hills. A beautiful woman in white haunts the Lonely pathways, looking to enchant and ensnare men... All the people who died in accidents here... They say you hear their screams at night. And the deserted lodges sitting amidst lush greenery and calm streams... Spirits lie in wait here, ready to prey on the living. There are sceptics who did not heed these warnings. They tried to rationalize what they saw, what they felt. But when they came face to face with the beings that they believed didn’t exist, they couldn’t run away anymore... Ghosts of the silent hills is a collection that will make your nights a little scarier, encompassing the very best spine-chilling stories based on true hauntings.About the AuthorBorn in Shimla in 1955, Anita Krishan spent the initial twenty-two years of her life in this pristine Himalayan town, earning her master’s degree in English literature from Himachal University, and moving on to a career of introducing delights of the language to her young learners. In her long tenure as an educator, she has enriched the lives of countless students with the mystery of the narrative. A versatile writer, each of her literary works appertains to a different genre... from the joys and travails of life, to terrorism that has brought the world to its tenterhooks, to now the paranormal. She has travelled extensively around the globe absorbing the diverse human ethos and cultures—the delectable food for her thoughts. Presently, she lives in Gurgaon with her family.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    Between their bedroom antics and their busy lives, Crystal, Geneva, Chevy, and Noah are all faced with situations that are way too hot to handle . . .Crystal’s finding it hard to concentrate at work, and no wonder—she’s got a stud in Antigua who’s beginning to mean more to her than just steamy sex. While things are red-hot with Geneva and her sexy young man, Deeka, her new diet pills stir up more trouble than her collection of slinky lingerie ever did.Chevy’s out-of-control spending has finally caught up with her; when her paycheck is almost entirely garnished, she is forced to resort to sex with an ex to keep a roof over her head.Noah and his partner can’t come to an agreement about adopting children, but one thing’s for sure: A blast from his little-known past with a woman is about to rock his world.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    T.J. is the object of her affection, a jazz pianist who prefers to keep his romances casual--but who may be facing the real deal in Sandy. Bebe is Sandy's confidante, a bank supervisor who is struggling through her self-imposed "sex sabbatical". Speed is T.J.'s father and best friend, a man who isn't too old to learn a few things from his son. Together these four weave a funny, touching, and vivid tale of coping with the ups and downs of everyday life in Chicago that readers won't soon forget.

    Nearly 100 stories from over 40 tribe-related myths of creation, tales of epic deeds, ghost stories and tales set in both the animal and human realms.Part of the Pantheon Fairy Tale and Folklore Library

    Surveying stories by British and American writers in the first half of the twentieth century, editors Robert Penn Warren and Albert Erskine selected stories that broke new ground and challenged the imagination with their style, subject matter, or tone: the unforgettable, enduring works that shaped the literature of our time.A truly exceptional collection of great stories, including:The Bride Comes to Yellow Sky by Stephen CraneThe Horse Dealer's Daughter by D. H. LawrenceBarn Burning by William FaulknerThe Sojourner by Carson McCullersThe Open Window by SakiFlowering Judas by Katherine Anne PorterThe Boarding House by James JoyceSoldier's Home by Ernest HemingwayThe Tree of Knowledge by Henry JamesWhy I Live at the P.O. by Eudora Welty. . . and twenty-five more of the century's best stories!

    Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.

    Organized by such themes as Art, Choices, Families, Growing Old, Growing Up, Places and Homes, Power, and Work, this reference book presents classic and contemporary works, from Lady Nijo's thirteenth-century diaries to books by authors including Toni Morrison, Alice Hoffman, Nadine Gordimer, and Isabel Allende. With annotated entries that capture the flavor of each book and seven cross-referenced indexes, 500 Great Books by Women is a one-of-a-kind guide for all readers and book lovers that celebrates and recommends some of the very best writing by women.

    The writing text helps students learn to analyze literature and develop responsible and persuasive claims about it — making it matter to them as it hasn’t before.Reading it — when it explores issues that matter. The stories, poems, plays and essays in the anthology are uniquely organized into thematic clusters focusing on life issues that speak to students and evoke their engaged response.

    Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

    Eliot himself wished to preserve than this volume, published two years before his death in 1965.Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as 'The Waste Land' and 'Old Possum's Book of Practical Cats'.

    E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century."