People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    And from the beginning, her practice placed her at the vanguard of American writing. Guest's poetry, saturated in the visual arts, extended the formal experiments of modernism, and played the abstract qualities of language against its sensuousness and materiality. Now, for the first time, all of her published poems have been brought together in one volume, offering readers and scholars unprecedented access to Guest's remarkable visionary work. This Collected Poems moves from her early New York School years through her more abstract later work, including some final poems never before published. Switching effortlessly from the real to the dreamlike, the observed to the imagined, this is poetry both gentle and piercing seemingly simple, but truly and beautifully dislocating.

    The space-age sounding title was suggested over 800 years ago by "The Blind Ones and the Elephant," a story immortalized in Rumi's Mathnavi.

    The famous verse that gives the title to this book is about “love”—but not the ordinary love we know from novels and movies.Speak to us of Love gives a taste of a contemporary mystic at work, trying to disrupt our dreams, illusions, and the state of unconsciousness that prevents us from enjoying life to the fullest.This is about and for the millions of people in the world who have killed their love with their own hands, and who are now miserable. They never wanted to kill it, there was no intention to kill their love, but in their unconsciousness they started possessing. Husbands possess their wives, wives possess their husbands, and parents possess their children. Teachers are trying in every possible way to possess their students. Politicians are trying to possess countries. Religions are trying to possess millions of people and control every aspect their lives.This book shows that life can only thrive in freedom. Love never allows anyone to possess it, because love is our very soul.For Osho, the basis of all our neuroses or psychoses is simple: our souls are not nourished. Love, the basic nourishment, is missing. Osho comprehensively trounces the so-called religious and philosophical approaches to life. All that is of worth is to be found, not in the extraordinary, but in the ordinary; not in fantastical ideas of the “other world” beyond death, but in this very world that we find ourselves in here and now. In short, this book shows that making a simple yet utterly basic shift in our lives will awaken the silence in our beings and bring joy into our every moment.

    Only, when she meets the upper-class Jack on the grounds of his father's estate, she is tempted by the thought of an affair. Is she destined to follow in her mother's scandalous footsteps after all...? (Note: previously published as The Pitman's Brat by Una Horne)

    This time, the big bad wolf just might eat you alive.”Meet the South Side Boys. Damaged. Alpha. Protective.So filthy you just might melt...From best-selling author Alexis Winter comes a complete bad boy collection of four full-length novels. Each book will leave you satisfied with a steamy happily ever after sure to keep you reading long into the night.Books included:Bad Boy ProtectorI’m not a protector. I’m a damaged ex-con.The last thing I need is an innocent little virgin, thinking I’m her happily ever after.So I kept my distance,Until that night.Saving her felt like redemption from my past.Falling for her was where I fucked up.Now the shadows from my past have returned and I’ll stop at nothing to keep her safe.Even if that means I have to lose her forever.This isn’t a fairytale sweetheart and I’m no knight in shining armor.This time the big bad wolf just might eat you alive.Fake BoyfriendEx-con, hothead, broken beyond repair.I’m the guy you don’t take home to mom.She may need a fake boyfriend, but you better believe the way I'll have her screaming my name is real.We agreed it was only pretend and I made damn sure she knew…I’m nobody’s happily ever after.Brother-In-Law's BabyTwo pink lines...yup, pregnant by my hot AF brother-in-law/roommate.Baby number two couldn't have come at a worse time.Look, this isn’t my dream life.I never planned on being a single mom begging to live with my brother-in-law and it’s no secret he didn’t want this arrangement either.Fresh off a broken engagement, he isn’t exactly welcoming us with open arms.So how do I tell him the reason I ran away is because he’s about to be a daddy?Bad Boy's BabyHow to NOT have a happily ever after...#1. Get pregnant by your brand new boyfriend.#2. Don’t tell said boyfriend you’re pregnant.#3. Oh, and don’t tell him you’re the reason his brother is rotting in prison.Getting pregnant by Ben is only the start to this drama, and now I’m neck-deep, hiding secrets of my own.Someone lock me up and throw away the key, I’m about to serve a life sentence for screw up of the century.Note from the author: This series was previously published in a boxset titled Say You’re Mine. Each book in this deliciously steamy set is a full-length novel with NO cheating or cliff-hangers and LOTS of heat, drama and angst.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    

    His unique poetry is now recognized as among Poland's finest. Largely self-taught, he left Poland at the age of 21, moving widely around Europe - befriended by Chopin among others - before travelling to America. Persistently dogged by financial crises, he was forced to return to Paris in 1854. There he spent the rest of his life, dying in a hostel for Polish insurrection veterans in Ivry in 1883. Norwid's work is introduced by Bogdan Czaykowski, the eminent Polish poet, who is also a noted scholar and critic. Adam Czerniawski, born in Warsaw in 1934, has translated widely from Polish (including Tadeusz Rózewicz's selected poetry, They Came to See a Poet', also from Anvil) as well as publishing poetry, stories, criticism and a memoir in his first language. He has lived in Palestine, Lebanon, Germany, England and Scotland, working in a variety of academic and literary posts.

    Taking its title from the series of Andy Warhol paintings by the same name, Goldsmith recasts the mundane as the iconic, creating a series of prose poems that encapsulate seven pivotal moments in recent American history: the John F. Kennedy, Robert F. Kennedy, and John Lennon assassinations, the space shuttle Challenger disaster, the Columbine shootings, 9/11, and the death of Michael Jackson. While we've become accustomed to watching endless reruns of these tragic spectacles—often to the point of cliché—once rendered in text, they become unfamiliar, and revealing new dimensions emerge. Impartial reportage is revealed to be laced with subjectivity, bias, mystery, second-guessing, and, in many cases, white-knuckled fear. Part nostalgia, part myth, these words render pivotal moments in American history through the communal lens of media.

    

    For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.

    Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martin Espada, and Sherman Alexie are also included. Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety. Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http: //www.english.uiuc.edu/maps. Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format."

     This was no chance meeting between heaven and earth and they soon became part of a phenomenon that would change their lives forever. 'In the still silence of the night, I said a little prayer asking the angels never to do anything that might startle me. Feeling somewhat reassured by this, I snuggled down and drifted off to sleep. I am not so sure I would have been quite so easily placated if I had had any notion of the sheer volume of angels and spirits that were soon to come into my life at every opportunity and everywhere I went, from that night forward.' Call of an Angel will appeal to a wide audience, including the many fans of angel author Lorna Byrne, and the growing force of modern millennial followers of angel gurus Kyle Gray and Radleigh Valentine.