This collection of unforgettable characters—including Anne Shirley, Jo March, Scarlett O’Hara, and Jane Eyre—and outstanding authors—like Jane Austen, Harper Lee, and Laura Ingalls Wilder—is an impassioned look at literature’s most compelling heroines, both on the page and off. Readers who found inspiration in books by Toni Morrison, Maud Hart Lovelace, Ursula K. LeGuin, and Alice Walker, or who were moved by literary-themed memoirs like Shelf Discovery and Everything I Needed to Know About Being a Girl I Learned from Judy Blume, get ready to return to the well of women’s classic literature with The Heroine's Bookshelf.

    Stet is a must-read for the literarily curious, who will revel in Athill's portraits of such great literary figures as Jean Rhys, V. S. Naipaul, Norman Mailer, Philip Roth, Mordecai Richler, and others. Spiced with candid observations about the type of people who make brilliant writers and ingenious publishers (and the idiosyncrasies of both), Stet is an invaluable contribution to the literature of literature, and in the words of the Sunday Telegraph, "all would-be authors and editors should have a copy."

    The true crime short stories within this three book collection are unimaginably gruesome. I start all of my True Crime books with a quick word of warning. Most news articles and television true crime shows skim over the vile details of truly horrible crimes. In my books I don’t gloss over the facts, regardless of how disgusting they may be. I try to give my readers a clear and accurate description on just how demented the killers really were. I do my best not to leave anything out. The stories included in these books are not for the squeamish.What you are about to read are my first three books. The stories in this collection will make you realize just how fragile the human mind can be.A sampling of the stories include:The Canal Killer - A violent psychopath cuts off the head, hands, and feet of his girlfriends and dumps them in the canals of London and Rotterdam.The Head in the Bucket - A drug kingpin chops off the head of one of his dealers and carries it around in a Home Depot bucket.Captain Cash - Another drug dealer butchers an entire family so he can take over a man’s fruit shipping business and transform it into a drug shipping business.The Coffee Killer - A young woman, jealous of her rich socialite friend, poisons her by lacing her coffee with cyanide in a public coffee shop.The Arizona Torso Killer - A petite trophy-wife shoots her husband, freezes his body, hacks him up with a jigsaw and dumps his torso in a dumpster behind a grocery store.The Oxford Murder - A young college student strangles his girlfriend and crams her body into an eight-inch crawlspace beneath the stairs.The Girl in the Barrel - A homeowner finds a fifty-five gallon barrel in the crawl space beneath his home. What they find inside the barrel unlocks a murder mystery dating back thirty years.The Dexter Wannabe - A young man obsessed with the TV show Dexter lures unsuspecting victims to his "kill room" and keeps a detailed diary of the dismemberment of his prey.The Murder of Elizabeth Olten - A fifteen-year-old girl wants to know what it feels like to kill a person. Interpol's Most Wanted - When fishermen pull up the dead body of a man in the English Channel, police stumble upon one of Interpol's Most Wanted criminals.The Girl in the Box - An unbelievable story of a psychopath who kidnaps a young girl and keeps her as a slave locked beneath his bed for seven years.The Green Chain Rapist - A beautiful young mother is butchered in broad daylight in a London park and the only witness is her two-year-old son. Police then waste three years chasing the wrong man while the real killer slaughters another woman.Paige’s Secret Life - A young single-mother of three goes missing and police realize she's been living a secret life that her friends and family didn't know about.A Walking Shadow - A suicidal teenager, frustrated with the bank threatening to foreclose on the family home, kidnaps the bank manager's ten-year-old son and holds him for ransom.Plus 18 more truly disturbing true crime stories.

    An apocalyptic storm. Whispering voices in the air. She was right to fear the worst-case scenario. Amy Burnett has been buried in her work as a security expert. She likes it that way—her dark past can’t invade her thoughts as long as she stays holed up in her office. So why the heck has she ended up at a gothic mansion’s doorstep in the middle of the night? It’s because Craig Foster summoned her there. Amy’s company built the sealed chamber in his basement, for any worrisome worst-case scenario, but now the safe room has presented a scenario of its own: Craig’s daughter is trapped inside. It should be a quick fix. After all, what’s the worst thing that can happen when a stranger arrives at a remote mansion on a stormy night? An impossible mystery? A haunting? A visit from the lurking strangers in the woods? Surely not all three—that would require extraordinarily bad luck. Unfortunately, Amy’s been short on luck lately. Three Incidents at Foster Manor will keep you guessing until the end with a twist-filled, fast-paced, genre-blending mix of mystery, ghost story, thriller, and cosmic horror that will chill you to the core. This is a standalone story, but also acts as a sequel to P.T. Phronk's previous mystery, The Arborist. "Full of interesting characters, twists and scares, it will keep you off-balance all the way to the end!" —Franny "I'm always down some ghostly fun but then the fun dial twisted and wow." —Amazon Reviewer "If you like reading stories somewhat reminiscent of The Twilight Zone this is for you." —Alanna Patterson

    From Spenser's The Fairie Queene to Wells's The Time Machine to Murakami's 1Q84 it explores the timeless and captivating features of fiction's imagined worlds including the relevance of the writer's own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. With hundreds of pieces of original artwork, illustration and cartography, as well as a detailed overview of the plot and a "Dramatis Personae" for each work, Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction.

    or maybe it was worth everything. Maybe it was worth enough to commit murder. Pictures don't lie, even when they accuse a loving, devoted husband of murder. Thomas was a brilliant detective, but his last case was never solved because it ended with his disappearance. The reason now seems clear, but Kate won't believe it. She can't. And she'll prove his innocence, no matter what the cost. Corruption and deceit cloud her way, but in the middle of it, she finds the most unlikely person - a homeless boy who clings to her like the child she and Thomas never had. Perhaps she and the boy can survive the truth together. Maybe they can mend the tatters of one another's hearts.

    But for every celebrity psychopath who’s gotten ink for spilling blood, there’s a bevy of all-but-forgotten homicidal fiends studding the bloody margins of U.S. history. The law gave them their just desserts, but now the hugely acclaimed author of The Serial Killer Files and The Whole Death Catalog gives them their dark due in this absolutely riveting true-crime treasury. Among America’s most cold-blooded you’ll meet   • Robert Irwin, “The Mad Sculptor”: He longed to use his carving skills on the woman he loved—but had to settle for making short work of her mother and sister instead.   • Peter Robinson, “The Tell-Tale Heart Killer”: It took two days and four tries for him to finish off his victim, but no time at all for keen-eyed cops to spot the fatal flaw in his floor plan.   • Anton Probst, “The Monster in the Shape of a Man”: The ax-murdering immigrant’s systematic slaughter of all eight members of a Pennsylvania farm family matched the savagery of the Manson murders a century later.   • Edward H. Ruloff, “The Man of Two Lives”: A genuine Jekyll and Hyde, his brilliant scholarship disguised his bloodthirsty brutality, and his oversized brain gave new meaning to “mastermind.”   Spurred by profit, passion, paranoia, or perverse pleasure, these killers—the Witch of Staten Island, the Smutty Nose Butcher, the Bluebeard of Quiet Dell, and many others—span three centuries and a host of harrowing murder methods. Dramatized in the pages of penny dreadfuls, sensationalized in tabloid headlines, and immortalized in “murder ballads” and classic fiction by Edgar Allan Poe and Theodore Dreiser, the demonic denizens of Psycho USA may be long gone to the gallows—but this insidiously irresistible slice of gothic Americana will ensure that they’ll no longer be forgotten.

    The CDC is planning a major inoculation program in Houston, L.A. and New Jersey.The wonder drug seems on the up and up, until Freelance writer Terry Johns and wildlife photographer Liza Rittenauer innocently photograph two men and their airplane in a remote section of the Okavango Swamps. The photo sets in motion a tilt-a-whirl of violence and intrigue. While Liza lingers in a life-threatening coma, Terry, Liza’s sister, Dawn, and the women’s father, Cy, discover a sinister connection between the men in Liza’s photograph, an underground lab in the Okavango, a leading pharmaceutical company in Johannesburg and a major HMO in Houston, Texas. And for Terry Johns, the truth becomes a nightmare.

    . . or the final ruse of a twisted serial killer?Three years ago, a deranged murderer dubbed the Halloween Killer butchered half a dozen people in New Orleans. He was caught and sentenced to die. Just before his execution, the Halloween Killer vowed to take revenge on the district attorney who put him behind bars.Less than a week after the lethal injection, Sebastian Gichaud, a wealthy playboy grieving over the death of his mother, threw on a black cloak and hacked the prosecutor to death with a giant scythe. Not only did Sebastian appear to be fulfilling the serial killer’s last wish -- he claimed that he was the Halloween Killer.Now, as the anniversary of the grisly murder approaches, Sebastian is facing trial. No one will touch the case. In a desperate attempt to save his son, Sebastian’s father hires Viktor Radek, professor of religious phenomenology, to investigate.If Sebastian is guilty, Viktor wonders, then why are he and his associate Dominic Grey being warned off the case? And why did the Halloween Killer visit a series of reincarnation experts before his death?None of Professor Radek’s doubts might matter, because he and Grey face the impossible task of convincing an Orleans Parish jury that Sebastian Gichaud is either a prisoner in his own mind – or possessed by the spirit of the Halloween Killer.(Note to fans of the Dominic Grey series: The Reaper’s Game is a standalone novella that takes place earlier in time than The Shadow Cartel.)

    Drawing on sources as diverse as Dr. Seuss and Simone Weil, P. G. Wodehouse and Isaiah Berlin, Pulitzer Prize–winning critic Michael Dirda shows how the wit, wisdom, and enchantment of the written word informs and enriches nearly every aspect of life, from education and work to love and death.Organized by significant life events and abounding with quotations from great writers and thinkers, Book by Book showcases Dirda's capacious love for and understanding of books. Favoring showing as much as telling, Dirda draws us deeper into the classics, as well as lesser-known works of literature, history, and philosophy, always with an eye to how we might better understand our lives.

    -- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    Now, the war is over but victory's wine has soured and Brodie's back in Scotland to try and save childhood friend Hugh Donovan from the gallows. Everyone thought Donovan was dead, shot down in the war. Perhaps it would have been kinder if he had been killed. The man who returned was unrecognizable: mutilated, horribly burned. Donovan keeps his own company, only venturing out for heroin to deaden the pain of his wounds. When a local boy is found raped and murdered, there is only one suspect...Donovan claims he's innocent but a mountain of evidence says otherwise. Despite the hideousness of the crime, ex-policeman Brodie feels compelled to try and help his one-time friend. Working with Donovan's advocate Samantha Campbell, Brodie trawls both the mean streets of the Gorbals and the green hills of western Scotland in their search for the truth. What they find is an unholy alliance of church, police and Glasgow's deadliest razor gang, happy to slaughter to protect their dark secrets. As time runs out for the condemned man, and the tally of murdered innocents rises, Brodie reverts to his wartime role as a trained killer. It's them or him.

    Peterson comes a creative guide to language construction for sci-fi and fantasy fans, writers, game creators, and language lovers. Peterson offers a captivating overview of language creation, covering its history from Tolkien’s creations and Klingon to today’s thriving global community of conlangers. He provides the essential tools necessary for inventing and evolving new languages, using examples from a variety of languages including his own creations, punctuated with references to everything from Star Wars to Michael Jackson. Along the way, behind-the-scenes stories lift the curtain on how he built languages like Dothraki for HBO’s Game of Thrones and Shiväisith for Marvel’s Thor: The Dark World, and an included phrasebook will start fans speaking Peterson’s constructed languages. The Art of Language Invention is an inside look at a fascinating culture and an engaging entry into a flourishing art form—and it might be the most fun you’ll ever have with linguistics.

    Stephen King, Hemingway, Vonnegut, and Orwell detest it. Herman Melville, Henry James, and Rebecca Solnit love it. But why? When is it effective? Have we been misusing it? Should we even care?In Semicolon, Cecelia Watson charts the rise and fall of this infamous punctuation mark, which for years was the trendiest one in the world of letters. But in the nineteenth century, as grammar books became all the rage, the rules of how we use language became both stricter and more confusing, with the semicolon a prime victim. Taking us on a breezy journey through a range of examples—from Milton’s manuscripts to Martin Luther King Jr.’s “Letters from Birmingham Jail” to Raymond Chandler’s The Big Sleep—Watson reveals how traditional grammar rules make us less successful at communicating with each other than we’d think. Even the most die-hard grammar fanatics would be better served by tossing the rule books and learning a better way to engage with language.Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don’t need guides at all, and refocuses our attention on the deepest, most primary value of language: true communication.

    I had just come off I-65, and my high beams lit her up from behind. She was walking along the road between dark, endless cornfields, and her right leg was in a cast. She wore denim shorts and a yellow tank top that didn’t quite reach the shorts. Without crutches, she moved as fast as she could on the gravelly shoulder. She would take a long step with her good leg, stiffly swing the cast forward the same distance, and immediately start the next step. Tilting jerkily, she looked as if she would fall with every stride. I crossed the centerline to give her more room to fall. Just as I was about to pass her, she glanced over her shoulder and stuck out a thumb.When Phil Larrison picks up a hitchhiker, he gets more than he bargained for.