Capt. Delano boards the San Dominick, providing needed supplies, and tries to learn from her aloof and disturbed captain, Benito Cereno, the story of how this ship came to be where she is. Dealing with racism, the slave trade, madness, the tension between representation and reality, and featuring at least one unreliable narrator, Melville's novella has both captivated and frustrated critics for decades.

    Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.

    Girl was originally published in the June 26, 1978 issue of The New Yorker and subsequently included in the short story collection At the Bottom of the River in 1983.

    In this autobiographical piece about her own color, Hurston reflects on her early childhood in an all-black Florida town and her first experiences in life feeling different. In this beautiful piece, Hurston largely focuses on the similarities we all share and on her own self-identity in the face of difference. Through it all, I remain myself.This short work is part of Applewood's American Roots series, tactile mementos of American passions by some of America's most famous writers and thinkers.

    This collects "Sonny's Blues", "The Rockpile" and "Previous Condition", all taken from Going to Meet the Man (Penguin, 1991).

    A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.

    A friend to birds and animals, it is only when she is befriended by a young male ornithologist that Sylvia comes head on with conflicts over value systems and loyalties. The resolution of this dilemma is skillfully wrought, revealing the complexity of the decision making-process and the ethical conundrum that will save, or destroy, the earth.

    A mysterious night-swimmer climbs aboard, and, in keeping the presence of this fugitive a secret, the skipper risks both his captaincy and the safety of his ship. A test of nerve in the Gulf of Siam ensues.

    O'Connor herself singled it out by making it the title piece of her first collection and the story she most often chose for readings or talks to students. It is an unforgettable tale, both riveting and comic, of the confrontation of a family with violence and sudden death. More than anything else O'Connor ever wrote, this story mixes the comedy, violence, and religious concerns that characterize her fiction.This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of the story itself, comments and letters by O'Connor about the story, critical essays, and a bibliography. The critical essays span more than twenty years of commentary and suggest several approaches to the story--formalistic, thematic, deconstructionist-- all within the grasp of the undergraduate, while the introduction also points interested students toward still other resources. Useful for both beginning and advanced students, this casebook provides an in-depth introduction to one of America's most gifted modern writers.

    After devoting their energies and income for ten years to replacing a borrowed diamond necklace which they have lost, a woman and her husband learn the irony of their efforts.

    Dive into this classic from the singular mind of Edgar Allan Poe, who is widely regarded as the short story master of horror fiction. "The Fall .. " recounts the terrible events that befall the last remaining members of the once-illustrious Usher clan before it is -- quite literally -- rent asunder. With amazing economy, Poe plunges the reader into a state of deliciously agonizing suspense. It's a must-read for fans of the golden era of horror writing. "The Fall .." is one of Poe's best known short stories - if not the best.Librarian's note: this entry is for the short story, "The Fall of the House of Usher." Collections of short stories by the author, such as "The Fall of the House of Usher and Other Tales," can be found elsewhere on Goodreads.

    A general introduction providing historical and cultural background, a chronology of Davis' life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a generous selection of illustrations, and a selected bibliography make this volume the definitive scholarly text of this classic work of industrial fiction.---- Life in the iron-mills: the complete text --Introduction: cultural and historical background --A note on the text --Life in the iron-mills (1861 Atlantic Monthly edition) --Life in the iron-mills: cultural context --Work and class --The village blacksmith / Henry Wadsworth Longfellow --That aristocracy may be engendered by manufactures / Alexis de Tocqueville --Iron interests of wheeling / A.W. Campbell --Senate testimony from iron foundry proprietor / John Roach --In Soho on Saturday night (song) / Anonymous --Perils- immigration / Josiah Strong --The Anglo-Saxon and the world's future / Josiah Strong --Senate testimony on the kitchen garden movement / Anna Gordon --Ten nights in a bar-room (excerpt) / T.S. Arthur --The Quaker of the olden time / John Greenleaf Whittier --The Quaker settlement (from uncle tom's cabin) / Harriet Beecher Stowe --Looking Backward: 2000-1887 (excerpt) / Edward Bellamy --Art and artists --An inquiry into the art-conditions and prospects of America / James Jackson Jarves --Art thoughts (excerpt) / James Jackson Jarves --Hints to American artists / Anonymous --Conversations in a studio (excerpt)William Wetmore Story --The Stewart art gallery / Anonymous --The process of sculpture / Anonymous --The Greek slave / Anonymous --A sculptor's studio (from the marble faun) / Nathaniel Hawthorne --Roderick Hudson (excerpt) / Henry James --/ Senate testimony on the arts and art education in the United States / Wilson McDonald --Senate testimony on industrial art schools for women / Florence Elizabeth Cory --Women and writing: the public platform --Letter to George D. Ticknor / Nathaniel Hawthorne --The great lawsuit (excerpt) / Margaret Fuller --St. Elmo (excerpt) / Augusta Evans Wilson --Literary women / Caroline Kirkland --Ruth Hall (excerpt) / Fanny Fern --A New England girlhood (excerpt) / Lucy Larcom --Little Women (excerpt) / Louisa May Alcott --Life and letters of Harriet Beecher Stowe (excerpt) / Annie Fields.

    Set in seventeenth-century New England in the aftermath of the Pequod War, Hope Leslie not only chronicles the role of women in building the republic but also refocuses the emergent national literature on the lives, domestic mores, and values of American women.

    Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels.

    As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence. Quicksand , Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life.