He's embarking on the most painful yet important journey of his life—he's leaving home to build a better future for his family. Shaun Tan evokes universal aspects of an immigrant's experience through a singular work of the imagination. He does so using brilliantly clear and mesmerizing images. Because the main character can't communicate in words, the book forgoes them too. But while the reader experiences the main character's isolation, he also shares his ultimate joy.

    This distinctively drawn work chronicles the rise and reign of Chairman Mao Zedong, and his sweeping, often cataclysmic vision for the most populated country on the planet.Though the storyline is epic, the storytelling is intimate, reflecting the real life of the book’s artist. Li Kunwu spent more than 30 years as a state artist for the Communist Party. He saw firsthand what was happening to his family, his neighbors, and his homeland during this extraordinary time. Working with Philippe Ôtié, the artist has created a memoir of self and state, a rich, very human account of a major historical moment with contemporary consequences. Mao said, “The masses are the real heroes,” but A Chinese Life shows those masses as real people.Praise for A Chinese Life:“This is an absorbing book—all 700 pages of it—reminiscent at times of Zhang Yimou’s epic Chinese history film To Live, and reminiscent at others of George Orwell’s 1984, recast as non-fiction.” —The Onion’s A.V. Club

    Dick to Ken Liu and Ted Chiang, and beyond. Trace the progress of SF through modern times and learn why key figures and inventors like Thomas Edison and Elon Musk have looked to science fiction to predict the future.For the first time in illustrated form, this comprehensive history of science fiction traces its origins and, in fascinating detail, charts its history from its beginnings as a “schlock” genre to its respected status today. Join author/historian Xavier Dollo and artist Djibril Morissette-Phan (All-New Wolverine, X-Men: Gold, Star-Lord) in their visual journey into the expansive universe of science fiction.Who is considered the world’s first science fiction author? How did American science fiction begin? What sci-fi novel is the alltime best-seller? What were the “Pulps” and how did they predict with uncanny accuracy the 21st century world around us?The answers are here, along with detailed chapters dedicated to the founders of the genre and their modern-day successors. Discover the origins of your favorite page-to-screen science fiction movies. Marvel at the behind-the-scenes stories of some of literature’s most imaginative writers. Find out why science fiction so effortlessly captures our imaginations and makes us dream of new worlds.Far more than just a list of facts, The History of Science Fiction is a roaring analytical reflection on the genre that continues to shape our world, presented in a stunning 8” x 11” hardcover sure to stand out on any bookshelf or serve as the coffee-table conversation starter for all things sci-fi!

    *30 short stories staring female trailblazers of today and yesterday*Over 50 diverse writers and artists

    While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seth's style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax".

    Home is a new house with a loving husband in 1970s California that suddenly transformed in to the frightening world of the antebellum South. Dana, a young black writer, can't explain how she is transported across time and space to a plantation in Maryland. But she does quickly understand why: to deal with the troubles of Rufus, a conflicted white slaveholder--and her progenitor. Her survival, her very existence, depends on it. This searing graphic-novel adaptation of Octavia E. Butler's science fiction classic is a powerfully moving, unflinching look at the violent disturbing effects of slavery on the people it chained together, both black and white--and made kindred in the deepest sense of the word.

    It is full of wonder at what it can mean to learn and teach and change and grow in this world which belongs to all of us: you, me, plants, trees, coffee cups and garbage bins. What can it mean to be a witch today, in the city?

    But what does that ghosts look like when he's shy? Or in love? Or a pirate, a llama, a Bona villain, or Russian nesting doll? 100 Ghosts explores every sort of spook in a series of whimsically haunting illustrations. It's a delightful collection for adults, children, and anyone in need of a friendly fright.

    This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war.

    Saving Grace is the story of four twenty-somethings - Grace, Vicky, Jess and Maxine - who live in a ramshackle house in a rapidly gentrifying East London...until the landlord announces he's selling up and they've got four weeks to leave.New plans form effortlessly for the others, but the odds feel stacked against Grace as she struggles to find self-fulfilment, a half decent job or even a roof over her head.

    A sought-after illustrator, she has racked up accolades and awards from the Society of Illustrators and Society of Publication Designers, and has a client list that includes The New York Times, The New Yorker, and Esquire. Her breathtaking talent was further established with the debut of the graphic novel Skim–selected by The NewYork Times as a Best Illustrated Children's Book of 2008–which was written by her cousin Mariko Tamaki, and drawn with moody black-and-white nuance by Tamaki. Skim completely reinvented the young adult graphic novel genre with an utterly original and sincere portrait of being a teenage outsider.Indoor Voice collects pen, brush, ink, watercolor, and collage experiments that show how Tamaki arrives at her illustration work, as well as more polished and personal comics work examining her relationship to her parents and their influence on her art.

    For the first time, these revealing snapshots of the world's most powerful man are collected, curated, and brought to memorable new life as cartoons.Some people are saying, I don't know, you tell me, but a lot of people are saying this is the greatest book of the year. This guy, Shannon Wheeler, he draws these cartoons for the New Yorker, MAD, the Onion -- he's very, very, good, okay? Now he's illustrated the most incredible tweets. Wow! You won't believe what he does with these tweets. I mean, these tweets changed the world, folks. It's true! It's very true. EVERYONE is going to want this book -- even the haters and losers (Sad!).In Sh*t My President Says, Donald Trump's most revealing tweets are transformed into razor-sharp cartoons, offering a subversive and illuminating insight into the mind of the most divisive political figure of our time. Whether you love him or hate him, this take on Trump will help you come to grips with the man and his ideas thanks to Wheeler's signature mix of slapstick and sophistication.

    It's a book about light and dark, doubt and faith, friendship and compassion.Riddle’s representations of the strangeness of the urban landscape evoke a sense of movement that has been captured – and stilled momentarily – as if by the lens of an old-fashioned camera. Whenever we spend time with it, the spare text and mesmerising images have a way of calming the room around us as if there issomething peaceful settling over us as we read. It is a triumph of wonderful quiet beauty.Unforgotten feels like a classic in the making with its thought-provoking edgy surrealism, plea for compassion and sense of the absurd, while leaving lots of room for individual, imaginative interpretation."Reading this book is like being quietly ushered into another dimension by winged strangers, a place beyond the tread of normal earth-bound language. Ephemeral as a feather, timeless as a rock, and as true as both, Unforgotten is a magical experience."– Shaun Tan, author of The Arrival and Tales from Outer Suburbia

    Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult… Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace.Brimming with life and dark humor, The Arab of the Future reveals the truth and texture of one eccentric family in an absurd Middle East, and also introduces a master cartoonist in a work destined to stand alongside Maus and Persepolis.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.