This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system.Unlike most of the screenwriting books available, here’s one that tells you what to do after you’ve finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today.Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like “spec,” “option,” and “assignment.” Here you’ll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can’t say no.Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of “take this and use it right now” information for screenwriters at any stage of their careers.

    Published at only twenty-two, she peaked early and found critical but not commercial success. Now her former life is gone, along with her writing career and beloved husband. A reclusive widow, her sole companion a dour, flatulent basset hound who barely tolerates her, her daily mantra Kill Me Now, she is a loner afraid to be alone. Her only bright spot each week is the writing class that she teaches at the university extension.This semester's class is full of the usual suspects: the doctor who wants to be the next Robin Cook, the overly enthusiastic repeat student, the slacker, the unassuming student with the hidden talent, the prankster, the know-it-all... Amy's seen them all before. But something is very different about this class—and the clues begin with a scary phone call in the middle of the night and obscene threats instead of peer evaluations on student writing assignments. Amy soon realizes that one of her students is a very sick puppy, and when a member of the class is murdered, everyone becomes a suspect. As she dissects each student's writing for clues, Amy must enlist the help of everyone in her class, including the murderer, to find the killer among them.Suspenseful, extremely witty, brilliantly written, unexpectedly hilarious, and a joy from start to finish, The Writing Class is a one-of-a-kind novel that rivals Jincy Willett's previous masterpieces.

    Quinn O'Brion and Kate Tassel, two small-town journalists, became the Prince of Sanheim and used that power to defeat a serial killer.In Band of Demons, Quinn and Kate battled a new threat, two legendary creatures who had already destroyed everyone in their path. But Kate and Quinn's victory came at a heavy price. In Give the Devil His Due, Kate's only hope to save Quinn is to trust the man who took him from her. Don't miss the epic finale to the trilogy that has readers raving about its great characters, plot twists and deft combination of urban fantasy, mystery and suspense.The Lord Sanheim rules forever...

    Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.

    Writing with marvelous brio, Winchester first serves up a lightning history of the English language--"so vast, so sprawling, so wonderfully unwieldy"--and pays homage to the great dictionary makers, from "the irredeemably famous" Samuel Johnson to the "short, pale, smug and boastful" schoolmaster from New Hartford, Noah Webster. He then turns his unmatched talent for story-telling to the making of this most venerable of dictionaries. In this fast-paced narrative, the reader will discover lively portraits of such key figures as the brilliant but tubercular first editor Herbert Coleridge (grandson of the poet), the colorful, boisterous Frederick Furnivall (who left the project in a shambles), and James Augustus Henry Murray, who spent a half-century bringing the project to fruition. Winchester lovingly describes the nuts-and-bolts of dictionary making--how unexpectedly tricky the dictionary entry for marzipan was, or how fraternity turned out so much longer and monkey so much more ancient than anticipated--and how bondmaid was left out completely, its slips found lurking under a pile of books long after the B-volume had gone to press. We visit the ugly corrugated iron structure that Murray grandly dubbed the Scriptorium--the Scrippy or the Shed, as locals called it--and meet some of the legion of volunteers, from Fitzedward Hall, a bitter hermit obsessively devoted to the OED, to W.C. Minor, whose story is one of dangerous madness, ineluctable sadness, and ultimate redemption. The Meaning of Everything is a scintillating account of the creation of the greatest monument ever erected to a living language. Simon Winchester's supple, vigorous prose illuminates this dauntingly ambitious project--a seventy-year odyssey to create the grandfather of all word-books, the world's unrivalled uber-dictionary.

    It was his wife, Jenny, with whom he connected and who enabled him to connect with others. When Jenny dies of complications during a surgery led by Dr. Rita Wu, Finney’s grief turns to rage. He vows to kill Rita just as he believes she killed his wife. But first he will systematically destroy her life. Aided by a mysterious man named Sebastian, Finney uses advanced medical technology to brainwash Rita. He tricks her into ruining her reputation and brings her to the brink of madness. Alone, fighting for her sanity and life, Rita reaches out to ex-lover Dr. Spencer Cameron. Together they uncover Finney’s horrific intentions and race to stop him.

    An experimental, violent prison unit. The death of an American city, as seen through a complex police investigation. A lawless frontier town trying to talk its way into the United States. A corrupt cop who rules his precinct like a warlord. The survivors of a plane crash trying to make sense of their disturbing new island home. A high school girl by day, monster fighter by night. A spy who never sleeps. A space odyssey inspired by 9/11. An embattled high school football coach. A polished ad exec with a secret. A chemistry teacher turned drug lord.These are the subjects of 12 shows that started a revolution in TV drama: The Sopranos. Oz. The Wire. Deadwood. The Shield. Lost. Buffy the Vampire Slayer. 24. Battlestar Galactica. Friday Night Lights. Mad Men. Breaking Bad.These 12 shows, and the many more they made possible, ushered in a new golden age of television — one that made people take the medium more seriously than ever before. Alan Sepinwall became a TV critic right before this creative revolution began, was there to chronicle this incredible moment in pop culture history, and along the way “changed the nature of television criticism,” according to Slate. The Revolution Was Televised is the story of these 12 shows, as told by Sepinwall and the people who made them, including David Chase, David Simon, David Milch, Damon Lindelof and Carlton Cuse, Vince Gilligan and more.

    Quiet girls won't stay silent forever.When Alex arrives in Provincetown to patch things up with his new wife, he finds an empty wine glass in the sink, her wedding ring on the desk, and a string of questions in her wake. The police believe that Alex's wife simply left, his marriage crumbling before it truly began. But what Alex finds in their empty cottage points him toward a different reality:His wife has always carried a secret. And now she's disappeared.In his hunt for the truth, Alex comes across Layla, a young woman with information to share, who may hold the key to everything his wife has kept hidden. A girl without a clear recollection of her own past. A strange, quiet girl whose memories may break them all.To find his wife, Alex must face what Layla has forgotten. And the consequences are anything but quiet.

    Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?

    Some unexpected news from one of her sisters and a brutal murder that’s far too close to home for comfort leave her wondering why life has turned on her so suddenly. When the police fail to take her seriously, her hands-on approach to the investigation soon lands her in hot water. Following a string of biblical messages left behind by a mysterious nemesis she stumbles upon a dark secret that has finally come home to roost. As she is about to find out, on a small island, what goes around, comes around. “A complex and chilling tale…” “An amazing read!” “The author has a terrific writing style that keeps the reader mesmerized until the very end of this fantastic tale of not just murder and mystery but of survival…” “A thrilling read...highly recommended…” “Hefty amounts of tension and fear, and a resolution that makes you wonder whether surviving sometimes isn't all it's cracked up to be…” From a review by book blogger Morana Blue… “Written entirely in the first person from the point of view of one of three sisters, you're drawn immediately into the sudden onset of Ylfa Einarsdóttir's living nightmare as, with frustratingly little help from the Reykjavík detective assigned to her mysterious case, she starts tracking down an obsessed, horribly violent murderer whose sole intent seems to be the destruction of her entire family. Because you're inside Ylfa's head, you can hear her thinking. Her honesty is startling: 'Most of my friends were sluts. That was a lie; they all were…' Her observation is wry: 'He looked as if his years of seeing the worst possible sides of people had left him enjoying the times now when his misgivings about how rotten they all were inevitably proved to be correct…' - and, as her despair compounds, you feel her self-knowledge sharpen as she knowingly ploughs on toward an inescapable, grimly portentous end: 'In this torment there would be an abyss that I either would see in time and avoid, or be consumed by…' You feel her heart beginning to ache - and you flinch when it breaks. It's observantly written as intimate party to the reasoning behind the dangerous investigative steps Ylfa takes - so as her determination and her desperation mount, although you fully understand what she's doing and why she's doing it, you still want to yell 'No! Don't! Don't go there…' But Ylfa can't help herself. And she takes you with her. The creepy biblical messages left at every murder scene foreshadow a killer with their own twisted tormented depths - but, though Ylfa can't yet open her eyes to it, it's a torment that Ylfa and the killer actually share - and they're on the same enslaving path to self-destruction. It's a good - disquieting - read; for the most part because you're entirely locked within Ylfa's world, the minutiae of which - the sandwiches in the car, the cold within her boots, her double cappuccinos - begin to bear auras of frightful magnitude because you can't help but feel that each of the simple things she does, she may never do again.”

    Orner reads—and writes—everywhere he finds himself: a hospital cafeteria, a coffee shop in Albania, or a crowded bus in Haiti. The result is “a book of unlearned meditations that stumbles into memoir.” Among the many writers Orner addresses are Isaac Babel and Zora Neale Hurston, both of whom told their truths and were silenced; Franz Kafka, who professed loneliness but craved connection; Robert Walser, who spent the last twenty-three years of his life in a Swiss insane asylum, “working” at being crazy; and Juan Rulfo, who practiced the difficult art of silence. Virginia Woolf, Eudora Welty, Yasunari Kawabata, Saul Bellow, Mavis Gallant, John Edgar Wideman, William Trevor, and Václav Havel make appearances, as well as the poet Herbert Morris—about whom almost nothing is known.An elegy for an eccentric late father, and the end of a marriage, Am I Alone Here? is also a celebration of the possibility of renewal. At once personal and panoramic, this book will inspire readers to return to the essential stories of their own lives.

     A murder on Cape Cod. A rape in Palm Beach. All they have in common is the presence of one of America's most beloved and influential families. But nobody is asking questions. Not the police. Not the prosecutors. And certainly not George Becket, a young lawyer toiling away in the basement of the Cape & Islands district attorney's office. George has always lived at the edge of power. He wasn't born to privilege, but he understands how it works and has benefitted from it in ways he doesn't like to admit. Now, an investigation brings him deep inside the world of the truly wealthy--and shows him what a perilous place it is. Years have passed since a young woman was found brutally slain at an exclusive Cape Cod golf club, and no one has ever been charged. Cornered by the victim's father, George can't explain why certain leads were never explored--leads that point in the direction of a single family--and he agrees to look into it. What begins as a search through the highly stratified layers of Cape Cod society, soon has George racing from Idaho to Hawaii, Costa Rica to France to New York City. But everywhere he goes he discovers people like himself: people with more secrets than answers, people haunted by a decision years past to trade silence for protection from life's sharp edges. George finds his friends are not necessarily still friends and a spouse can be unfaithful in more ways than one. And despite threats at every turn, he is driven to reconstruct the victim's last hours while searching not only for a killer but for his own redemption. Advance praise for "Crime of Privilege" "Fans of John Grisham and Scott Turow especially will love this engrossing story of murder involving high society. The author's wit, dry and cutting, is razor-sharp and somewhat reminiscent of Nelson DeMille's John Corey. . . . "Crime of Privilege" qualifies as a tale of moral redemption, a legal thriller, and a murder mystery cloaked in pure enjoyment."--Bookreporter "A slick, satisfying conspiracy novel where revenge tastes best served with a highball."--"Milwaukee Journal Sentinel" ""Crime of Privilege" is a privilege to read. . . . An engaging, very well-paced novel . . . exciting and unpredictable."--Examiner.com "Walter Walker's "Crime of Privilege" is a terrifically entertaining race of a read that also effortlessly manages to be jam-packed with intelligence, insight, morality, and heart. Top-notch and highly recommended!"--"New York Times" bestselling author John Lescroart "Walter Walker combines an experienced attorney's sense of our flawed criminal justice system with a natural storyteller's gift. "Crime of Privilege" is a twisting, engrossing, irresistible detective story."--William Landay, author of "Defending Jacob" "From the Hardcover edition."

    This is a new digital edition of DEADLY PURSUIT by New York Times and USA Today bestselling author Michael Prescott (writing as Brian Harper).

    Never before has such specialized information been so thoroughly compiled and easily accessible to writers Each book is written by a professional in their respective field, providing the inside details that writers need to weave a credible -- and salable -- story.

    She’ll show you how to develop a foolproof character arc and plot, how to pace any book for a can’t-put-down reading experience, and how to ensure that your stories are complete and satisfying without wasting time or words.Hawker’s outlining technique works no matter what genre you write, and no matter the age of your audience. If you want to improve your writing speed, increase your backlist, and ensure a quality book before you even write the first word, this is the how-to book for you.Take off your pants! It’s time to start outlining.