Unlike their geisha counterparts, courtesans didn't lived in brothels or bend their wills to suit their suitors. They were the muses who enflamed the hearts of our most celebrated artists--Raphael, Manet, Dumas, and Proust, to name just a few--as well as becoming artists in their own right. Offering the first comprehensive tour of their worlds, Susan Griffins celebrates these first feminists and hails their virtues: Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm. From Veronica Franco, who graced the palazzos of sixteenth-century Venice, and Madame de Pompadour, the arbiter of all things fashionable at Versailles during the reign of Lous XV, to La Belle Otero of the grand boulevards of Paris in the Gay Nineties and Marion Davies, who took Hollywood by storm in the 1920's and 1930's, The Book of the Courtesans enticingly illustrates the intricacies of their lavish lifestyles and incredible life stories. Fascinating true tales and enlightening snippets from courtesans' memoirs further reveal how these cunning women seized their opportunity to become the West's first liberators, free to choose their own lovers and command remarkable respect.Delving into his scintillating world, The Book of the Courtesans is an impeccably researched, beautifully crafted portrait of some of the most intriguing figures in women's history.

    Whisper. Yik Yak. Vine. YouTube. Kik. Ask.fm. Tinder. The dominant force in the lives of girls coming of age in America today is social media. What it is doing to an entire generation of young women? This the subject of award-winning Vanity Fair writer Nancy Jo Sales’s riveting and explosive American Girls.With extraordinary intimacy and precision, Sales captures what it feels like to be a girl in America today. From Montclair to Manhattan and Los Angeles, from Florida and Arizona to Texas and Kentucky, Sales crisscrossed the country, speaking to more than two hundred girls, ages thirteen to nineteen, and documenting a massive change in the way girls are growing up, a phenomenon that transcends race, geography, and household income. American Girls provides a disturbing portrait of the end of childhood as we know it and of the inexorable and ubiquitous experience of a new kind of adolescence—one dominated by new social and sexual norms, where a girl’s first crushes and experiences of longing and romance occur in an accelerated electronic environment; where issues of identity and self-esteem are magnified and transformed by social platforms that provide instantaneous judgment. What does it mean to be a girl in America in 2016? It means coming of age online in a hyper-sexualized culture that has normalized extreme behavior, from pornography to the casual exchange of nude photographs; a culture rife with a virulent new strain of sexism and a sometimes self-undermining notion of feminist empowerment; a culture in which teenagers are spending so much time on technology and social media that they are not developing basic communication skills. From beauty gurus to slut-shaming to a disconcerting trend of exhibitionism, Nancy Jo Sales provides a shocking window into the troubling world of today’s teenage girls. Provocative and urgent, American Girls is destined to ignite a much-needed conversation about how we can help our daughters and sons negotiate unprecedented new challenges.

    Although on the surface, simians, cyborgs and women may seem an odd threesome, Haraway describes their profound link as creatures which have had a great destabilizing place in Western evolutionary technology and biology. Throughout this book, Haraway analyzes accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs. At once a social reality and a science fiction, the cyborg--a hybrid of organism and machine--represents transgressed boundaries and intense fusions of the nature/culture split. By providing an escape from rigid dualisms, the cyborg exists in a post-gender world, and as such holds immense possibilities for modern feminists. Haraway's recent book, Primate Visions, has been called outstanding, original, and brilliant, by leading scholars in the field. (First published in 1991.)

    For women, though, pursuing happiness is a complicated endeavor, and if you head out into America and talk to women one-on-one, as Jill Filipovic has done, you'll see that happiness is indelibly shaped by the constraints of gender, the expectations of feminine sacrifice, and the myriad ways that womanhood itself differs along lines of race, class, location, and identity. In The H-Spot, Filipovic argues that the main obstacle standing in-between women and happiness is a rigged system. In this world of unfinished feminism, men have long been able to "have it all" because of free female labor, while the bar of achievement for women has only gotten higher. Never before have women at every economic level had to work so much (whether it's to be an accomplished white-collar employee or just make ends meet). Never before have the standards of feminine perfection been so high. And never before have the requirements for being a "good mother" been so extreme. If our laws and policies made women's happiness and fulfillment a goal in and of itself, Filipovic contends, many of our country's most contentious political issues -- from reproductive rights to equal pay to welfare spending -- would swiftly be resolved. Filipovic argues that it is more important than ever to prioritize women's happiness-and that doing so will make men's lives better, too. Here, she provides an outline for a feminist movement we all need and a blueprint for how policy, laws, and society can deliver on the promise of the pursuit of happiness for all.

    The false dichotomies that Lorde debunks persist in our cultural imagination: the separation of the erotuc from the spiritual and political. Now, Kore Press brings this essay into stand-alone focus, reprinting it in a fine, handbound pamphlet illustrated with photographs by Tucson photographer Camille Bonzani. Designed by book artist Nancy Solomon, the essay is offset and letterpress printed in an edition of 1000.

    Women remain caught between feminism and femininity, between self-affirmation and an endless quest for self-improvement, between playing an injured party and claiming independence. Rather than blaming the usual suspects--men, the media--Kipnis takes a hard look at culprits closer to home, namely women themselves. Kipnis serves up the gory details of the mutual displeasure between men and women in painfully hilarious detail. Is anatomy destiny after all? An ambitious and original reassessment of feminism and women’s ambivalence about it, The Female Thing breathes provocative new life into that age-old question.

    It was the emblematic crime of our moment: On a cold November day in Amsterdam, an angry young Muslim man, Mohammed Bouyeri, the son of Moroccan immigrants, shot and killed the celebrated and controversial Dutch filmmaker Theo van Gogh, great-grandnephew of Vincent and iconic European provocateur, for making a movie with the vocally anti-Islam Somali-born Dutch politician Ayaan Hirsi Ali that "blasphemed" Islam. After Bouyeri shot van Gogh, he calmly stood over the body and cut his throat with a curved machete, as if performing a ritual sacrifice, which in a very real sense he was. The murder horrified quiet, complacent, prosperous Holland, a country that prides itself on being a bastion of tolerance, and sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native country to try to make sense of it all and to see what larger meaning should and shouldn't be drawn from this story. The result is Buruma's masterpiece: a book with the intimacy and narrative control of a true-crime page-turner and the intellectual resonance we've come to expect from one of the most well-regarded journalists and thinkers of our time. Ian Buruma's entire life has led him to this narrative: In his hands, it is the exemplary tale of our age, the story of what happens when political Islam collides with the secular West and tolerance finds its limits.

    America has its own ridiculous phobias and beliefs that cause tedium, suffering, and death. The government and the media use these taboos to lie and mislead. It is not a conspiracy, but by pushing panic for votes and viewers they thwart our pursuit of happiness.You Will Die exposes the fallacies and the history behind our taboos on excrement, sex, drugs, and death. Arthur uses racy readability and rigorous documentation to raze sacred shrines of political correctness on the left and of conventional wisdom on the right. From the proper way to defecate to how to reach nirvana, anticipate the unexpected. It is not simply a novel exploration of sex and drugs, but also of individuality, liberty, and the meaning of life. You Will Die gives readers a new way of seeing their world and allows them to make a more informed choice about living an authentic life.Winner of the 2008 Montaigne Medal awarded for most thought-provoking independent book.“… ya gotta fight back against the Sarah Palin ‘idiot herd’ with something.”Wayne Coyne, Lead Singer, The Flaming Lips“… one of my favorite books …”Mark Frauenfelder, Editor, Boing Boing“This book is a MUST READ! I loved it.”Dr. Mark Benn, Psychologist, Colorado State University

    Written in an accessible, conversational style, Johnson links theory with engaging examples in ways that enable readers to see the underlying nature and consequences of privilege and their connection to it. This extraordinarily successful book has been used across the country, both inside and outside the classroom, to shed light on issues of power and privilege.Allan Johnson has worked on issues of social inequality since receiving his Ph.D. in sociology from the University of Michigan in 1972. He has more than thirty years of teaching experience and is a frequent speaker on college and university campuses. Johnson has earned a reputation for writing that is exceptionally clear and explanations of complex ideas that are accessible to a broad audience.Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect(R) is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following:- SmartBook(R) - an adaptive digital version of the course textbook that personalizes your reading experience based on how well you are learning the content.- Access to your instructor's homework assignments, quizzes, syllabus, notes, reminders, and other important files for the course.- Progress dashboards that quickly show how you are performing on your assignments and tips for improvement.- The option to purchase (for a small fee) a print version of the book. This binder-ready, loose-leaf version includes free shipping.Complete system requirements to use Connect can be found here: http: //www.mheducation.com/highered/platform...

    The Women's March began with one cause, women's rights, but quickly became a movement around the many issues that were hotly debated during the 2016 U.S. presidential race--immigration, health care, environmental protections, LGBTQ rights, racial justice, freedom of religion, and workers' rights, among others. In the mere 66 days between the election and inauguration of Donald J. Trump as the 45th President of the United States, 673 sister marches sprang up across the country and the world. ABRAMS Image presents Why I March to honor the movement, give back to it, and promote future activism in the same vein.

    In Better Off Without ’Em, the biggest book of his career, Thompson offers a heavily researched, serious inquiry into national divides that is unabashedly controversial, often uproarious, and always thought-provoking.     By crunching numbers, interviewing experts, and traveling the not-so-former Confederacy, Thompson—an openly disgruntled liberal Northwesterner—makes a compelling case for Southern secession. Along the way, he interacts with possum-hunting conservatives, trailer park lifers, prayer warriors, and other regional trendsetters, showing that the South’s perverse church-driven morality, politics, and personality never have and never will define the region as a fully committed part of the United States. Better Off Without ’Em is a deliberately provocative book whose insight, humor, fierce and fearless politics, and sheer nerve will spark a national debate that is perhaps long overdue.

    . . to promote me. He promotes me again and again. I am wild with ecstasy.   Imagine a world where erotica was written by feminists: Their daydreams include equal pay, a gender-balanced Congress, and Tom Hardy arriving at their doorstep to deliver a fresh case of LaCroix every week.   Both light-hearted and empowering, New Erotica for Feminists is a sly, satirical take on all the things that turn feminists on. From a retelling of Adam and Eve to tales of respectful Tinder dates, New Erotica for Feminists answers the question of “What do women really want?” with stories of power, equality, and an immortal Ruth Bader Ginsburg.

    But what makes James’s daily LBC show such essential listening – and has made James a standout social media star – is the careful way he punctures their assumptions and dismantles their arguments live on air, every single morning.In How To Be Right, James provides a hilarious and invigorating guide to talking to people with faulty opinions. With chapters on every lightning-rod issue, James shows how people have been fooled into thinking the way they do, and in each case outlines the key questions to ask to reveal fallacies, inconsistencies and double standards.If you ever get cornered by ardent Brexiteers, Daily Mail disciples or little England patriots, this book is your conversation survival guide.‘I have had a ringside seat as a significant swathe of the British population was persuaded that their failures were the fault of foreigners, that unisex lavatories threatened their peace of mind and that ‘all Muslims’ must somehow apologise for terror attacks by extremists. I have tried to dissuade them and sometimes succeeded… The challenge is to distinguish sharply between the people who told lies and the people whose only offence was to believe them.’James O’Brien

    Confronting killers with a combination of diplomacy, flattery, and deception, he offered shelter to more than twelve thousand members of the Tutsi clan and Hutu moderates, while homicidal mobs raged outside with machetes.An Ordinary Man explores what the Academy Award-nominated film Hotel Rwanda could not: the inner life of the man who became one of the most prominent public faces of that terrible conflict. Rusesabagina tells for the first time the full story of his life - growing up as the son of a rural farmer, the child of a mixed marriage, his extraordinary career path which led him to become the first Rwandan manager of the Belgian-owned Hotel Milles Collines - all of which contributed to his heroic actions in the face of such horror. He will also bring the reader inside the hotel for those one hundred terrible days depicted in the film, relating the anguish of those who watched as their loved ones were hacked to pieces and the betrayal that he felt as a result of the UN’s refusal to help at this time of crisis.Including never-before-reported details of the Rwandan genocide, An Ordinary Man is sure to become a classic of tolerance literature, joining such books as Thomas Keneally’s Schindler’s List, Nelson Mandela’s Long Walk to Freedom, and Elie Wiesel’s Night. Paul Rusesabagina’s autobiography is the story of one man who did not let fear get the better of him—a man who found within himself a vast reserve of courage and bravery, and showed the world how one 'ordinary man' can become a hero.

    What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.