This collection shows the qualities that make Japanese literature among the world's finest.Including "Under Reconstruction," considered to be the first modern Japanese short story, this book presents the short stories of Japan as among the world's most satisfying.Edited by Ivan Morris, a recognized authority on Japanese literature, Modern Japanese Stories: An Anthology is a volume of the highest quality and fidelity.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    His missteps, his violent rebellions, his tiny victories. But he is not a passive loser, content to accept all that fate hands him. He attempts one last escape to the edges of the city, holding the only safety net he has known – his dreams.Filled with lyrical longing and humour, Slow Boat captures perfectly the urge to get away and the necessity of finding yourself in a world which might never even be looking for you.

    Dazai experimented with a wide variety of short story styles and brought to each a sophisticated sense of humor, a broad empathy for the human condition, and a tremendous literary talent. This book showcases a range of his styles from the poignant childhood recollections of "Memories", to the samurai buffoonery of "A Poor Man's Got His Pride", to reworked folk classics such as the title story. By turns hilarious, ironic, introspective, mystical and sarcastic, the eleven stories present the most fully rounded portrait available of a tragic, multifaceted genius of modern Japanese letters.

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    Award-winning Japanese author Shion Miura’s novel is a reminder that a life dedicated to passion is a life well lived.Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it’s time for him to retire and find his replacement.He discovers a kindred spirit in Mitsuya Majime—a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics—whom he swipes from his company’s sales department.Led by his new mentor and joined by an energetic, if reluctant, new recruit and an elder linguistics scholar, Majime is tasked with a career-defining accomplishment: completing The Great Passage, a comprehensive 2,900-page tome of the Japanese language. On his journey, Majime discovers friendship, romance, and an incredible dedication to his work, inspired by the bond that connects us all: words.

    Shimazaki's 1906 classic of modern Japanese literature portrays a young man born into the Burakumin outcaste class and his struggle against both social discrimination and his own hypocrisy.

    He is in awe of her aloofness, her skill at slipping sandwiches into bags, and, most electric of all, her ice-blue eyelids. Every day he is drawn to the supermarket just to watch her in action. But life has a way of interfering – there is his mother, forever distracted, who can tell the fortunes of women; his grandmother, silently dying, who listens to his heart; and his classmate, Tutti, no stranger to pain, who shares her private thrilling world with him.Tender, warm, yet unsentimental, Ms Ice Sandwich is a story about new starts, parents who have departed, and the importance of saying goodbye.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    As misheard by one of the characters, " a lot of people," is "Lala Pipo."Lala Pipo is an ingenious tapestry of absurdity, whose cast of unlikable characters cross the line of good taste thateven those who have crossed the line cannot help but notice. Each act pushes the envelope past the one preceding it. It's like an episode of Seinfeld directed by Bob Guccione, all the story elements cleverly weaving together, taking the reader from shock to gut-busting hilarity with each tale. The main difference: these losers are X-rated.

    . . I want you to fix this." Personnel's Futawatari receives a horrifying memo forcing him to investigate the behaviour of a legendary detective with unfinished business.CRY OF THE EARTH"It's too easy to kill a man with a rumour." Shinto of Internal Affairs receives an anonymous tipoff alleging a Station Chief is visiting the red-light district ­- a warning he soon learns is a red herring.BLACK LINES"It was supposed to be her special day." Section Chief Nanao, responsible for the force's 49 female officers, is alarmed to learn her star pupil has not reported for duty, and is believed to be missing.BRIEFCASE"We need to know what he's going to ask." On the eve of a routine debate, Political Liaison Tsuge learns a wronged politician is preparing his revenge. He must now quickly dig up dirt to silence him.Prefecture D continues Hideo Yokoyama's exploration of the themes of obsession, saving face, office politics and inter-departmental conflicts. Placing everyday characters between a rock and a hard place and then dialling up the pressure, he blends and balances the very Japanese with the very accessible, to spectacular effect.

    The personal lives and desires of the main characters play out against a historical backdrop of labor unrest, factional intrigue, colonialist ambitions, and racial politics.The author, Yokomitsu Riichi (1898-1947), was an essayist, writer, and critical theorist who became one of the most powerful and influential literary figures in Japan during the 1920s and 1930s. He looked to contemporary avant-garde movements in Europe -- Dadaism, futurism, surrealism, expressionism -- for inspiration in his effort to explode the conventions of literary language and to break free of what he saw as the prisonhouse of modern culture.Yokomitsu incorporated striking visuality into a realistic mode that presents a disturbing picture of a city in turmoil. The result is a brilliant evocation of Shanghai as a gritty ideological battleground and as an exotic landscape where dreams of sexual and economic domination are nurtured.

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    Playing games with the basic units of both life and fiction—the solid certainties of the self, the world around us, and the words we use to describe these things to one another—Mieko Kanai creates a reality where nothing is certain, and where a little boy going out to run errands for his mother might find that he’s an adult, and his mother long dead, at the end of a single train ride. Using precise language to describe dreamlike plots owing as much to Kafka and Barthelme as to Kenzaburō Ōe and the long tradition of the Japanese folktale of the macabre, The Word Book is an unforgettable voyage to absurd, hilarious, and terrifying locales, and is the English-language debut for one of the greatest and most interesting Japanese writers working today.

    The authors tend towards near-zero emotional chill, stunned urbanity and a shiny kind of violence.