And the Republic commandos are the best of the best. As the Clone Wars rage, victory or defeat lies in the hands of these elite squads, stone-cold soldiers who go where no one else will, and do what no one else can....Hard Contact: It is three months after the Battle of Geonosis. On the backwater planet Qiilura, a Separatist scientist has created a nanovirus designed to kill clone soldiers, and it will be up to four Republic commandosthe Omega Squadto apprehend her and sabotage her research. When Darman, the squad's demolitions expert, gets cut off from the others during planetfall, he meets up with Etain, a stranded Jedi Padawan who has lost her Master. He expects her to be a competent commander, but that hope vanishes once she admits to her woeful inexperience. A long dangerous journey lies ahead, through hostile territory brimming with Trandoshan slavers, Separatists and suspicious natives. A single misstep could mean discovery...and death. Triple Zero: A year after Geonosis, the Republic commandos are being deployed on missions that take them beyond the battlefield and further into sabotage and intelligence operations in Separatist territory. Now, after a close brush with death, the Omega Squad is sent to the toughest terrain in the galaxy: Coruscant. Teaming up with Etain, now a Jedi General, and their legendary training sergeant Kal Skirata and his Null commandosa secret force even the Kaminoan cloners deem too dangerous to unleashthey pursue Separatist terrorists in the treacherous skylanes and labyrinthine underlevels of the world city. It's a critical mission unlike any they've ever tackledand it will test their courage and their friendship to the limit.

    Accursed wizards and mysterious villains. Deadly battles and otherworldly spectacle. The untold adventures of the beloved Companions. Here are collected the best short stories of the original Dragonlance Tales 1 series, unfolding a world of heroism, magic, and fantasy. It is a treasure for loyal fans of the saga, and for new readers it is an enthralling introduction to the world of Krynn. This volume includes a new Dragonlance short story written by Margaret Weis in collabortion with Aron Eisenberg, Nog on television's Star Trek: Deep Space Nine.Riverwind and the crystal staff / Michael Williams --Stone's throw away / Roger E. Moore --Love and ale --Dagger-flight / Nich O'Donohoe --Harvests --Hide and go seek / Nancy VArian Berberick --Finding the faith / Mary Kirchoff --Into the heart of the story / Michael Williams --Exiles / Paul B. Thompson and Tonya R. Carter --Heart of Goldmoon / Laura Hickman and Kate Novak --Wayward children --Definitions of honor / Richard A. Knaak --Test of the twins / Margaret Weis --From the yearning for war and the war's ending / Michael Williams --Traveling players of Gilean / Margaret Weis and Aron Eisenberg.

    A killer stalks the town's children, leaving a trail far gorier than Spider-Man is accustomed to. With Wolverine in the wings, watching for the Wendigo, it may come to claws vs claws before the true blood-shedder is found.

    This includes his servant, who makes a desperate bid for his life in this early William Faulkner short story.Although primarily known for his novels, Faulkner wrote in a variety of formats, including plays, poetry, essays, screenplays, and short stories, many of which are highly acclaimed and anthologized. Like his novels, many of Faulkner’s short stories are set in fictional Yoknapatawapha County, a setting inspired by Lafayette County, where Faulkner spent most of his life. His first short story collection, These 13 (1931), includes many of his most frequently anthologized stories, including "A Rose for Emily", "Red Leaves" and "That Evening Sun."HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.

    He wants you to step up, level up and make a difference. And, as usual, he's telling us stories we won't soon forget.Entrepreneur called Seth a marketing wizard. Bono picked one of his TED talks as a personal favorite. And Business Week said he was "the ultimate entrepreneur for the information age." But most of all, Seth is a teacher, an inspiring narrator of our best possible future. Footprints on the Moon challenges each of us to make a difference. Now more than ever.

    This collection suggests that a person is like a world, full of mysteries and wonders–and equally in need of an encyclopedia, a compendium of everything known. The long title sequence offers entries such as “The Sun” (“There is one mind in all of us, one soul, / who parches the soil in some nations / but in others hides perpetually behind a veil”), “The Elephant” (“How to explain my heroic courtesy?”), “The Pigeon” (“Once startled, you shall feel hours of weird sadness / afterwards”), and “Randall Jarrell” (“If language hurts you, make the damage real”). The mysteriously emotional individual poems coalesce as a group to suggest that our natural world is populated not just by fascinating creatures–who, in any case, are metaphors for the human as Chiasson considers them– but also by literature, by the ghosts of past poetries, by our personal ghosts. Toward the end of the sequence, one poem asks simply, “Which Species on Earth Is Saddest?” a question this book seems poised to answer. But Chiasson is not finally defeated by the sorrows and disappointments that maturity brings. Combining a classic, often heartbreaking musical line with a playful, fresh attack on the standard materials of poetry, he makes even our sadness beguiling and beautiful.

    Attempting to imagine the unimaginable and see the unseen, Armantrout evokes a "next life" beyond the current, and too often degraded, one. From the new physics to mortality, Armantrout engages with the half-seen and the half-believed. These poems step into the dance of consciousness and its perennial ghost partner--"to make the world up/of provisional pairs." At a time when our world is being progressively despoiled, Armantrout has emerged as one of our most important and articulate authors. These poems push against the limit of knowledge, that event-horizon, and into the echoes and phantasms beyond, calling us to look toward the "next life" and find it where we can.

    What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education.Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art.Among these “inaesthetic” variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, Stéphane Mallarmé, and Samuel Beckett.

    This is Ashbery at his wacky best, from long lists that seem to make some sense, to short lists that seem to make no sense, to made-up diary entries. Here we find Joe Brainard's version of Americana. Combined, there is a wonderful innocence to this book that is found in the work of both of these artists. Joe Brainard's popularity is soaring to new heights as the traveling retrospective of his career captivates museum-goers throughout the United States, and this publication will be a valuable addition to the available publications of his work.

    Would they buy a silver fox coat, or mink?

    Check out the complete Powder Mage Trilogy in this omnibus edition, a series that Brandon Sanderson called "Just plain awesome!" In Promise of Blood: Field Marshal Tamas' coup against his king sent corrupt aristocrats to the guillotine and brought bread to the starving. But it also provoked war with the Nine Nations, internal attacks by royalist fanatics. Stretched to his limit, Tamas is relying heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be his estranged son, and Adamat, a retired police inspector whose loyalty is being tested by blackmail. In The Crimson Campaign: Drastically outnumbered and pursued by the enemy's best, Tamas must lead his men on a reckless march through northern Kez to safety, and back over the mountains so that he can defend his country from an angry god, Kresimir. In The Autumn Republic: Field Marshal Tamas returns to his beloved country to find that for the first time in history, the capital city of Adro lies in the hands of a foreign invader. His son is missing, his allies are indistinguishable from his foes, and reinforcements are several weeks away.

    Rolls-Royce Silver Ghost Touring . . . Mercedes-Benz 630K . . . Duesenberg J-140 . . . Cadillac V-16 Roadster . . . Ford Cabriolet Hot Rod . . . Packard V-12 . . . it's a car lover's paradise!

    Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche―its foibles, obsessions, and delights.

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.

    One of America's most important twentieth-century poets, Stevens forever changed the landscape of modern poetry with his provocative, experimental style.This first-rate collection by the winner of the 1955 Pulitzer Prize for poetry invites students and other readers to enjoy the richness and variety found in 82 of Stevens's finest creations. Included are such well-known compositions as "Sunday Morning," "Disillusionment of Ten O'Clock," "Anecdote of the Jar," "Peter Quince at the Clavier," "Thirteen Ways of Looking at a Blackbird," and the title piece — the author's favorite — as well as lesser known yet equally stimulating works such as "The Florist Wears Knee-Breeches" and "The Man Whose Pharynx Was Bad."Invaluable to students of American literature, this volume will be an indispensable treasury for lovers of modern poetry.