An investigation into incarnation, transience, and our intimate connection with all existence, by one of the preeminent poets of her generation

    This chronological selection of her most notable work offers a delineation of her life and creative development. Formerly associated with the second generation of the New York School, Notley has become a poet with a completely distinctive voice. Grave of Light is a progression of changing forms and styles - an extensive panorama held together explicitly by the shape of the poet's times. Notley's poems challenge their subjects head-on, suffusing language with radiant truth.

    Winner of the Nobel Prize in LiteratureFrom Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realmsBound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.

    Board of Education before the U.S. Supreme Court when he became embroiled in an explosive and deadly case that threatened to change the course of the civil rights movement and cost him his life.In 1949, Florida’s orange industry was booming, and citrus barons got rich on the backs of cheap Jim Crow labor. To maintain order and profits, they turned to Willis V. McCall, a violent sheriff who ruled Lake County with murderous resolve. When a white seventeen-year-old Groveland girl cried rape, McCall was fast on the trail of four young blacks who dared to envision a future for themselves beyond the citrus groves. By day’s end, the Ku Klux Klan had rolled into town, burning the homes of blacks to the ground and chasing hundreds into the swamps, hell-bent on lynching the young men who came to be known as “the Groveland Boys.”And so began the chain of events that would bring Thurgood Marshall, the man known as “Mr. Civil Rights,” into the deadly fray. Associates thought it was suicidal for him to wade into the “Florida Terror” at a time when he was irreplaceable to the burgeoning civil rights movement, but the lawyer would not shrink from the fight—not after the Klan had murdered one of Marshall’s NAACP associates involved with the case and Marshall had endured continual threats that he would be next.Drawing on a wealth of never-before-published material, including the FBI’s unredacted Groveland case files, as well as unprecedented access to the NAACP’s Legal Defense Fund files, King shines new light on this remarkable civil rights crusader, setting his rich and driving narrative against the heroic backdrop of a case that U.S. Supreme Court justice Robert Jackson decried as “one of the best examples of one of the worst menaces to American justice.”

    With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.

    Few poets so thrillingly portray the physical world, or man's creaturely self, or the cycling strain of desire and self-reproach. Few poets so movingly evoke the human quest of "a man alone," trying --to say something true that has body, because it is proof of his existence.. . Middle Earth is a revelatory collection, the finest work yet from an author of poems that are . . .marvels-unbuttoned, riveting, dramatic-burned into being-- (Tina Barr, Boston Review).

    In 1855, a Kentucky businessman named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved through the Civil War, and for two years after it had ended. In 1867, she obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages. Astonishingly, after ten years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount—the largest to date ever awarded by an American court as restitution for slavery—was the fact that any money was awarded at all. Against all odds, Wood had triumphed over Ward, who had become a prison warden, amassing wealth off the labor of convicts who were former slaves. Wood went on to live until 1912.McDaniel's book tells an epic tale, that of a black woman who struggled against a monolithic system of oppression and achieved more than merely a moral victory over it. Above all, Sweet Taste of Liberty is a tribute to and a portrait of an extraordinary individual.

    Employing her trademark ferocity, these new dramatic monologues continue to mine this award-winning poet's "often brilliant" (Chicago Tribune) vision.

    Fought over a period of three decades, the conflict drew in all the world’s powers and saw two of them—first France, then the United States—attempt to subdue the revolutionary Vietnamese forces. For France, the defeat marked the effective end of her colonial empire, while for America the war left a gaping wound in the body politic that remains open to this day.   How did it happen? Tapping into newly accessible diplomatic archives in several nations and making full use of the published literature, distinguished scholar Fredrik Logevall traces the path that led two Western nations to lose their way in Vietnam. Embers of War opens in 1919 at the Versailles Peace Conference, where a young Ho Chi Minh delivers a petition for Vietnamese independence to President Woodrow Wilson. It concludes in 1959, with a Viet Cong ambush on a U.S. outpost outside Saigon and the deaths of two American officers whose names would be the first to be carved into the black granite of the Vietnam Veterans Memorial. In between come years of political, military, and diplomatic maneuvering and miscalculation, as leaders on all sides embark on a series of stumbles that makes an eminently avoidable struggle a bloody and interminable reality.   Logevall takes us inside the councils of war—and gives us a seat at the conference tables where peace talks founder. He brings to life the bloodiest battles of France’s final years in Indochina—and shows how from an early point, a succession of American leaders made disastrous policy choices that put America on its own collision course with history: Harry Truman’s fateful decision to reverse Franklin Delano Roosevelt’s policy and acknowledge France’s right to return to Indochina after World War II; Dwight Eisenhower’s strenuous efforts to keep Paris in the fight and his escalation of U.S. involvement in the aftermath of the humiliating French defeat at Dien Bien Phu; and the curious turnaround in Senator John F. Kennedy’s thinking that would lead him as president to expand that commitment, despite his publicly stated misgivings about Western intervention in Southeast Asia.   An epic story of wasted opportunities and tragic miscalculations, featuring an extraordinary cast of larger-than-life characters, Embers of War delves deep into the historical record to provide hard answers to the unanswered questions surrounding the demise of one Western power in Vietnam and the arrival of another. This book will become the definitive chronicle of the struggle’s origins for years to come.Advance praise for Embers of War   “Fredrik Logevall has gleaned from American, French, and Vietnamese sources a splendid account of France’s nine-year war in Indochina and the story of how the American statesmen of the period allowed this country to be drawn into the quagmire.”—Neil Sheehan, author of A Bright Shining Lie, winner of the Pulitzer Prize and the National Book Award   “Fredrik Logevall is a wonderful writer and historian. In his new book on the origins of the American war in Vietnam, he gives a fascinating and dramatic account of the French war and its aftermath, from the perspectives of the French, the Vietnamese, and the Americans. Using previously untapped sources and a deep knowledge of diplomatic history, Logevall shows to devastating effect how America found itself on the road to Vietnam.”—Frances FitzGerald, author of Fire in the Lake, winner of the Pulitzer Prize and the National Book Award

    Testifying to Levertov's growing strength and technical mastery as a poet, Poems 1968-1972 also affirms the clarity of her vision in its resistance to the Vietnam War and its "opposition to the whole system of insane greed of which war is only the inevitable expression."The third retrospective volume of her poetry to be published to date by New Directions, Poems 1968-1972 carries forward the record of Denise Levertov's remarkable poetic development from Collected Earlier Poems 1940-1960 and Poems 1960-1967.

    Yet despite the distinctive differences from poem to poem, Bernstein's characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry's sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America's most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.

    It begins with Senate confirmation hearings for a liberal Secretary of State and concludes two weeks later, after debate and controversy have exploded this issue into a major crisis."I can recall no other novel in which there is so well presented a president's dilemma when his awful responsibility for the nation's interest conflicts with a personal code of good morals." (The New York Times)

    New and Selected Poems includes the best of his seven full-length collections, plus over 23 new poems previously unpublished in book form. From the charged, short-lined poems of Soto's early writing to an unflinching look at poverty and hard labor in California's Central Valley to the off-beat humor in his longer, more recent work, New and Selected Poems is a timely tribute to a brilliant writer whose work confirms the power of the human spirit to survive and soar.

    With this continuation of Agee and Evans's project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee's fear that his work, from lack of reverence or resilience, would be but another offense to the humanity of its subjects. Williamson's ninety-part photo essay includes updates alongside Evans's classic originals. Maharidge and Williamson's work in And Their Children After Them was honored with the Pulitzer Prize for nonfiction when it was first published in 1990.

    This an American writer.--The New York Times Book Review.