There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother’s ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there’s a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez’s stories are prayers for self-sovereignty.

    None are more memorable than her Witch World novels. Simon Tregarth, a man from our own world, escapes his doom through the gates to the Witch World. There he aids the witch Jaelithe's escape from the hounds of Alizon, only to find himself embroiled in a deeper war against an even deadlier foe: the Kolder.

    Libriomancers are gifted with the ability to magically reach into books and draw forth objects. When Isaac is attacked by vampires that leaked from the pages of books into our world, he barely manages to escape. To his horror he discovers that vampires have been attacking other magic-users as well, and Gutenberg has been kidnapped.With the help of a motorcycle-riding dryad who packs a pair of oak cudgels, Isaac finds himself hunting the unknown dark power that has been manipulating humans and vampires alike. And his search will uncover dangerous secrets about Libriomancy, Gutenberg, and the history of magic. . . .

    On the run from an old romantic interest who won't take no for an answer, Rhapsody literally bumps into a couple of shady characters: half-breeds who come to her rescue in the nick of time. Only the rescue turns into an abduction, and Rhapsody soon finds herself dragged along on an epic voyage, one that spans centuries and ranges across a wonder-filled fantasy world-- a world so real you can hear the sweet music of Rhapsody's aubade and smell the smoldering forges deep within the Cauldron.

    The intimate narrative of his childhood in a troupe of traveling players, his years spent as a near-feral orphan in a crime-ridden city, his daringly brazen yet successful bid to enter a legendary school of magic, and his life as a fugitive after the murder of a king form a gripping coming-of-age story unrivaled in recent literature. A high-action story written with a poet's hand, The Name of the Wind is a masterpiece that will transport readers into the body and mind of a wizard.

    For the sixth year in a row, master anthologist Jonathan Strahan has collected stories to captivate, entertain, and showcase the very best the genre has to offer. Critically acclaimed, and with a reputation for including award-winning speculative fiction, The Best Science Fiction and Fantasy of the Year is the only major �best of” anthology to collect both fantasy and science fiction under one cover. Jonathan Strahan has edited more than thirty anthologies and collections, including The Locus Awards (with Charles N. Brown), The New Space Opera (with Gardner Dozois), and Swords and Dark Magic: The New Sword and Sorcery.Content"The Case of Death and Honey" by Neil Gaiman"The Cartographer Wasps and the Anarchist Bees" by E. Lily Yu"Tidal Forces" by Caitlín R Kiernan"Younger Women" by Karen Joy Fowler"White Lines on a Green Field" by Catherynne M. Valente"All That Touches The Air" by An Owomoyela"What We Found" by Geoff Ryman"The Server and the Dragon" by Hannu Rajaniemi"The Choice" by Paul McAuley"Malak" by Peter Watts"Old Habits" by Nalo Hopkinson"A Small Price to Pay for Birdsong" by K. J. Parker"Valley of the Girls" by Kelly Link"Brave Little Toaster" by Cory Doctorow"The Dala Horse" by Michael Swanwick"The Corpse Painter’s Masterpiece" by M Rickert"The Paper Menagerie" by Ken Liu"Steam Girl" by Dylan Horrocks"After the Apocalypse" by Maureen F. McHugh"Underbridge" by Peter S. Beagle"Relic" by Jeffrey Ford"The Invasion of Venus" by Stephen Baxter"Woman Leaves Room" by Robert Reed"Restoration" by Robert Shearman"The Onset of a Paranormal Romance" by Bruce Sterling"Catastrophic Disruption of the Head" by Margo Lanagan"The Last Ride of the Glory Girls" by Libba Bray"The Book of Phoenix" by Nnedi Okorafor"Digging" by Ian McDonald"The Man Who Bridged the Mist" by Kij Johnson"Goodnight Moons" by Ellen Klages

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)

     - At a Kansas carnival, fun and games turns to murder and mayhem, thanks to soul-snatching demons and flesh-craving ghouls luring visitors into an all-too-real house of horrors. - Verily, in olde England, striking up a friendship with William Shakespeare lands both Atticus and the Bard in boiling hot water with a trio of infamous witches. - During the Gold Rush, the avatar of greed himself turns the streets of San Francisco red with blood and upsets the elemental Sequoia. Atticus may have to fight fire with fire if he's going to restore balance.More, you say? Indeed there is--including bogeymen, vampire hordes, wrathful wraiths, and even a journey to the realm of the dead. Prepare to be besieged with nine tantalizing tales--not to be missed, never to be forgotten.

    The over 50 selections represent both established names in the field and relatively less known authors, and the structure of the book is typical of "year's best" collections.

    In "Seeing Eye" by Patricia Briggs, a blind witch helps sexy werewolf Tom Franklin find his missing brother—and helps him in more ways than either of them ever suspected. And in Jim Butcher's "Last Call," wizard Harry Dresden takes on the darkest of dark powers—the ones who dare to mess with this favorite beer.For anyone who's ever wondered what lies beyond the limits of reality, who's imagined the secret spaces where witches wield fearsome magic, come and drink deep. Let yourself fall under the spell of this bewitching collection of short stories!

    In eleven chapters, "Kalpa Imperial"'s multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. "Kalpa Imperial" is a powerful introduction to the writing of Angelica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.Selected for the "New York Times" Summer Reading list.* "The dreamy, ancient voice is not unlike Le Guin's, and this collection should appeal to her fans as well as to those of literary fantasy and Latin American fiction."--"Library Journal" (Starred Review)"There's a very modern undercurrent to the Kalpa empire, with tales focusing on power (in a political sense) rather than generic moral lessons. Her mythology is consistent--wide in scope, yet not overwhelming. The myriad names of places and people can be confusing, almost Tolkeinesque in their linguistic originality. But the stories constantly move and keep the book from becoming overwhelming. Gorodischer has a sizeable body of work to be discovered, with eighteen books yet to reach English readers, and this is an impressive introduction."--"Review of Contemporary Fiction""Borges and Cortazar are alive and well."--"Bridge Magazine""Those looking for offbeat literary fantasy will welcome "Kalpa Imperial: The Greatest Empire That Never Was, " by Argentinean writer Angelica Gorodischer. Translated from the Spanish by Ursula Le Guin, this is the first appearance in English of this prize-winning South American fantasist."--"Publishers Weekly""It's always difficult to wrap up a rave review without babbling redundant praises. This time I'll simply say "Buy this Book!""--"Locus""The elaborate history of an imaginary country...is Nabokovian in its accretion of strange and rich detail, making the story seem at once scientific and dreamlike."--"Time Out New York""Kalpa Imperial" has been awarded the Prize "Mas Alla" (1984), the Prize "Sigfrido Radaelli" (1985) and also the Prize Poblet (1986). It has had four editions in Spanish: Minotauro (Buenos Aires), Alcor (Barcelona), Gigamesh (Barcelona), and Planeta Emece Editions (Buenos Aires).Praise for the Spanish-language editions of "Kalpa Imperial" "Angelica Gorodischer, both from without and within the novel, accomplishes the indispensable function Salman Rushdie says the storyteller must have: not to let the old tales die out; to constantly renew them. And she well knows, as does that one who met the Great Empress, that storytellers are nothing more and nothing less than free men and women. And even though their freedom might be dangerous, they have to get the total attention of their listeners and, therefore, put the proper value on the art of storytelling, an art that usually gets in the way of those who foster a forceful oblivion and prevent the winds of change."--Carmen Perilli, "La Gaceta," Tucuman"At a time when books are conceived and published to be read quickly, with divided attention in the din of the subway or the car, this novel is to be tasted with relish, in peace, in moderation, chewing slowly each and every one of the stories that make it up, and digesting it equally slowly so as to properly assimilate it all."--Rodolfo Martinez"A vast, cyclical filigree . . . Gorodischer reaches much farther than the common run of stories about huge empires, maybe because she wasn't interested in them to begin with, and enters the realm of fable, legend, and allegory."--Luis G. Prado, "Gigamesh," Barcelona

    This collection embraces all the newest forms of fantasy in vogue, from urban fantasy and extreme dystopian fiction, to alternate history and entire new fantasy worlds.

    Through the ages and around the world, the Green Man and other nature spirits have appeared in stories, songs, and artwork, as well as many beloved fantasy novels, including Tolkien's Lord of the Rings. Now Ellen Datlow and Terri Windling, the acclaimed editors of over thirty anthologies, have gathered some of today's finest writers of magical fiction to interpret the spirits of nature in short stories and poetry. Folklorist and artist Charles Vess brings his stellar eye and brush to the decorations, and Windling provides an introduction exploring Green Man symbolism and forest myth. The Green Man is required reading, not only for fans of fantasy fiction but for those interested in mythology and the mysteries of the wilderness.

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    When Lanen's father dies, she chooses to leave her abusive relatives and search out the great dragons she has always dreamed of, though she knows what she seeks may not be real. But those who hold true power know that prophecies have been told of Lanen Kaelar since before her birth. They fear the destiny she may fulfill, the mysteries she may unravel--and the strange and terrifying love she may find on the legendary Dragon Isle.