Lore Segal and Maurice Sendak jointly culled 27 from the 210 in the complete collection, and their contents page presents a fascinating critical statement. The translations are another distinguishing quality of the Segal/Sendak edition. Both translators have been painstakingly faithful to the German texts; they have not cut, "retold," or bowdlerized. In addition, Segal and Jarrell bring to their renderings of Grimm the grace and precision that are characteristic of their own original prose.· One of the most acclaimed Grimm collections published in English, available again· An elegant, must-have edition for every home library· New lower-price of $19.99, formerly $28.00· Includes standards such as "Hansel and Gretel," "The Fisherman and His Wife," and "The Frog King" as well as lesser-known masterpieces such as the title story and "The Goblins"· Each story contains a full-page picture by Maurice Sendak· Four stories translated by Jarrell, the rest by Segal

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

    He is a rogue, a mischief maker, and a wise, lovable creature who triumphs over larger foes.In this traditional Ashanti tale, Anansi sets out on a long, difficult journey. Threatened by Fish and Falcon, he is saved from terrible fates by his sons. But which of his sons should Anansi reward? Calling upon Nyame, the God of All Things, Anansi solves his predicament in a touching and highly resourceful fashion.In adapting this popular folktale, Gerald McDermott merges the old with the new, combining bold, rich color with traditional African design motifs and authentic Ashanti language rhythms. Anansi the Spider is a 1973 Caldecott Honor Book.

    A collection of Bengali folk tales with 32 color illustrations by Warwick Goble.

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    But surely you've heard the story about the crocodiles who held a vote on whether or not to eat a man that had saved one of their lives? NO? Wow. Have we got some stories for you.

    The Montgomeries, distinguished folklorists, gathered traditional stories from all parts of Scotland. Their collection, first published in 1956, became a classic of the storytelling tradition, with the stories retold in a simple, dramatic style, appealing to adult and child alike. Now republished by Birlinn Ltd in a handsome gift edition and illustrated with Norah Montgomerie's own original drawings, it is a book to be treasured for years as the key to an enchanted, timeless world.

    Warthog, Lion, and Zebra laugh so hard at his messy house that they wake him up. Anansi stomps off in a huff--right into an amazing secret! Hyena has a magic stick that follows his orders. If Anansi steals the stick, he'll never have to work again, and his home will be the neatest one in town. Is the magic stick his secret for success? Or the beginning of disasters he can't even imagine?

    Arranged geographically by region, this book also includes category index groups that list the stories by plot and character.

    It had fountains of cool, refreshing water to quench the thirst of the desert, and storytellers to bring the people together. But as the kingdom grew, the people forgot the dangers of the desert, and they forgot about the storytellers, too. All but one young boy, who came to the Great Square for a drink and found something that quenched his thirst even better: wonderful stories. As he listened to the last storyteller recount the Endless Drought, and the Glorious Blue Water Bird, he discovered the power of a tale well told. Acclaimed illustrator Evan Turk has created a stunning multidimensional story within a story that will captivate the imagination and inspire a new generation of young storytellers.

      Filled with kings and peasants, saints and ogres—as well as some quite extraordinary plants and animals—these two hundred tales bring to life Italy’s folklore, sometimes with earthy humor, sometimes with noble mystery, and sometimes with the playfulness of sheer nonsense.   Selected and retold by one of the country’s greatest literary icons, “this collection stands with the finest folktale collections anywhere” (The New York Times Book Review).   “For readers of any age . . . A masterwork.” —The Wall Street Journal   “A magic book, and a classic to boot.” —Time

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    

    and more