Energized and inspired by the 2008 elections, on inauguration day Kalman traveled to Washington, D.C., launching a national tour that would take her from a town hall meeting in Newfane, Vermont, to the inner chambers of the Supreme Court.As we follow Kalman's wholly idiosyncratic journey, we fall in love with Lincoln alongside her as she imagines making a home for herself in the center of his magisterial memorial; ponder Alexis de Tocqueville's America; witness the inner workings of a Bronx middle-school student council; take a high-speed lesson in great American women in the National Portrait Gallery; and consider the cost of war to the brave American service families of Fort Campbell, Kentucky. The observations she makes as she travels charm and inform, and-as we have come to expect with Kalman-the route is always one of fascinating indirection.Kalman finds evidence of democracy at work all around us. And the cast of characters we meet along the way is rousing good company, featuring visits from Benjamin Franklin, Eleanor Roosevelt, and many others. And the Pursuit of Happiness is a remarkable tribute to our history and a powerful reminder of the potential our future holds, from a true national treasure. Watch a Video

    Since leaving England aged 21 with an invitation to a Karachi wedding and a yearning for adventure, Christina Lamb has spent 20 years living out of suitcases, reporting from around the world and becoming one of Britain’s most highly regarded journalists. She has won numerous awards, including being named Foreign Correspondent of the Year a remarkable four times.‘Small Wars Permitting’ is a collection of her best reportage, following the principal events of the last two decades everywhere from Afghanistan to Zimbabwe. But Lamb’s main interest has always been in the untold stories, the people and places others don’t visit. Undaunted by danger, disease or despots, she has travelled by canoe through the Amazon rainforest in search of un-contacted Indians, joined a Rio samba school to infiltrate crime rackets behind Carnival and survived a terrifying ambush by Taliban.No less remarkable are the characters that Lamb meets along the way, from Marsh Arabs who covet Play Stations instead of buffaloes to an Armenian compère for performing dolphins with whom she travelled during the war in Iraq.Lamb’s writing is passionate, powerful and poetic, transforming reportage into literature. Through the stories she tells – and her own development from a self-confessed ‘war junkie’ to a devoted mother – Lamb attempts to comprehend the human consequences of conflict in the countries she has come to know.

    The author takes us with him to experience combat from behind an infantryman's rifle, to walk the minefields of My Lai, to crawl into the ghostly tunnels, and to explore the ambiguities of manhood and morality in a war gone terribly wrong. Beautifully written and searingly heartfelt, If I Die in a Combat Zone is a masterwork of its genre.Now with Extra Libris material, including a reader’s guide and bonus content

    Levi was a master storyteller but he did not write fairytales. These stories are an elegy to the human figures who stood out against the tragic background of Auschwitz, 'the ones in whom I had recognized the will and capacity to react, and hence a rudiment of virtue'. Each centres on an individual who - whether it be through a juggling trick, a slice of apple or a letter - discovers one of the 'bizarre, marginal moments of reprieve'.The English edition includes just one section of the three originally published in Italian under the title 'Lilít', tales from the other two sections have been published in 'A Tranquil Star'.

    It is even more astonishing that anyone survived it. Stefan grows up in the grip of a raging famine. Stalin’s Five Year Plan brings genocide to Ukraine – millions of people starve to death. To free themselves from the daily terrors of Soviet rule, Stefan and his friends fight imaginary battles in nearby woods to defend their land. The games they play are their only escape. ‘Sliding on the Snow Stone’ is the true story of Stefan's extraordinary journey across a landscape of hunger, fear and devastating loss. With Europe on the brink of World War Two, Stefan and his family pray they'll survive in their uncertain world. They long to be free. (In 1932-33, as part of their drive towards industrialisation, the Soviet Union demanded impossibly high requisitions of grain from rural areas in Ukraine. In a deliberate act of genocide, Ukrainian smallholdings were stripped of food, and the population began to perish, with some estimates as high as 10 million deaths, from starvation. In Ukraine, this atrocity became known as the Holodomor (death by hunger). The following years saw Soviet purges and terrors resulting in the elimination of academics and intellectuals, or of anyone who spoke out against Soviet rule. When World War Two arrived on Ukraine’s doorstep, many people viewed the Nazis as liberators – a view that was quickly proved wrong. ‘Sliding on the Snow Stone’ is Stefan’s personal account of a historical period drenched in the blood of a nation, and of his yearning for freedom).

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

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    White himself, the essays in this volume span a lifetime of writing and a body of work without peer.  "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.

    Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.

    The result is both a defense of freedom of speech and a critique of the likeability factor that can impede it.

    Rian Malan is an Afrikaner, scion of a centuries-old clan and relative of the architect of apartheid, who fled South Africa after coming face-to-face with the atrocities and terrors of an undeclared civil war between the races. This book is the searing account of his return after eight years of uneasy exile. Armed with new insight and clarity, Malan explores apartheid's legacy of hatred and suffering, bearing witness to the extensive physical and emotional damage it has caused to generations of South Africans on both sides of the color line. Plumbing the darkest recesses of the white and black South African psyches, Malan ultimately finds his way toward the light of redemption and healing. My Traitor's Heart is an astonishing book -- beautiful, horrifying, profound, and impossible to put down.

    It is also armed with nuclear weapons. Between 150,000 and 200,000 people are being held in its political prison camps, which have existed twice as long as Stalin's Soviet gulags and twelve times as long as the Nazi concentration camps. Very few born and raised in these camps have escaped. But Shin Donghyuk did.In Escape from Camp 14, acclaimed journalist Blaine Harden tells the story of Shin Dong-hyuk and through the lens of Shin's life unlocks the secrets of the world's most repressive totalitarian state. Shin knew nothing of civilized existence-he saw his mother as a competitor for food, guards raised him to be a snitch, and he witnessed the execution of his own family. Through Harden's harrowing narrative of Shin's life and remarkable escape, he offers an unequaled inside account of one of the world's darkest nations and a riveting tale of endurance, courage, and survival.

    These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

    His insider observations are set down with passion, with outrage, and almost unbearable sadness.

    Here, a young man's life is about poking at the pretensions of the city's elders with American music, bad poetry, and slightly better journalism. And then, his life in Chicago: watching from afar as war breaks out in Sarajevo and the city comes under siege, no way to return home; his parents and sister fleeing Sarajevo with the family dog, leaving behind all else they had ever known; and Hemon himself starting a new life, his own family, in this new city.And yet this is not really a memoir. The Book of My Lives, Hemon's first book of nonfiction, defies convention and expectation. It is a love song to two different cities; it is a heartbreaking paean to the bonds of family; it is a stirring exhortation to go out and play soccer—and not for the exercise. It is a book driven by passions but built on fierce intelligence, devastating experience, and sharp insight. And like the best narratives, it is a book that will leave you a different reader—a different person, with a new way of looking at the world—when you've finished. For fans of Hemon's fiction, The Book of My Lives is simply indispensable; for the uninitiated, it is the perfect introduction to one of the great writers of our time.A Kirkus Reviews Best Nonfiction Book of 2013