From his time teaching side by side with Israelis at the Hebrew University through his appointment by Yasir Arafat to administer the Arab Jerusalem, he has held fast to the principles of freedom and equality for all, and his story dramatizes the consequences of war, partition, and terrorism as few other books have done. Once Upon a Country brings rare depth and compassion to the story of his country.

    Known to Jews and Christians as the Temple Mount and to Muslims as the Noble Sanctuary, this thirty-five-acre enclosure at the southeast corner of Jerusalem's Old City is the most contested piece of real estate on earth. Here nationalism combines with fundamentalist faith in a volatile brew. Members of the world's three major monotheistic faiths--Judaism, Christianity, and Islam--hold this spot to be the key to salvation as they await the end of the world, and struggle to fulfill conflicting religious prophecies with dangerous political consequences. Adroitly portraying American radio evangelists of the End, radical Palestinian sheikhs, and Israeli ex-terrorists, Gorenberg explains why believers hope for the End, and why prominent American fundamentalists provide hard-line support for Israel while looking forward to the apocalypse. He makes sense of the messianic fervor that has driven some Israeli settlers to oppose peace. And he describes the Islamic apocalyptic visions that cast Israel's actions in Jerusalem as diabolic plots. The End of Days shows how conflict over Jerusalem and the fiery belief in apocalypse continue to have a potent impact on world politics and why a lasting peace in the Middle East continues to prove elusive.

    Afaf Rahman, the daughter of Palestinian immigrants, is the principal of Nurrideen School for Girls, a Muslim school in the Chicago suburbs. One morning, a shooter—radicalized by the online alt-right—attacks the school.As Afaf listens to his terrifying progress, we are swept back through her memories: the bigotry she faced as a child, her mother’s dreams of returning to Palestine, and the devastating disappearance of her older sister that tore her family apart. Still, there is the sweetness of the music from her father’s oud, and the hope and community Afaf finally finds in Islam.The Beauty of Your Face is a profound and poignant exploration of one woman’s life in a nation at odds with its ideals.

    PS: This book is for girls aged 8 to 12. Girls 12+ need Girl Stuff: Your Full-on Guide to the Teen Years.

    Soon after the World Trade Center towers fell, leaving ashes floating over journalist Lee Smith’s Brooklyn neighborhood, he left for Cairo to find out “why the Arabs hate us.” He spent eight years reporting from Cairo, Beirut, and Jerusalem and discovered that the anger and disorder in the Middle East are not caused by a clash of civilizations between East and West, as is so often contended. Instead, he found a clash among Arab civilizations that led him to reassess America’s efforts to bring a “freedom agenda” to the Arab world. In The Strong Horse, Lee Smith offers paradigm-shifting insight into how the Arab world works and what America’s role should be in that world today.The Strong Horse combines evocative reporting with brilliant analysis that gracefully overturns many of the myths held about the region. Perhaps the most important myth that hobbles policy in the Middle East is the idea that the turmoil there is the legacy of Western interference. In fact, Smith shows, violence has been the only currency of power in the region for centuries. Another myth is that dictators are the main cause of widespread oppression in countries like Egypt, Saudi Arabia, and Syria. Yet Smith finds that much of the repression that stagnates Arab society happens at the level of the family where rigorous redlines of social and religious behavior are enforced. What’s more, in a region seething with minorities, with no liberal tradition, no reverence for individual rights, and no tolerance for difference, authoritarian regimes exist because the alternative, as has been seen most recently in Lebanon and Iraq, is endless sectarian violence. In The Strong Horse, Smith reveals the Arab world to be defined by a tribal culture where support goes to “the strong horse.” Technology and democracy will not transform the Arab world, Smith convincingly demonstrates. Rather, Arab peoples and governments naturally align themselves with the strongest power, even when that power is the United States or Israel. Smith’s groundbreaking book redefines America’s role in the Middle East as “benevolent strong horse” and offers an important corrective to our understanding of the Arab world.

    I lack hands, but I can push out unwanted guests…. I’m gentler than a feather, but I can cause harm….”This rhythmically powerful narration is complemented by illustrations in which swirling smoke was captured on art paper held over smoky candle flames, and the dancing smoke textures were then deepened and elaborated with watercolors and Photoshop finishes. With this unique method, Mercè López “let the smoke decide how the idea I had in mind would dance with it, giving freedom to the images.” The resulting illustrations are astounding, and they resonate with the otherworldly text.“Herz presents a provocative and unique look at the lifecycle and benefits of smoke throughout the millennia. Lopez’s multimedia artwork further illuminates the ethereal nature of smoke as it drifts and dances across the page.” - John Rocco, NY Times Bestselling author and Caldecott Honoree"A fascinating, refreshing, and beautifully atmospheric take on something often taken for granted. I’ll never look at smoke the same way again!" - Matthew Cordell, Caldecott Winning author/illustrator“I Am Smoke is an absolutely beautiful book, where smoke is both poetry and science. Readers will rest, float, and dance along with smoke’s quiet power across time and traditions. I have lingered over its pages more than once, and I’m sure young readers will, too.” - NY Times Bestselling author Doreen Cronin

    These culminated in What is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered & rejected the idea that art reveals & reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire & even his own novels are condemned in the course of Tolstoy's impassioned & iconoclastic redefinition of art as a force for good, for the improvement of humankind.

    Learn how a mechanical man helped write America’s Declaration of Independence. Track the course of the Living Dead virus from Africa to Europe and on to the New World. View artifacts from our uneasy alliance with the Martian race, or simply delight in the vibrant colors and illustrations from a bygone age. More than 100 full-color images and insightful essays make this book an essential addition to the libraries of dedicated historians as well as casual fans of monsters and mayhem.

    That, in part, is exactly why Leon McCarron did it.From Jerusalem, McCarron followed a series of wild hiking trails that trace ancient trading and pilgrimage routes and traverse some of the most contested landscapes in the world. In the West Bank, he met families struggling to lead normal lives amidst political turmoil and had a surreal encounter with the world's oldest and smallest religious sect. In Jordan he visited the ruins of Hellenic citadels and trekked through the legendary Wadi Rum. His journey culminated in the vast deserts of the Sinai, home to Bedouin tribes and haunted by the ghosts of biblical history.McCarron's journey led him back through time, from the quagmire of current geopolitics to the original ideals of the faithful, through the layers of history, culture and religion that have shaped the Holy Land. Along migration and trade routes, pilgrimage trails and Bedouin paths, he found connection rather than division, hope instead of hatred and, ultimately, a shared humanity that borders and politics will never diminish.

    Newbery Honor Book author Jim Murphy orchestrates with fact, science, technology, and sociology the testimony of survivors and victims to tell the harrowing story of the phenomenal blizzard that crippled New York City in March, 1888.

    . . nothing. But then . . . BANG! Stars caught fire and burned so long that they exploded, flinging stardust everywhere. And the ash of those stars turned into planets. Into our Earth. And into us. In a poetic text, Marion Dane Bauer takes readers from the trillionth of a second when our universe was born to the singularities that became each one of us, while vivid illustrations by Ekua Holmes capture the void before the Big Bang and the ensuing life that burst across galaxies. A seamless blend of science and art, this picture book reveals the composition of our world and beyond -- and how we are all the stuff of stars.

    Even average Israelis are wondering if they wouldn't be better off somewhere else and whether they ought to persevere. Daniel Gordis is confident his fellow Jews can renew their faith in the cause, and in Saving Israel, he outlines how.2009 National Jewish Book Award winnerAddresses the most pressing issues faced by Israel-and American Jews-today, without recycling the same old argumentsLays to rest some of the most pernicious myths about Israel, including: Jews could thrive without Israel; Israeli Arabs just want equality, and Palestinians just want their own state; peace will come, if Israel will just do the right things""Morally powerful . . . from a writer whose reflections are consistently as intellectually impressive as they are moving. . . . Gordis addresses the exigencies of our time with the urgency they overridingly demand, and with the depth of feeling they inspire.""-Cynthia OzickGordis has written many popular personal essays and memoirs in the past, but Saving Israel is a full-throated call to arms. Never has the case for defending-no, celebrating-the existence of Israel been so clear, so passionate, or so worthy of wholehearted support.

    This is the keynote address delivered by Professor Naquib al-Attas at the “First World Conference on Muslim Education” held in Makkah al-Mukarramah in March 1977.

    It was the emblematic crime of our moment: On a cold November day in Amsterdam, an angry young Muslim man, Mohammed Bouyeri, the son of Moroccan immigrants, shot and killed the celebrated and controversial Dutch filmmaker Theo van Gogh, great-grandnephew of Vincent and iconic European provocateur, for making a movie with the vocally anti-Islam Somali-born Dutch politician Ayaan Hirsi Ali that "blasphemed" Islam. After Bouyeri shot van Gogh, he calmly stood over the body and cut his throat with a curved machete, as if performing a ritual sacrifice, which in a very real sense he was. The murder horrified quiet, complacent, prosperous Holland, a country that prides itself on being a bastion of tolerance, and sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native country to try to make sense of it all and to see what larger meaning should and shouldn't be drawn from this story. The result is Buruma's masterpiece: a book with the intimacy and narrative control of a true-crime page-turner and the intellectual resonance we've come to expect from one of the most well-regarded journalists and thinkers of our time. Ian Buruma's entire life has led him to this narrative: In his hands, it is the exemplary tale of our age, the story of what happens when political Islam collides with the secular West and tolerance finds its limits.

    In our communicative world, few modern catastrophes are concealed from the public eye. And yet, Ilan Pappe unveils, one such crime has been erased from the global public memory: the ethnic cleansing of the Palestinians in 1948. But why is it denied, and by whom? The Ethnic Cleansing of Palestine offers an investigation of this mystery.