In the darkest years of Nazi occupation and genocide, Etty Hillesum remained a celebrant of life whose lucid intelligence, sympathy, and almost impossible gallantry were themselves a form of inner resistance. The adult counterpart to Anne Frank, Hillesum testifies to the possibility of awareness and compassion in the face of the most devastating challenge to one's humanity. She died at Auschwitz in 1943 at the age of twenty-nine.

    Levi was a master storyteller but he did not write fairytales. These stories are an elegy to the human figures who stood out against the tragic background of Auschwitz, 'the ones in whom I had recognized the will and capacity to react, and hence a rudiment of virtue'. Each centres on an individual who - whether it be through a juggling trick, a slice of apple or a letter - discovers one of the 'bizarre, marginal moments of reprieve'.The English edition includes just one section of the three originally published in Italian under the title 'Lilít', tales from the other two sections have been published in 'A Tranquil Star'.

    The author, a one-time promising music student whose life was horribly interrupted by the Nazi takeover, chronicles his escape from the Warsaw Ghetto with the help of Christian sympathizers and a band of Jewish rebel teens.

    A powerful visual presentation of the extermination process at Auschwitz is viewed through candid photographs of its victims.

    His family was proudly Austrian; they were also Jewish, and two weeks later came the German Anschluss. This incredibly affecting account of Nazi brutality towards the Jews includes a previously unpublished post-war letter from the author’s uncle to a friend who had escaped to Scotland. This moving epistle passes on the news of those who had survived and the many who had been arrested, deported, murdered, or left to die in concentration camps, and those who had been orphaned or lost their partners or children. It forms a devastating epilogue to what has been hailed as a classic of holocaust literature.

    It ends in August 1942, when Kaplan realized that the Nazi noose was around his neck. Today Kaplan's diary stands as an extraordinary record of the Nazi destruction of Warsaw's Jewish community. It is as timely as ever.

    It reveals how two SS photographers documented the arrival of shipments of Jews to the platform in the Birkenau concentration camp, the selection process, and their path to the gas chambers and the crematoria. The photographs also memorialize the piles of possessions left by the Jews which were sorted in the &rsquoCanada&rsquo Barracks. They are accompanied by three articles that describe the development of the camp, the Holocaust of Hungarian Jewry, and the story of how the album was found; a fourth focuses on the camera as a historical tool. The 189 pictures, arranged in chronological order and reproduced in this album for the first time, are unusually powerful, not least because 70% of the people shown have been identified. Distributed for Yad Vashem Publications