In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    These tales are richly populated by spirits and ghosts seeking revenge; by grief-stricken women and haunted men coming to terms with their destiny - all rooted deep in the elemental landscapes of Sussex, Brittany and the Languedoc.The collection will include The Mistletoe Bride, La Fille de Melisande, Red Letter Day, The Lending Library, The House on the Hill...

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Some of these stories are lost masterpieces and several have never been anthologised before.

    In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building. In 'The Front Room', a devoutly Christian mother tries to protect her children from the evil influence of their grandmother, both when she is alive and when she is dead. A lonely boy finds a friend in 'Boy Number 21', but years later he is forced to question the nature of that friendship, and to ask whether ghosts can perish in fires.This is Susan Hill at her best, telling characteristically flesh-creeping and startling tales of thwarted ambition, terrifying revenge and supernatural stirrings that will leave readers wide-awake long into the night.

    She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers. In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time.Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.rom Wieland, or The transformation / Charles Brockden Brown --The legend of Sleepy Hollow / Washington Irving --The man of adamant / Nathaniel Hawthorne --Young Goodman Brown / Nathaniel Hawthorne --The Tartarus of maids / Herman Melville --The black cat / Edgar Allan Poe --The yellow wallpaper / Charlotte Perkins Gilman --The romance of certain old clothes / Henry James --The damned thing / Ambrose Bierce --Afterward / Edith Wharton --The striding place / Gertrude Atherton --Death in the woods / Sherwood Anderson --The outsider / H.P. Lovecraft --A rose for Emily / William Faulkner --The lonesome place / August Derleth --The door / E.B. White --The lovely house / Shirley Jackson --Allal / Paul Bowles --The reencounter / Isaac Bashevis Singer --In the icebound hothouse / William Goyen --The enormous radio / John Cheever --The veldt / Ray Bradbury --The Dachau shoe / W.S. Merwin --The approved / W.S. Merwin --Spiders I have known / W.S. Merwin --Postcards from the Maginot Line / W.S. Merwin --Johnny Panic and the Bible of dreams / Sylvia Plath --In bed one night / Robert Coover --Schrödinger's cat / Ursula K. Le Guin --The waterworks / E.L. Doctorow --Shattered like a glass goblin / Harlan Ellison --Human moments in World War III / Don DeLillo --The anatomy of desire / John L'Heureux --Little things / Raymond Carver --The temple / Joyce Carol Oates --Freniere (from Interview with the Vampires) / Anne Rice --A short guide to the city / Peter Straub --In the penny arcade / Steven Millhauser --The reach / Stephen King --Exchange value / Charles Johnson --Snow / John Crowley --The last feast of Harlequin / Thomas Ligotti --Time and again / Breece D'J Pancake--Replacements / Lisa Tuttle --Spirit seizures / Melissa Pritchard --Cat in glass / Nancy Etchemendy --The girl who loved animals / Bruce McAllister --Ursus Triad, later / Kathe Koja and Barry N. Malzberg --(from Geek Love) The nuclear family: his talk, her teeth / Katherine Dunn --Subsoil / Nicholson Baker

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    His raw and experimental work lays bare the unimportance of our world and the sickening madness of the human condition. Like the greatest writers of cosmic horror, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness of the abyss below.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times

    "Signal," an eerie story of contemporary life and the perils of technology, was a sensation among readers—and since then Lanchester has written several more.Reality and Other Stories gathers the best of these, taking readers to an uncanny world familiar to fans of The Twilight Zone or Black Mirror. Household gizmos with a mind of their own. Mysterious cell-phone calls from unknown numbers. Reality TV shows and the creeping suspicion that none of this is real…Reality and Other Stories is a book of disquiet that captures the severe disconnection and distraction of our time.

    Responding to people's overwhelming attraction to anything frightening, this marvelous anthology of some of the very best English ghost stories combines a serious literary purpose with the simple intention of arousing a pleasurable fear of the doings of the dead. As the first volume to present the full range and vitality of the ghost fiction tradition, this selection of forty-two stories, written between 1829 and 1968, demonstrates the tradition's historical development, as well as its major themes and characteristics. Though the genre reached its peak in the nineteenth century, it enjoyed a second flowering between the two World Wars and even now still attracts dedicated practitioners and readers. The anthology includes stories by Walter Scott, M. R. James, Bram Stoker, Rudyard Kipling, Edith Wharton, Somerset Maugham, T. H. White, and many others. Stressing the important contribution women writers have made to the genre, the collection also offers eight stories by women, ranging from Amelia Edward's "The Phantom Ghost" (1864) to Elizabeth Bowen's "Hand in Glove" (1952).The tapestried chamber / Walter Scott --The phantom coach / Amelia B. Edwards --Squire Toby's will / J.S. Le Fanu --The shadow in the corner / M.E. Braddon --The upper berth / F. Marion Crawford --A wicked voice / Vernon Lee --The judge's house / Bram Stoker --Man-size in marble / E. Nesbit --The roll-call of the reef / Arthur Quiller-Couch --The friends of the friends / Henry James --The red room / H.G. Wells --The monkey's paw / W.W. Jacobs --The lost ghost / Mary E. Wilkins --"Oh, whistle, and I'll come to you, my lad" / M.R. James --The empty house / Algernon Blackwood --The cigarette case / Oliver Onions --Rose Rose / Barry Pain --The confession of Charles Linkworth / E.F. Benson --On the Brighton Road / Richard Middleton --Bone to his bone / E.G. Swain --The true history of Anthony Ffryar / Arthur Gray --The Taipan / W. Somerset Maugham --The victim / May Sinclair --A visitor from down under / L.P. Hartley --Fullcircle / John Buchan --The clock / W.F. Harvey --Old man's beard / H. Russell Wakefield --Mr Jones / Edith Wharton --Smee / A.M. Burrage --The little ghost / Hugh Walpole --Ahoy, sailor boy! / A.E. Coppard --The hollow man / Thomas Burke --Et in sempiternum pereant / Charles Williams --Bosworth summit pound / L.T.C. Rolt --An encounter in the mist / A.N.L. Munby --Hand in glove / Elizabeth Bowen --A story of Don Juan / V.S. Pritchett --Cushi / Charistopher Woodforde --Bad company / Walter de la Mare --The bottle of 1912 / Simon Raven --The Cicerones / Robert Aickman --Soft voices at Passenham / T.H. White

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story 'Sardonicus', considered by Stephen King to be 'perhaps the finest example of the modern Gothic ever written', to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. These stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.Haunted CastlesHaunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of 'Sardonicus', 'Sanguinarius', and 'Sagittarius'. The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful.RAY RUSSELL was born in 1924 in Chicago, Illinois, and served in the United States Air Force during World War II in the South Pacific. After the war, he attended the Chicago Conservatory of Music and eventually joined the editorial staff at Playboy, where he published such writers as Ray Bradbury, Kurt Vonnegut, Richard Matheson, Jack Finney, Robert Bloch, and Charles Beaumont. His best-known work, 'Sardonicus', was called by Stephen King 'perhaps the finest example of the modern Gothic ever written'. He died in Los Angeles in 1999.GUILLERMO DEL TORO is a Mexican director, producer, screenwriter, novelist, and designer, most famous for his Academy Award-winning film,Pan's Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collector and student of arcane memorabilia and weird fiction.

    Wodehouse, John Steinbeck, and Ian Rankin