But beginning in December 1884, Austin was terrorized by someone equally as vicious and, in some ways, far more diabolical than London's infamous Jack the Ripper. For almost exactly one year, the Midnight Assassin crisscrossed the entire city, striking on moonlit nights, using axes, knives, and long steel rods to rip apart women from every race and class. At the time the concept of a serial killer was unthinkable, but the murders continued, the killer became more brazen, and the citizens' panic reached a fever pitch.Before it was all over, at least a dozen men would be arrested in connection with the murders, and the crimes would expose what a newspaper described as "the most extensive and profound scandal ever known in Austin." And yes, when Jack the Ripper began his attacks in 1888, London police investigators did wonder if the killer from Austin had crossed the ocean to terrorize their own city.With vivid historical detail and novelistic flair, Texas Monthly journalist Skip Hollandsworth brings this terrifying saga to life.

    Now Montanari has written an astounding novel that pits two besieged detectives against a fiercely intelligent serial killer.Sprawling beneath the statue of William Penn, Philadelphia is a city of downtrodden crack houses and upscale brownstones. Somewhere in this concrete crazy quilt, one teenage Catholic girl is writing in her diary, another is pouring her heart out to a friend, and yet another is praying. And somewhere in this city is a man who wants these young women to make his macabre fantasy become reality. In a passion play of his own, he will take the girls–and a whole city–over the edge.Kevin Byrne is a veteran cop who already knows that edge: He’s been living on it far too long. His marriage failing, his former partner wasting away in a hospital, and his heart lost to mad fury, Byrne loves to take risks and is breaking every rule in the book. And now he has been given a rookie partner. Jessica Balzano, the daughter of a famous Philly cop, doesn’t want Byrne’s help. But they will need each other desperately, since they’ve just caught the case of a lifetime: Someone is killing devout young women, bolting their hands together in prayer, and committing an abomination upon their otherwise perfect bodies.Byrne and Balzano spearhead the hunt for the serial killer, who leads them on a methodically planned journey. Suspects appear before them like bad dreams–and vanish just as quickly. And while Byrne’s sins begin to catch up with him, and Balzano tries to solve the blood-splattered puzzle, the body count rises. Meanwhile, the calendar is approaching Easter and the day of the resurrection. When the last rosary is counted, a madman’s methods will be revealed, and the final crime will be the one that hurts the most.Relentlessly paced and vividly told, The Rosary Girls is a smart, emotionally complex, fiercely gripping thriller from an author who takes chances, breaks new ground, and leaves readers haunted and moved long after the last page is turned.

    . .Early in life Belle Sorensen discovers the world is made only for men. They own everything: jobs, property, wives. But Belle understands what few others do: where women are concerned, men are weak.A woman unhampered by scruples can take from them what she wants. And so Belle sets out to prove to the world that a woman can be just as ruthless, black-hearted and single-minded as any man.Starting with her long suffering husband Mads, Belle embarks on a killing spree the like of which has never been seen before nor since.And through it all her kind, older sister Nellie can only watch in horror as Belle's schemes to enrich herself and cut down the male population come to a glorious, dreadful fruition . . .Based on the true story of Belle Sorensen whose murderous rampage began in Chicago in 1900, Triflers Need Not Apply is a novelistic tour de force exploring one woman's determination to pay men back for all they have taken.

    'I am The Owl,' he would whisper to himself after he had selected his prey, 'and nighttime is my time.'" Jean Sheridan, a college dean and prominent historian, sets out to her hometown in Cornwall-on- Hudson, New York, to attend the twenty-year reunion of alumni of Stonecroft Academy, where she is to be honored along with six other members of her class. There is, however, something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early- morning swim, the fifth woman in the class whose life has come to a sudden, mysterious end. Also adding to Jean's sense of unease is a taunting, anonymous fax she has just received, referring to her daughter, Lily, a child she had given up for adoption twenty years ago, the offspring of a romance between her and a West Point cadet killed in an accident a week before graduation. She had always kept the child's existence a secret, so who has found out? And why the implied threat now? Struggling to conceal her fears, Jean arrives at the hotel where the reunion is being held. One by one she sees the other honorees, including Laura Wilcox, the class beauty, whose dazzling exterior belies the fact that her television career is sinking, and the four men who, like Jean, had spent four bitterly unhappy years at Stonecroft: Carter (formerly Howie) Stewart, an acerbic and successful playwright, once the class nerd; renowned child psychiatrist and talk-show celebrity Mark Fleischman, who has never been able to resolve the pain of his own adolescence; Gordon Amory, a media mogul, hardly recognizable as the awkward boy who was the butt of cruel jokes; Robby Brent, a popular comedian, whose caustic humor emanates from a childhood of rejection. Omnipresent is an old classmate, Jack Emerson, the chairman of the reunion, whose reasons for spearheading the event may be motivated by something other than class spirit. At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed for years by the unsolved murder of a young woman in Cornwall, who may also hold the key to the identity of the Stonecroft killer and the source of the anonymous threat to her child. She does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean his final intended victim. In Nighttime Is My Time, Mary Higgins Clark creates a riveting novel of psychological suspense, penetrating behind the pervading façade of status and respectability to depict the mind of a killer.

    But it comes at a cost. He has to kill the shining girls: bright young women, burning with potential. Curtis stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back.Working with a former homicide reporter who is falling for her, Kirby races against time and reason to unravel an impossible mystery.

    Stopped by the police for a minor traffic violation, the situation escalates and he is pulled from his vehicle, handcuffed, and told he is under arrest. Several other police cars arrive and the questioning turns scary, but after it subsides, and Henry is about to move on, the officer is suddenly killed in his car and there is only one suspect: the very person he was about to arrest not ten minutes before. Henry! When a second friend turns up dead, Henry realizes he's being elaborately framed. But in a chilling twist, the stakes grow even darker, and he is unable to go to the police to clear his name.15 Seconds is a story of how even the best of lives can be destroyed in just an instant—and of an innocent man, framed for murder, who has to save the person he loves the most, and who cannot go the police to clear his name.

    If only the nightmare had ended when she was rescued. Instead, her real father exploited her tabloid-ready story for fame and profit—until Charlotte finally broke free from her ghoulish past and fled. Just when she thinks she has buried her personal hell forever, Charlotte is swept into a frightening new ordeal. Secretly dosed with an experimental drug, she’s endowed with a shocking new power—but pursued by a treacherous corporation desperate to control her.Except from now on, if anybody is going to control Charlotte, it’s going to be Charlotte herself. She’s determined to use the extraordinary ability she now possesses to fight the kind of evil that shattered her life—by drawing a serial killer out from the shadows to face the righteous fury of a victim turned avenger.

    But Rachel still has no idea how a foolish teenaged game turned deadly--or who replaced her soft pellet air gun with a real weapon. When a figure jumped out at her from the darkness, she fired without thinking. By the time she recognized her half-brother, Luke, it was too late. Blood bloomed around his chest . . .Rachel's horrifying dreams about that night continue. Her anxiety contributed to her divorce from Detective Cade Ryder, though he blames himself too. And now, as Rachel's high school reunion nears, she feels her imagination playing tricks on her. She's sure that there's a hint of unfamiliar cologne in the air. That someone is tailing her car. Watching her home . . .She's right to be scared. And as connections surface between a new string of murders and Luke's death, Rachel realizes there's no escaping the past. And the truth may be darker than her worst fears . . .

    But now a diabolical killer is challenging Rhyme to a terrifying and ingenious duel of wits. With police detective Amelia Sachs by his side, Rhyme must follow a labyrinth of clues that reaches back to a dark chapter in New York City's past -- and reach further into the darkness of the mind of a madman who won't stop until he has stripped life down to the bone.

    But her greatest victory suddenly turned into a nightmare. Traumatized, betrayed, and publicly vilified for the shocking circumstances surrounding the cannibal murder case, Kate could only watch as her career ended in scandal.Fifteen years after those catastrophic events, Kate is still haunted by the unquiet ghosts of her troubled past. Now a lecturer at a small coastal English university, she finally has a chance to face them. A copycat killer has taken up the Nine Elms mantle, continuing the ghastly work of his idol.Enlisting her brilliant research assistant, Tristan Harper, Kate draws on her prodigious and long-neglected skills as an investigator to catch a new monster. Success promises redemption, but there’s much more on the line: Kate was the original killer’s intended fifth victim…and his successor means to finish the job.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    A big, towering athlete, he was the only person from his hometown of Burlington ever to go pro. But his career ended before it had a chance to begin. On his very first play, a violent helmet-to-helmet collision knocked him off the field for good, and left him with an improbable side effect--he can never forget anything.The second time was at home nearly two decades later. Now a police detective, Decker returned from a stakeout one evening and entered a nightmare--his wife, young daughter, and brother-in-law had been murdered.His family destroyed, their killer's identity as mysterious as the motive behind the crime, and unable to forget a single detail from that horrible night, Decker finds his world collapsing around him. He leaves the police force, loses his home, and winds up on the street, taking piecemeal jobs as a private investigator when he can.But over a year later, a man turns himself in to the police and confesses to the murders. At the same time a horrific event nearly brings Burlington to its knees, and Decker is called back in to help with this investigation. Decker also seizes his chance to learn what really happened to his family that night. To uncover the stunning truth, he must use his remarkable gifts and confront the burdens that go along with them. He must endure the memories he would much rather forget. And he may have to make the ultimate sacrifice.Memory Man will stay with you long after the turn of the final page.

    Diane Buckley, a talented freelance forensic psychologist, is drafted in to examine a grisly murder - a body found in a children's playground. The murder carries all the hallmarks of one of her most famous incarcerated clients, 'The Playground Killer' (aka Alfred Dinklage). In a series of intimate 1:1 sessions, Buckley has to race against time to unpick the facts and delve into Dinklage's often manipulative, complicated mind to understand his past whilst striving to prevent further murders...as someone out there will stop at nothing to complete Dinklage's work.Fully dramatized, with an immersive SFX soundscape, Killer by Nature features an all-star cast, including Katherine Kelly (Mr Selfridge), Rob-James Collier (Downton Abbey), Thomas Turgoose (This is England), Angela Griffin (Cutting It) and Will Mellor (No Offence).Length: 4 hours 31 minutes.

    It seems Mathilda's favorite heirloom was also an instrument of torture from the Middle Ages, an iron cage used to gag yapping women. Among the Dorset villagers, only Sarah Blakeney, Mathilda's doctor for her final year, seems even mildly disturbed that the miserable nag has been muzzled forever.OR TRAGIC VICTIM?But suicide starts to look like homicide, and Sarah's sorrow seems a bit contrived when the bombshell drops that Mathilda has disinherited her daughter and granddaughter, leaving her entire fortune to Sarah.Now the object of vicious gossip and the police's prime suspect in a brutal murder, Sarah must prove her innocence by delving into Mathilda's past to unmask the real killer. What she finds beneath the sleepy village facade is a grisly potpourri of blackmail, butchery, and perversion.

    In a novel set within the arena of volatile Japanese-American relations, business moguls compete for control of the international electronics industry.