The Chinese University Press is the first publisher of his work in the English language. Indeed, The Other Shore is one of the few works by the author available in English today. The Other Shore: Plays by Gao Xingjian contains five of Gao's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). With original imagery and in beautiful language, these plays illuminate the realities of life, death, sex, loneliness, and exile. The plays also show the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance. An introduction by the translator describes the dramatist and his view on drama.

    The translators have balanced faithfulness to the Japanese with an appreciation of the unique spirit of each poem to create English versions that evoke the joy and wonder of the originals with the same astonishing economy of language. An introduction by the translators and short biographies of the poets are included. Reproductions of woodblock prints and paintings accompany the poems.

    

    A few of the chapters include The TruePurpose of Life On Meditation How to Pray Effectively The Law of Karma The Lesson ofReincarnation and Ways in Which God Can Be Worshiped. Filled with lessons and stories thatYogananda shared only with his closest disciples, this volume offers one of the most insightfuland engaging glimpses into the life and lessons of a great sage. Much of the material presentedhere is not available anywhere else.

    Authors from Japan and around the world have contributed works of fiction set in or related to Japan. Young adult English-language readers will be able to connect with their Japanese counterparts through stories of contemporary Japanese teens, ninja and yokai teens, folklore teens, mixed-heritage teens, and non-Japanese teens who call Japan home. Tales of friendship, mystery, love, ghosts, magic, science fiction, and history will propel readers to Japan past and present and to Japanese universes abroad.Portions of the proceeds of Tomo will be donated to the Japanese non-profit, HOPE FOR TOMORROW, to support ongoing relief efforts for teens in Japan.Contents:Shocks and tremors: Lost by Andrew FukudaShuya's commute by Liza DalbyHalf life by Deni Y BéchardKazoku by Tak ToyoshimaAftershocks by Ann Tashi SlaterFriends and enemies: Bad day for baseball by Graham SalisburyHalf a heart by Mariko NagaiThe bridge to Lillooet by Trevor KewBlue shells by Naoko Awa, translated by Toshiya KameiBorne by the wind by Charles De WolfGhosts and spirits: The ghost who came to breakfast by Alan GratzHouse of trust by Sachiko Kashiwaba, translated by Avery Fischer UdagawaStaring at the Haiku by John Paul CattonKodama by Debbie Ridpath OhiWhere the silver droplets fall by transcribed and translated from Ainu into Japanese by Yukie Chiri, translated and illustrated by Deborah DavidsonPowers and feats: Yamada-san's toaster by Kelly LuceJet black and the ninja wind by Leza Lowitz and Shogo OketaniHachiro by Ryusuke Saito, translated by Sako IkegamiThe lost property office by Marji NapperAnton and Kiyoshime by Fumio Takano, translated by Hart LarrabeeTalents and curses: Love right on the yesterday by Wendy Nelson TokunagaThe dragon and the poet by Kenji Miyazawa, translated by Misa Dikengil LindbergJust wan-derful by Louise George KittakaIchinichi on the Yamanote by Claire DawnA song for Benzaiten by Catherine Rose torresInsiders and outsiders: Fleecy clouds by Arie Nashiya, translated by Juliet Winters CarpenterThe zodiac tree by Thersa MatsuuraOne by Sarah OgawaLove letter by Megumi Fujino, translated by Lynne E. RiggsSigns by Kaitlin StainbrookWings on the wind by Yuichi Kimura, translated by Alexander O. SmithFamilies and connections: The law of gravity by Yuko Katakawa, translated by Deborah IwabuchiThe mountain drum by Chloë DalbyPaper lanterns by Jennifer Fumiko CahillI hate Harajuku girls by Katrina Toshiko Grigg-SaitoPeace on earth by Suzanne Kamata

    I hope that this book makes everyone feel what I felt while writing it, and that love is a universal thing, and my story is not unique. And I hope that this makes them see that there is a beyond and that they can come out happy and clean. And, that this makes them braver than they already are, and gives them that little extra push and strength that they probably need

    Teahouse spans fifty years in modern Chinese history from the collapse of the Qing dynasty and the Republican Revolution to the birth of the People's Republic. The play brings together over sixty characters, representing all walks of life in change. It is noted for its vivid portrayal of characters and lively use of Beijing dialect, but its main thrust lies in Lao She's vision of history, which is prophetic of later political movements and its disastrous effects on the average Chinese people. Teahouse is a rare masterpiece of the contemporary Chinese theatre. It has been performed in Japan, Europe and North America, and translated into major foreign languages.

    An insightful and thought-provoking analysis of daily life in China, China Wakes is an exemplary work of reportage. 16 pages of photos.

    This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

    With a chapter organization mirroring that of The Search for Modern China, this collection is the perfect supplement, providing a first-hand look at the modern Chinese society.

    This revised and updated edition includes a detailed chronology that has been updated through 1993, a new bibliography, and an expanded index that includes Chinese characters.

    The author, editor, or translator of nearly three dozen books of criticism and works of literature, Keene now offers an enjoyable and beautifully written introduction to traditional Japanese culture for the general reader.The book acquaints the reader with Japanese aesthetics, poetry, fiction, and theater, and offers Keene's appreciations of these topics. Based on lectures given at the New York Public Library, The Metropolitan Museum of Art, and the University of California, Los Angeles, the essays -though written by a renowned scholar- presuppose no knowledge of Japanese culture. Keene's deep learning, in fact, enables him to construct an overview as delightful to read as it is informative.His insights often illuminate aspects of traditional Japanese culture that endure today. One of these is the appreciation of "perishability." this appreciation os seen in countless little bits of Japanese life: in temples made of wood instead of durable materials; in the preference for objects -such as pottery- that are worn, broken, or used rather than new; and in the national love of the delicate cherry blossom, which normally falls after a brief three days of flowering. Keene quotes the fourteenth-century Buddhist monk Kenko, who wrote that "the most precious thing about life is its uncertainty."Throughout the volume, Keene demonstrates that the rich artistic and social traditions of Japan can indeed be understood by readers from our culture. This book will enlighten anyone interested in Japanese literature and culture.

    The Plum in the Golden Vase or, Chin P'ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

    Although he has edited several anthologies of his favorite poems, this volume forges a new path for him, as a poet of light verse. He writes—with his characteristic combination of humor and insight—on love, modernity, nostalgia, politics, religion, and other facets of daily life. Keillor’s verses are charming and playful, locating sublime song within the humdrum of being human.

    No prior knowledge of grammatical terminology is assumed and a glossary of grammatical terms is provided. Featuring related exercises and activities, this Grammar is accompanied by the Modern Mandarin Chinese Grammar Workbook.